What kind of thoughts and feelings does Jianjia express?

The poem "Jianjia" is a poem that combines the unique scenery of late autumn with the euphemistic and melancholy lovesickness of things. This poem combines the unique scenery of late autumn with the euphemistic and melancholy feelings of lovesickness, creating a The artistic conception is complicated and confusing, and the scenes blend together. This poem uses images of water, reeds, frost, dew and other images to create a hazy, fresh and mysterious artistic conception. The morning mist enveloped everything, and the crystal dewdrops had condensed into frost. A shy girl walked slowly. The image of water in the poem represents women and reflects their beauty, while the thin mist is like a veil covering the girl. She appeared at the water's edge for a while, and then appeared on the Water Continent for a while. I couldn't find it, and my anxious and helpless mood was as itchy as crawling ants, and as painful as a knife twisting. Just like we often say "distance creates beauty", this kind of beauty becomes hazy, blurred and unclear due to distance. The identity, face, and spatial location of the protagonist and the lover are all vague, giving people a sense of seeing flowers in the fog, looming, and hazy. Jianjia, white dew, Yiren and autumn water are becoming more and more elusive, forming a hazy and elegant watercolor painting. The beginning of each chapter of the poem adopts a style of writing inspired by the poem. Through the description and admiration of the real scene in front of you, the painting creates an ethereal artistic conception that envelopes the entire article. The poet grasped the unique characteristics of autumn colors, and did not hesitate to use thick ink and heavy colors to repeatedly depict and exaggerate the lonely and sad atmosphere of late autumn, so as to express the poet's feeling of loss but passionate yearning. The first two sentences of each chapter of the poem are inspired by the autumn scene and lead to the main text. It not only highlights the season and time, but also exaggerates the desolate atmosphere of the pale sky and white dew, heightens the melancholy mood of the characters, and achieves an artistic realm of blending emotions with scenery and blending scenes. The images of "Jianjia", "Water" and "Yiren" complement each other and are integrated into one. The things used as inspiration and the objects to be depicted form a complete artistic world. The beginning of the poem describes the scene of reeds growing by the water in autumn. This is exactly "supporting the image to clarify the meaning" and has the function of "arousing emotion". Because of the thick reeds and the reflection of the skylight and water, it will inevitably show a state of confusion, which from one side shows the state of "hazy love" in the heart of the protagonist of the poem. The rich beauty of the poem "Jian Jia" deserves our attention and serious discussion, whether from the perspective of appreciation or creation.

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What kind of artistic conception does Jianjia present?

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The theme, artistic techniques, and artistic conception creation characteristics of Jian Jia

The poem "Jian Jia" casts the unique scenery of late autumn with the characters' euphemistic and melancholy lovesickness, thus rendering it The atmosphere of the whole poem creates a confusing and blending of scenes. This poem uses images of water, reeds, frost, dew and other images to create a hazy, fresh and mysterious artistic conception. The morning mist enveloped everything, and the crystal dewdrops had condensed into frost. A shy girl walked slowly.

The image of water in the poem represents women and reflects their beauty, while the thin mist is like a veil covering the girl. She appeared at the water's edge for a while, and then appeared on the Water Continent for a while. I couldn't find it, and my anxious and helpless mood was as itchy as crawling ants, and as painful as a knife twisting. Just like we often say "distance creates beauty", this kind of beauty becomes hazy, blurred and unclear due to distance. The identity, face, and spatial location of the protagonist and the lover are all vague, giving people a sense of seeing flowers in the fog, looming, and hazy. Jianjia, white dew, Yiren and autumn water are becoming more and more elusive, forming a hazy and elegant watercolor painting. The beginning of each chapter of the poem adopts a style of writing inspired by the poem. Through the description and admiration of the real scene in front of you, the painting creates an ethereal artistic conception that envelopes the entire article. The poet grasped the unique characteristics of autumn colors, and did not hesitate to use thick ink and heavy colors to repeatedly depict and exaggerate the lonely and sad atmosphere of late autumn, so as to express the poet's feeling of loss but passionate yearning. The first two sentences of each chapter of the poem are inspired by the autumn scene and lead to the main text. It not only highlights the season and time, but also exaggerates the desolate atmosphere of the pale sky and white dew, heightens the melancholy mood of the characters, and achieves an artistic realm of blending emotions with scenery and blending scenes. The images of "Jianjia", "Water" and "Yiren" complement each other and are integrated into one. The things used as inspiration and the objects to be depicted form a complete artistic world. The beginning of the poem describes the scene of reeds growing by the water in autumn. This is exactly "supporting the image to clarify the meaning" and has the function of "arousing emotion". Because of the thick reeds and the reflection of the skylight and water, it will inevitably show a state of confusion, which from one side shows the state of "hazy love" in the heart of the protagonist of the poem. The rich beauty of the poem "Jian Jia" deserves our attention and serious discussion, whether from the perspective of appreciation or creation.

