What is the ending of Xiao Yang's "Manslaughter"?

The ending of Xiao Yang's "Manslaughter" is that he was buried alive.

At the end of the movie "Manslaughter", the director's son Li Weijie was locked in a coffin, buried underground and suffocated to death, that is, he was buried alive. In "Manslaughter", the director's son surrendered himself to pay the price for everything he had done. The director's son died of suffocation, so Xiao Yang's death method in the end was also suffocation, which echoes the situation.

Movie evaluation:

The film retains the essence of "Manslaughter", but it does not completely copy it, but adds new plots in many places. , in order to give the audience a fresh feeling. The story is exciting and exciting, the pace is bright and compact, the performances are infectious, and cinephile elements are present throughout the film.

The film captures the most core point that Chinese movie audiences can accept - emotion. The film does not pursue or strengthen the details of high-IQ crimes and logical reasoning, and is completely driven by human emotions; at the same time, the director It also grafts the emotional relationship of the characters onto the contradictions and oppositions between the two classes, starting from a small point to reveal the truth of the world, and the pattern is very large.

The film is very speculative and humanistic. While proposing the philosophical proposition of "Crime and Punishment", it does not follow the audience's simple values, but conducts speculative discussions and discussions. Enhancement, through the display of human nature, family affection and responsibility, highlights the value of family affection and sense of responsibility.