Who is the most qualified to be called the king of songs? Why?
As far as concerts are concerned, incomplete statistics show that 927 concerts have been held, among which China has the largest number of people (Alan Tam Chaohua has a detailed list of time and place, and every concert included in the statistics has a ticket stub or newspaper at that time). In fact, he gave more concerts. The first concert in' 74, Qinzhou concert in June+10, 2020, 5438, has never stopped for decades. 1984 began a global tour, covering small countries such as Southeast Asia, Japan, South Korea, Europe and America, and even Puerto Rico. Alan Tam is still the king of Hong Kong Red Pavilion. The solo concert was 192, ranking first, and the number of concerts in the Red Pavilion after Jia/Zuo Lin You Li combination was 352, almost twice that of the second place.
1994 After the renovation of the Hong Kong Stadium, its scale is 3-4 times that of the Red Pavilion. At that time, the population of Hong Kong was only a few million, and Alan Tam was the first person to hold a concert in the stadium. Since then, no one dared to sing in the stadium except for a matinee in the stadium more than 10 years later (the concert atmosphere was not the same as Tan's). Alan Tam still holds the record of giving concerts in Chinese mainland, with eight concerts in Guangzhou from 65438 to 0993. He was also the first singer to hold a concert in a stadium with 80,000 people in Shanghai.
As far as albums are concerned, Roots of Love and Trap of Love are epoch-making albums in Hong Kong music scene, and their status in Hong Kong music scene is as high as Lingyun and Ghost Horse of Samuel Hui Tower, because they are epoch-making. Alan Tam's love trilogy directly defines the trend of popular music in Hong Kong, bringing Hong Kong music from slang/folk songs mainly sung by wage earners into the road of urban love songs/urban struggles, making Hong Kong music truly elegant and popular, and bringing it into the art palace. The love trilogy also formally established the status of the emperor's superstar.
Alan Tam's album sales have been certified by ifpi of the International Federation of Recording Industry, which has been the highest among Chinese for 20 years. It is certified by the Professional Singers Association, and all kinds of singers are not comparable to advertisements.
The album "The Root of Love" ranks first among the top 100 albums in Hong Kong. It is also the only album as a representative of Hong Kong music. It was put into a time capsule together with other symbols representing Hong Kong, and opened after 100 years.
Alan Tam is 70 years old, and most of his peers are silent. Only he is still giving a concert. Last year, at the age of 69, he gave 25 concerts. It is often said that Tan's influence is only in Hong Kong, which is all wet. However, Alan Tam became popular in Southeast Asia in 1970s, and he began to travel around the world in 1984. He is the first China male singer to hold a world tour concert. At that time, the mainland was underdeveloped, but where there were Chinese in the world, there were Alan Tam's songs. Since 1980s, Alan Tam, who represents the Chinese music scene, has formed an iron triangle with Shinji Tanimura of Japan and Zhao Rongbi of South Korea (their position in China should be known) and held pax peace concerts in Japan and South Korea. In 2004, they came to Shanghai again. In addition, Alan Tam is also the only China male singer who has been invited to participate in the Japanese Red and White Song Festival (equivalent to the domestic Spring Festival Evening). He is still in the absolute C position in the Japanese Red and White Song Festival and is in the middle of all domestic and foreign singers. The superstar introduced by the host for the first time is Alan Tam from Hongkong, China, and his influence is beyond doubt.
In addition, Alan Tam has long been known as the king of songs in Hong Kong and Taiwan, but he prefers the title of headmaster and feels cordial. In 9 1 year, the flood in East China made Alan Tam raise funds in the entertainment circle. Mainland newspapers reported that "Alan Tam, Hong Kong's chief male singer, initiated a fund-raising", which was received by LD people at that time for many times. 97HK returns to the chorus of eight superstars. At this time, Alan Tam, who has announced his retirement for ten years, is still firmly in the first place, and the position of the chief male singer is unbreakable. Although he is not at the peak with the growth of age, the headmaster still insists on singing and loves singing with his life. He explained with practical actions what is a real love of music and what is a real singer, and sang with a smile for 50 years.
Yun Fei, of course.
Golden voice, iron lung power.
Yun Fei began to sing on the stage at the age of 8. After decades of tempering and polishing, he developed an iron voice and a copper throat. He can sing for dozens of days, and he can sing for seven or eight hours without losing his voice.