7 likes · 937 views 2017-12-16

Try to analyze the artistic characteristics of "The Book of Songs. Jian Jia"?

"Jian Jia" belongs to Qin Feng. During the reign of King Xiao of Zhou, Feizi, the ancestor of Qin, was granted the title of Qin Gu (now Tianshui, Gansu). When King Ping moved eastward, Qin Xianggong received a large fiefdom west of Qishan due to his meritorious service in sending troops to escort him. Later, Qin gradually moved eastward, with its capital in Yong (now Xingping, Shaanxi). The Qin Dynasty included the area from Guanzhong in Shaanxi Province to southeastern Gansu Province. Qin Feng's ten chapters are mostly folk songs from this area during the Eastern Zhou Dynasty. There have always been different interpretations of this nostalgic poem. Some people think that the author is missing his lover, and the main purpose of the poem is to write about love; some people say that the poet used his friends to satirize Qin Xianggong's inability to treat the virtuous corporal, which caused the virtuous men to live in seclusion and refuse to come out to serve as officials; others say that the author is a hermit, and this poem is a work of Mingzhi. . When we carefully examine the meaning of the poem, we find that the love affair between a man and a woman is not clearly shown in the poem, and it is difficult to determine whether the "beau" is a man or a woman. It is even more unfounded to say that it is a satirical poem. Therefore, we only regard "Yiren" as a person whom the author admires and loves, regardless of whether he is a man or a woman. The two sentences "Jianjia is green and white dew is frost" illuminate the time and environment from the object image and color. The dense reeds growing by the river are green in color, the crystal clear dew drops have condensed into thick white frost, the slight autumn wind brings a chilling chill, and the vast autumn water brings a chilling chill. . In the specific time and space of this desolate and ethereal late autumn morning, the poet sometimes stood quietly, sometimes wandered, sometimes looked up, and sometimes frowned in thought. His anxious expression and restless mood appeared in front of us from time to time. It turned out that he was yearning for a friend. The two sentences "The so-called beauty is on the other side of the water" explain the object of the poet's admiration and the location of the beauty. It shows that the poet is eager to see and see through the autumn water, and keeps looking and seeking. "Yiren" refers to a person who has a close relationship with the poet, is respected and loved by the poet, and has never been forgotten by the poet. The word "so-called" shows that "Yiren" is often mentioned and talked about, but now he is on the other side of the long river. "On the side of the water", the tone is affirmative, indicating that the poet is convinced of his existence and is confident to pursue him, but the river is isolated and it is not easy to meet. "If you follow it upstream, the road is long and blocked; if you follow it upstream, you will feel like you are in the middle of the water." Walking upstream along the riverside path, the road is difficult and long, and it is difficult to reach even if it takes a long time; if you go straight When you cross the river, you can see the vast autumn water in front of you, even though it's not far away. Although the poet is standing by the river, his confused and confused mind has already started to fly, and the image of being intoxicated and obsessed with seeing the beautiful woman is vividly visible. The wonder of poetry is just as Fang Yurun said: "If you play with the words, you may be able to hope for them but not yet. Taste the meaning, actually seek it and it is not far away, and you will get it as soon as you think about it."

