Martial arts in novels

Couple Sword Technique Lin Yulong and Ren Feiyan were taught this sword technique by an eminent monk when they were newly married. When facing the enemy, the two swordsmen need to open and close the yin and yang, one to advance and one to retreat, one to defend and one to attack. If they cooperate perfectly, they will be victorious and undefeated when facing the enemy. However, Lin and Ren had bad tempers and refused to protect each other, so they were unable to exert the power of this unique sword technique. They then taught this sword technique to Yuan Guannan and Xiao Zhonghui. This sword technique was truly outstanding in the hands of these lovers. There are seventy-two moves in the Couple's Sword Technique, and each move has a charming name, such as "The beautiful woman and the talented man have thousands of pearls", "The uneducated beauty is the dependent", and "The breeze leads the admiration to the Yaotai" wait. (See Jin Yong's "Yuanyang Sword")

The Yin and Yang reverse sword technique is the special skill of Gong Sun Zhi, the lord of Jueqing Valley. One hand holds a serrated golden sword, and the other holds a sharp black sword. When the sword and sword skills are used at the same time, hardness and softness complement each other, and yin and yang complement each other. When it comes to using swords to fight against enemies, the black sword is originally gentle, but it cuts and slashes violently, turning it into an extremely fierce sword technique. Sword, sword becomes knife, fantasy and no method. Gongsun Zhi once used this method to restrain the swordsmanship of Jade Girl Su Xin, who was joined by Yang Guo and Xiao Longnu. After Yang Guo Qiu Qianchi pointed out, he saw that the sword was a sword, the sword was a sword, the sword was a sword technique, and the sword was a sword technique. It was ultimately a false move. He was not confused, so he defeated it in one fell swoop. (See "The Legend of the Condor Heroes" by Jin Yong)

The Golden Crow Sword Technique was created by Granny Shi, the wife of Bai Zizai, the head of the Snow Mountain School. Grandma Shi had a strong personality and was not as good as her husband in martial arts, so she went down the mountain angrily and painstakingly created the Golden Crow Sword Technique, which was specifically designed to restrain the Snow Mountain Sword Technique, which contains the meaning of the sun (Golden Crow) melting ice and snow. Later, Grandma Shi passed the sword technique to Shi Potian and used Shi Potian's hand to defeat her son Bai Wanjian, who had mastered the essence of Snow Mountain sword technique. (See Jin Yong's "Xia Ke Xing")

Sword Technique

The silent and colorless sword move is a unique move in Kunlun School's sword technique. It must be used by two people at the same time. The two people have similar skills and the same internal strength. When the sword is used, the strength is exactly the opposite. Therefore, the surging force and the sound of breaking the air generated by the two long swords cancel each other out. Therefore, it is suitable for night battles, making it difficult for the opponent to hear the sound and distinguish the weapon, and he has been attacked without realizing it. The leaders of the Kunlun Sect, He Taichong and Ban Shuxian, were defeated by Zhang Wuji at the Shaolin Temple Heroes Conference. They used this trick to sneak attack Wuji, who was being treated with poison by Xian Yutong. The long sword then nailed Xian Yutong to the ground. (See Jin Yong's "The Legend of Heaven and Sword of the Dragon")

The Unparalleled Ning Sword. Ning Zhongze, the wife of Yue Buqun, the leader of the Huashan Sect, created a temporary sword move to help Linghu Chong subdue Tian Boguang's sharp sword. Tao is fierce, including the Huashan School's internal skills and swordsmanship. Yue Buqun praised it as "unparalleled and unmatched, Ning's sword". When the masters of the Sword Sect were trying to seize the position of leader of the Huashan Sect, Ning Zhong used his sword moves to force Cong Buqi to retreat. Linghu Chong accidentally discovered that this sword coincided with the sword intention of Senior Huashan, but his sword moves were simpler and more powerful. (See Jin Yong's "Swordsman")

The Thirteen Movements of Hengshan Cloud and Mist, a martial art created by a master of the Hengshan School and is one of the three unique skills of the Hengshan School. This expert makes a living by performing jugglers, and he actually incorporates his jugglery skills into martial arts, creating weird changes. When Liu Zhengfeng was kidnapped by a master of the Songshan Sect, he used this unique skill. He lifted up his disciple's body and pretended to throw it at Ding Mian. Suddenly, his body jumped out diagonally, and with his hands slightly raised, he sent the body to Fei Bin's chest. Fei Bin used his strength to block it, and smoothly Hit Fei Bin's acupuncture point. Later, Mr. Mo Da also pretended to argue with Fei Bin. The cold light suddenly flashed, and there was a long sword in his hand, and he stabbed Fei Bin in the chest, repeating this lightning-fast and dream-like Hengshan Sect. stunt. (See Jin Yong's "The Swordsman")

