Fonts are also changing with the times. What font was China in Tang Dynasty?

Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy style is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty all regarded his regular script works as models of calligraphy.

In ancient times, there was a saying: "Learning calligraphy must start with the pattern, and writing must start with the big characters. Chinese characters are based on Yan, Chinese characters are based on Europe, Chinese characters are ripe, and then they are gathered into small characters, which is the law. "

However, according to the results of many years of experimental research, it is not appropriate for beginners to learn too big words first, but it is more suitable for Chinese letters.

Three masters of regular script in Tang Dynasty:

The regular script of Ou Yangxun, Yu Shinan and Chu Suiliang, three great calligraphers in the early Tang Dynasty, is the most suitable model for copying Chinese characters. This is a simple introduction as follows:

Regular script originated from ancient Li, based on the calligraphy of Erwangti and the Northern School of the Six Dynasties. They are original and influential, and they are the standard of learning books.

Investigating the characteristics of regular script, the pen is strong and powerful, the strokes are neat and tidy, and the structure is cheerful and healthy. His representative works of regular script inscriptions include "Jiuchenggong Liquan Ming" and "Huadu Temple Monument".

Yu Shinan's regular script, elegant and graceful, inherited the legacy of the wise and brave Zen master and was the clique of the Wang school. Although it originated in Wei and Jin Dynasties, its softness on the outside and rigidity on the inside swept away the cowardice of Wei and Jin calligraphy style. His masterpiece in regular script is Confucius Temple Monument.

Chu Suiliang's regular script is famous for its sparseness and strength. Although he is the ancestor of the right army, he can win its charm. Its font structure seems very bold and unrestrained, but it can skillfully reconcile the quiet style and create an unprecedented situation. The preface to the sermon on the Wild Goose Pagoda is the most representative work in his regular script.

Extended data:

Pen regular script has the following characteristics:

1, pay attention to the pen

Pen regular script strokes are Teton, Hidden Dew, Fiona Fang, Fast and Slow, etc. Different ways of using pen will produce lines with different shapes and textures, and different lines need different ways of using pen to reflect them.

Pen regular script font is small, and the line thickness does not change much. If you don't pay attention when writing, the strokes will not meet the requirements, and the strokes will be weak, stiff and stiff. So you must go through strict training to master the method of using a pen.

Step 2 clear strokes

Pen regular script should be clearly explained in terms of the starting and closing of each stroke, neat and standardized, clean and tidy, and should not be scribbled or adhered. However, there must be an inherent echo relationship between strokes.

Make the strokes achieve: orderly opening and closing, clear and firm strokes, ceaseless, straight but not stiff, curved but not weak, smooth and natural.

3. The structure is square.

Pen regular script emphasizes balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct and standardized font. The characters should be arranged together, with symmetrical sizes and neat lines.

Although there are also uneven changes in shape, it is still relatively neat as a whole.

Baidu encyclopedia-regular script