China Naming Network - Eight-character lottery - Jiang Xun said Song Ci.

Jiang Xun said Song Ci.

I first came into contact with Jiang Xun from listening to him talk about A Dream of Red Mansions. His voice is particularly beautiful, eloquent and insightful. Later, I gradually learned that he not only interpreted A Dream of Red Mansions, but also dabbled in many aspects, such as Tang poetry and Song poetry, the Book of Songs, Tao Yuanming, aesthetics and so on.

The book "Jiang Xun Telling Song Ci" that I read in winter vacation is well written, and there are many viewpoints that I heard for the first time. I have been reading everyone's works and take it for granted that they are good. I have never thought about them from a certain height (to be exact, I don't understand them). After reading this book, I gained a lot of knowledge and read a lot of lyrics that I didn't understand. It is also good to appreciate some beautiful words.

Spring has come, there is no political oppression, no economic distress, no threat of war, everyone is stepping on the spring and enjoying the spring. ? Advise the sunset to stay for you for a long time, leaving a night photo tangent to the flowers. "This kind of elegance is hard for modern people to have, not only can't be written, but even can't be felt.

"The mountain reflects the sunset and meets the water. The grass is ruthless, and the sunset is also outside. " Like a landscape painting. "Dark homesickness, chasing travel. Every night unless, sweet dreams make people unable to sleep. The bright moon building is high and lonely. Wine becomes sorrow and tears. " It is easy to understand the sadness of running away from home and the feeling of missing relatives. There are so many temptations and things we can do now that it is difficult to understand the deep yearning for people and hometown, the fast pace of life and the impetuousness of people's hearts, and it is also difficult to calm down and think about how to express this emotion.

"The incense in the furnace turns to gossamer", a little incense is lit in the incense burner, and thin smoke comes out. This is the fragrance in the furnace, quietly and slowly winding, like a hairspring. Jiang Xun said that many things in the Tang Dynasty are describing big scenes or events that must have a purpose in life; However, in the Song Dynasty, because of the relative political stability and economic prosperity, people could quietly watch some small events that were almost meaningless. These little events don't mean anything in the whole life, but they occupy a very important period in life. Every minute in our life is meaningless, and sometimes it is a moment of silence and leisure. Song dynasty is the time to pay attention to these tiny moments. The most wonderful thing about Ci in the Northern Song Dynasty lies in the grasp of images. These pictures are often very dull, and there are no major events in them, just small life experiences such as sadness and waking up from dreams, plus some of the most specific scenes around them. This may be a kind of life aesthetics. After dinner, pour the milk into the coffee and stir it with a spoon. This scene may be a picture of modern poetry. The ancients' "the kitchen incense is still turning" can enter poetry at such a tiny moment, but we can't find suitable sentences to express our tiny leisure time. Most of Yan Shu's ci poems are aesthetic feelings and emotions reflected by ordinary things in this life.

There are many more in the book.

In the first half of my life, I was drunk and dreamy, and in the second half, I suffered from the pain of national subjugation-Li Yu;

From romantic love to "flower picking", we can experience the five generations of thorns in the universe as a flower or a snowflake.

A talented poet is naturally dressed in white-Liu Yong;

Can be heroic, can be affectionate, can be used to, can be sad-Su Shi;

Once the form is emphasized, even the beginning of decline —— Ci from Northern Song Dynasty to Southern Song Dynasty

Taoyuan has gone and never returned-Qin Guan;

Boat, dream into Furong Pu-Zhou Bangyan;

Solitary boudoir tender feelings one inch sorrow-Li Qingzhao;

Looking for him in the crowd, suddenly looking back, the man is there, the lights are dim-Xin Qiji;

The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent-Jiang Kui.