" ("Original Book of Songs") Only a few words have been changed in the second and third chapters of the poem, and the content is basically the same as the first chapter. However, it reflects the musical characteristics of poetry singing, enhances the melodious and harmonious beauty of the rhythm, and makes the emotions expressed It becomes more and more intense. The "green" in the first chapter, the "bleak" in the second chapter, and the "caicai" in the last chapter describe the color of the reeds from pale green to sad blue to white, rendering the desolate atmosphere of late autumn. It is getting thicker and thicker, highlighting that the poet was in a very cold environment and his mood was very lonely. The changes of white dew "as frost", "wei" and "not already" describe the gradual change of morning dew into frost and then into autumn water. The process vividly shows the trajectory of time, indicating that the poet came to the riverside at dawn and stayed until the sun rose. Imagine that he wandered alone in the cold and lonely wilderness for a long time, facing the vast autumn water, waiting for others. Missing or missing, how anxious and melancholy one must feel! When describing the location of the beloved, due to the change of the words "square", "mei" and "", it is said that the beloved is waiting for the poet on the other side and the poet hopes to meet the beloved. The activities and psychological images of the meeting are vividly depicted. Writing in this way greatly broadens the artistic conception of the poem. In addition, the changes of "long", "ji", "right" and "central", "di" and "". , also describe his difficulties in finding his lover and his eagerness to see his friends from different roads and directions. If you connect and taste the changing groups of words used in the three chapters of the poem, you can better appreciate the meaningfulness and sincerity of the poem. At the beginning of each chapter of the poem, he adopts the writing style of "Fu Zhong Xin". Through the description and admiration of the real scene in front of him, he paints an ethereal artistic conception, which covers the whole poem and captures the unique characteristics of autumn. He repeatedly depicts and exaggerates the lonely and desolate atmosphere of late autumn with thick ink and heavy colors to express the poet's feeling of loss and enthusiasm for his friends. As "Human Words" said: "The poem "Jian Jia" is the most profound. "It has the characteristics of "I see things with my own eyes, and all the old things have my color" and "The words must be refreshing; the descriptions of the scenes must be eye-catching; the words come out of the mouth without any pretense." " This poem, which has been recited endlessly, has an obvious impact on later generations. Let's look at a description in Song Yu's "Nine Bian": "What a sad autumn! The grass and trees are swaying and decaying; On a long journey; when climbing a mountain and facing the water, I see you about to return home; the sky is high and the air is clear; the silence is low and the water is clear; the desolation increases and the people are in the cold. "Here, the description of the autumn weather and the falling vegetation creates a solemn atmosphere and expresses the poet's sad and miserable mood. This may be influenced by the poem "Jian Jia", from which we can get a glimpse of "Chu" The inheritance and development clues of "Ci" from "The Book of Songs" are the origin of "There is a High Building in the Northwest" in "Nineteen Ancient Poems", and the writing style of "Jian Jia" is also used to express emotions in the poem. Later, Cao Pi created the poem "The autumn wind is bleak, the weather is cool, and the grass and trees are shaking and turning to frost". It can be seen that the poem "Jian Jia" has a very important position in the history of ancient poetry.

< p>2 likes·20,462 views

The artistic characteristics of "Jian Jia" in the Book of Songs

Analysis of the artistic characteristics of "Jian Jia"

"Jian Jia" is the most popular book in the Book of Songs One of the outstanding chapters. Its main characteristics are concentrated in three closely related aspects: blurring of facts, ethereal imagery, and overall symbolism. 1. Blushing of facts Generally speaking, the creation of lyric poems is inspired by the creation of lyric poems. Feelings of specific things, so you can always see some real human scenes in its artistic conception. However, the author of (Mengmeng) seems to have deliberately blurred out the main characters and events in it. Who is he looking for? We don’t know; what is the identity of the “beautiful person”? Why is he so difficult to obtain? Even we can’t confirm whether they are male or female. There is no sound, appearance or appearance. Sometimes he is in the upper reaches of the river, sometimes in the lower reaches of the river, sometimes in the middle of the water, sometimes in the grassland by the water, erratic, coming and going indistinctly, which makes people doubt whether he really exists, because there is no doubt. The virtualization of the pursuer, especially the pursued, makes the whole pursuit of characters, events, and content become illusory; however, it is precisely because of this fact that the artistic conception of the poem appears so vague. Ethereal and full of symbolic meaning. 2. The emptiness of the image. In fact, the scenes described in the poem are not the actual people and events in the eyes, but a mental image, nor is it a reflection of something that has been experienced. The memory of an event is a typical psychological situation that is synthesized, condensed, and blurred by many similar events and similar feelings.

