Comment on returning to the world with 200 words

"Come Back and Coming" is a lyrical poem in the style of poetry. The source of the style of poetry is "Chu Ci", especially "Li Sao". The realm of "Chu Ci" is the tragic realm of enthusiastic use of the world. The realm of "Returning to the Past" is a transcendent realm of retreat from the world. Traditional Chinese scholars were educated by Confucianism and took active use of the world as their ideal of life. In a historical era with extremely dark politics, the ideal of scholars could not be realized. Even life is not guaranteed. At this time, abandoning office and going into seclusion has its real meaning. Its meaning is to refuse to cooperate with the dark forces and to raise the spirit of independence and freedom. Tao Yuanming used poetry to make this sense of seclusion real, profound and The first person to express it comprehensively. The important significance of "Gui Gu Lai Xi Ci" in the history of ci and literature lies in this.

In the Song Dynasty, "Gui Gu Lai Xi Ci" was known by people Rediscover and reunderstand. Ouyang Xiu said: "There are no articles in Jin Dynasty, only Tao Yuanming's "Return"." Song Xiang said: "Tao Gong's "Return" is the swan song of articles from the north and the south." He evaluated the role of this poem in the history of literature. Li Gefei said: "The poem "Returning to the Lai Ci" flows out from the heart, but there are no traces of axe." Zhu Xi said: "The meaning of the poem is vast and desolate. Although it has the sound of Chu, it is not particularly resentful. "The disease of cutting wrinkles." (The above quotation can be found in Tao Shu's annotated edition) pointed out the true, natural, and harmonious style characteristics of this poem. These comments by Song people are in line with reality. (Deng Xiaojun)

Reading "The Return of the Return" does not give people a sense of relaxation, because behind the poet's seeming carefreeness is a kind of sadness and helplessness. In essence, Tao Yuanming is not a pure person who only likes to travel and does not care about current affairs. Although he said that "his nature loves mountains and hills", Mr. Lu Xun wanted to benefit society. When Mr. Lu Xun talked about Tao Yuanming, he said: "It is poetry, except for "Seeing Nanshan leisurely" that the commentator admired. There are also "King Kong's Angry Eyes" such as "Jingwei holding a tiny piece of wood will fill up the sea, punishing the heavens and dancing with his limbs, and his fierce will will always be there", which proves that he is not drifting all day and night." ("Title") "Undecided Grass") We feel heavy through these angry words such as "Please give me a break" and "The world is contrary to me".

The scene of "Returning to Lai Ci" is Real writing or fictitious writing? Mr. Qian Zhongshu said: "The "Preface" says that "Ci" was written in November, still in the middle of winter; if it is a retrospective and direct record, how can it be said that 'the wood is happy to prosper' and 'all things are good' Are there any such things as "the farmers tell me that spring will arrive and they will have something to do in the west", "or plant sticks and work hard" and other personnel matters? These are the imaginations before returning, and they are self-explanatory. That's it." (See Qian Zhongshu's "Guan Zhui Bian" 1225~1226, Zhonghua Book Company, 1979) In this way, the first major writing feature of this article is imagination. What the author writes is not the scene in front of him, but the scene in his imagination, in his heart So, is there any difference between writing about the scenery in the heart and the scenery in front of the eyes? The scenery in front of the eyes is what the eyes see. The scenery comes first and then the text. The text and scenery are consistent, and the emphasis is on the portrait; the scenery in the heart is what the eyes see. The scenery you create depends on what your heart likes and where your emotions go. If you see a scene in your heart, you may not have the scene you want, and if you have a scene, it may not be realistic. It is just a lyrical expression.

The language of this article is very beautiful. The poems Mainly six-character sentences, with three-character sentences, four-character sentences, seven-character sentences and eight-character sentences in between. They are catchy and have a melodious rhythm. The sentences are lined with the words "zhi", "yi", "er", etc., which are soothing and elegant. Sometimes used Words with overlapping sounds have a strong sense of music. For example, "The boat is far away and the wind is blowing, and the clothes are blowing." They are all just right. The description is combined with lyricism and discussion, sometimes depicting scenery, sometimes lyricism, and sometimes discussion. It has scenery, emotion, reason, and interest.

Chinese Life·The last point to note is that although Tao Yuanming retired to the countryside, and Regardless of whether his approach is positive or negative, he is different from the working people after all. Whether he wrote "Returning to the Garden and Living in the Fields" or "Returning to the Countryside", it was actually a phenomenon of that era. He was not alone. However, his seclusion created a writer and formed a literary style, which shines brightly in the history of Chinese literature and shines for thousands of years. Ouyang Xiu said: "There are no articles in Jin Dynasty, only Tao Yuanming's "Returning to Xi Ci" It’s just one article.” Although this is an exaggeration, it can show its position in the history of literature.