What is even more peculiar is that most singers love their voices and absolutely refuse the spicy stimulation of alcohol and tobacco. Yun Fei is careless and has never been a sissy. Wine and pepper are not his forbidden areas. It is common to invite three friends and four friends for a drink. It's refreshing to eat spicy oil noodle soup for several days. Some time ago, when he was performing in a certain place in Chongqing, an absolutely spicy dish almost made him faint (private prosecution). Strangely, no matter how tired he is, no matter how rough his throat is, his golden voice is as intact as iron, and it seems that the more exciting it is, the louder it becomes. It is really a god's pet, showing the domineering of the king of songs.
Yun Fei is a natural musical genius. His timbre is gorgeous and beautiful, full and thick, with rich levels, wide range and solid basic skills. Singing all kinds of songs is a piece of cake for him. He can easily sing a song and regret his original position. He has sung as many as 200 or 300 songs, covering all kinds. He has no deformation, only more shapes. He moves smartly through various styles and schools, showing different urban charm. His grassland style is the main theme, taking into account the loess in the northwest, Wei Wu in Xinjiang, the snowy areas in Tibet, some folk songs in Ningxia and Yunnan, and even the old Beijing-style tune Bridge in Beijing can be compared with Cai Guoqing.
There are also high-pitched and magnificent carols, lingering popular classes and so on. These are his unique skills.
Yun Fei has a unique singing voice, and his alto has its own electrode magnetism, which attracts the hearts of the audience from time to time. His high-pitched area is bright, stable and lasting, and it is rich and full in the high-pitched area of G3. The conversion between true and false sounds in the high-pitched position naturally leaves no trace, and the shock and regret when G5 breaks out can make people feel comfortable and happy.
Yun Fei also has the strength of chorus.
Capella is the best test of the singer's strength. The modernization of the Internet has become a stage for Yun Fei to show his true kung fu in oratorios. He sings everywhere he goes. He doesn't need any electrical equipment. He went into battle lightly, and a few words could charm all beings. For example, Jiu-Er, Beautiful Motherland, Pilgrim's Road and In that Far Away Place, which he sang on the network platform, are all high-pitched songs. He sings loudly and cleanly, with the original China side, showing his true colors as a hero. There is no real good voice decorated with electricity. Some singers' sound cards and microphones are worth tens of millions to millions. Without these AIDS, they are really embarrassed to use them in front of the audience.
Yun Fei not only sings first-class, but also has outstanding creative talent. He has been digging deep on the road of music art and looking for inspiration in his life. In recent years, he has created a number of well-known works of art, such as Yunfei, Auspicious, Goddess in My Heart, Love in the Grassland, Singing a Song for My Woman and Moon on the Grassland. Each song has different styles, and the combination of nationality and popularity is refreshing and impressive.
If we insist on launching the King of Songs according to the requirements of the topic, I personally think it is more appropriate to choose national singers, because national songs are widely loved by the public and their strength is indeed higher than that of pop singers. Yun Fei is the best of its kind in China. Whether it is talent, singing skill or talent, it is fully qualified to be called the king of songs.
Who is qualified to be the "king of songs"? Looking at the mainland music scene, I personally think that the most qualified teacher is Liu Huan!
Liu Huan, the original king of songs, made his debut early and gained a high reputation. He is also a judge of The Voice of China several times, not to mention his popularity. But now the singer competition of variety shows seems to show a phenomenon of seniority, and the evaluation has become harmonious and equal. The name of the king of songs has turned around, not based on the singer's own singing skills, but also on the average.
In the long run, it will mislead the audience and think that the evaluation of the king of songs is not like this, but like that. Although egalitarianism is good, it can promote a harmonious atmosphere and enliven the stage. Undoubtedly, the singer contest will always be a competition program in the end, and it needs some efforts to evaluate the ranking, and the competition should be normalized to win the trust of the audience. Only in this way will the audience feel nervous and be completely in the mood to watch the program.
To tell the truth, although "The Singer" has gradually degenerated into a powerful high-pitched voice and a powerful fake cry. But in any case, Liu Huan should be a big shot in the music industry. But if you invite such a person, I don't know if the rest can match, otherwise it will be boring to ride the dust.
Teacher Liu Huan, a powerful singer, loves music and is meticulous in music creation; Being low-key and humble, he is a rare talented musician in the domestic music industry and a competent king of songs. I support Liu Huan!