The biggest characteristic of this psychological situation is that it is neither sticky nor sluggish, and is ethereal and multi-aggregated. "Beyond the Water" is an artistic expression of this ethereal psychological situation. Here, due to the virtualization of the pursuer and the pursued, the river, the dangerous road, and even the upstream and downstream pursuit routes, as well as various locations such as the "middle of the water" where the beautiful woman is located, are also unrecognizable. It has become a virtual symbolic image. Neither of them can be studied in detail about time, place, river, mountain or water. Otherwise, it would be contradictory for Yiren to be both upstream and downstream of the river. It would also be a question why the two people did not cross the river. The success of "Jianjia" lies in the fact that the poet accurately grasped people's mental images and created a psychological situation that resembles a flower but is not a flower, and is ethereal, so that the artistic conception of the poem is presented as a holistic symbol. 3. The overall symbol of the artistic conception. The symbol of poetry is not the symbolic rhetoric or technique used in a certain word or sentence, but the overall symbol of the artistic conception. "Being on the side of the water" and facing difficulties are common situations in life. The dilemma of "wandering back and forth, but the road is long" and the illusion of "wandering back and forth, wandering in the middle of the water" are also common in life. Circumstances; people may often get excited from the pursuit. From the troubles of being blocked to the melancholy of loss, this complete emotional flow is baptized. It is more likely that they are often hit by the pain of fighting against the current or the joy of going down the current. From here, readers can think of the situation of love and the emotions that arouse love. Experience can also be associated with ideals, career, future situations in many aspects and evoke many aspects of life experience. The overall symbol of artistic conception makes Shan Ye) truly have an inexhaustible philosophical meaning of life. Wang Guowei once compared this poem with Yan Shu's "Die Lian Hua" "Last night the west wind brought green trees, I went up to the tall building alone, looking at the end of the world", thinking that both of them are "the most charming and charming", which is obviously focused on it. The artistic conception and symbolic meaning of life. The blurring of facts, the emptiness of images, and the overall symbolism of artistic conception are three aspects of a problem. From the blurring of facts to ethereal imagery, and then to overall symbolism, this is roughly the process of constructing the artistic conception of symbolic poetry.

20 likes · 4,071 views 2018-04-02

. Taking "Jianjia" as an example, talk about the artistic characteristics of "The Book of Songs". (2 points)

< p>1 The genre is very wide, and it deeply reflects all aspects of social life, laying the foundation for the tradition of Chinese poetic realism. 2 The language is simple and natural. The authors of the Book of Songs use the most natural language to reflect their simple life and wishes. 3 A large number of The technique of Fu Bixing is used to form four chapters with strong local flavor. Repeated chanting shows the musical beauty of the poem "Xing", that is, "preface other things to evoke the words to be chanted". For example, "Guan Ju" uses the harmonious singing of birds in pairs and their mutual dependence on each other, evoking the association that a lady should be worthy of a gentleman. "The doves in Guan Guan are on the river island" were originally words spoken by the poet in reference to the foreground, but the harmonious singing of water birds can also be used as a metaphor for the courtship of men and women, or the harmonious love between men and women. It is related to the following meaning of "A graceful lady, a gentleman loves to marry". The beauty of this poem lies in the seamless integration of the poet's taste and the natural scenery, which is the artistic realm of the blending of scenes that has always been loved by people. " "Jian Jia" shows that watercress has no right left and right, flowing with the water, and the ladies are hard to find. The last chapter is about "picking" and "spinning" the watercress now, and the ladies being "friended" and "enjoyed" by it. It is precisely by using the technique of xing that the poem better reveals the inner feelings of the characters: that is, repeated chapters, with only a few changes in meaning and words. This technique is conducive to repeated singing to fully understand It expresses the poet's delicate thoughts and feelings. For example, in "Jianjia", there are three chapters and twelve sentences in it. "My Fair Lady" and "Spotted Watercress" appear repeatedly, which not only describes the state of lush reeds, but also the long and winding road of love. The painful mood that is close at hand but out of reach, and through the repeated melody, shows the poet's persistent pursuit of love, which seems to have the flavor of chorus and round singing.

Changes of Jianjia: Cangcang - Desolate - The picking environment is very cold, and the mood is very lonely. Changes of White Dew: For frost - Wei Xi - Wei has passed by, and the mood is anxious and melancholy. Changes of location: Long - Zhi - Right - Center - Di is full of difficulties, I am eager to see you

5 likes · 540 views 2020-02-09

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