The unique skill of the Huashan Sect of the Three Immortal Swords that kills people in a chain. The three swords were completed in one go. Start with a straight chop to the head; if the opponent leans away, then circle the sword and slash across the waist; if the opponent can avoid it, he will definitely jump over the sword, then flip the sword back and stab the opponent in the back. There are no eyes behind the opponent's back, so it is difficult to dodge. Back then, during the great sword show on Jade Girl Peak, the Sword Sect disciples killed several Air Sect masters with this sword technique. When Yue Buqun was having a sword duel with Linghu Chong in the Shaolin Temple, he was so anxious that he actually used the sword sect's stunt, which he usually looked down upon. (See Jin Yong's "Swordsman")

The Chongling Sword was created by Linghu Chong, a great disciple of the Fahuashan Sect, and Yue Lingshan, the daughter of the leader Yue Buqun, while playing in the waterfall. It was named after each of them. One word name. Although this swordsmanship is a child's game, it is a symbol of their childhood sweethearts. During the sword competition in the Shaolin Temple, Yue Buqun deliberately used the Chongling Sword Technique, implying that Linghu Chong would betroth his daughter to him as his wife if he abandoned the sword and surrendered. At the Wuyue Sword Sect Merger Conference, when Linghu Chong and Yue Lingshan were competing with each other, the two unknowingly used the Chongling Sword Technique to recall their old friendship.

(See Jin Yong's "Swordsman")

Liangyi swordsmanship was created by two masters of the Wudang sect over decades of effort. There is yin and yang in the swordsmanship, both hard and soft. When making a move, one is slow and the other is swift. Although the posture is unsightly, the sword moves are simple and vigorous, and flaws are rare. When the fight reaches a critical point, one person's sword opens and closes widely, with powerful momentum; the other person retreats quickly, and cold stars appear on the tip of the sword. The two Taoist priests Qingxu and Chenggao once used this sword technique to make things difficult for Linghu Chong, but because they could not mix yin and yang into one, they were still defeated by Linghu Chong's Dugu Nine Swords. (See Jin Yong's "Swordsman")

The Thirteen Swords of Shenmen were created by Zhang Sanfeng, the founder of Wudang Sect. *** There are thirteen moves, each move is different, but the place it stabs is the Shenmen point on the enemy's wrist. The Shenmen point is at the end of the auspicious bone behind the palm. After the enemy is hit by the sword, the palm can no longer exert any strength. Yin Liting, one of the Six Heroes of Wudang, used this sword to easily make more than ten people from the Sanjiang Gang remove the sword from their wrists. (See Jin Yong's "The Legend of Heaven and Sword of the Dragon")

The invincible swordsmanship created by Dugu Qiufei. It is divided into nine parts, namely: general formula, sword-breaking, knife-breaking, spear-breaking, whip-breaking, rope-breaking, palm-breaking, arrow-breaking, and qi-breaking. The key to practicing this sword is to "enlighten" that even one sword and one stance can be infinitely changeable. When facing an enemy, the more clearly you can forget the moves, the better. His descendants include Feng Qingyang and Linghu Chong. Linghu Chong once defeated Tian Boguang with the Dugu Nine Swords, blinded the eyes of fifteen underworld masters, and defeated Ren Woxing, Taoist Chongxu, Yue Buqun, and Lin Pingzhi. (See Jin Yong's "The Swordsman")

Putian Shaolin Temple's Zen Master Du Yuan changed his name to Lin Yuantu after he returned to secular life. After being inspired by the "Sunflower Collection", he created seventy-two ways of warding off evil swords and fought against the underworld. Invincible hand, Qingcheng faction Chang Qingzi and other Bai Dao masters also lost their moves under his sword. However, there is a prerequisite for practicing this sword, which is to wield the sword from the palace, so Lin Yuantu does not want future generations to practice it. Lin Zhennan's evil-fighting swordsmanship has not yet reached its true meaning, so his skill is low. However, Yue Buqun practiced evil-fighting swordsmanship from the palace, and his martial arts flourished. He defeated Zuo Lengchan and became the leader of the Five Mountains Sect. Lin Pingzhi practiced this sword technique from the palace and killed Yu Canghai and Mu Gaofeng. After mastering the sword technique to ward off evil spirits, his figure is erratic, like a ghost, and his attacks are strange and unbelievable. However, compared to the Dugu Nine Swords, the sword technique to ward off evil spirits seems to be slightly inferior. (See Jin Yong's "The Swordsman")

The stick method

There are thirty-six ways to beat the dog with the stick method. It was created by the founder of the Beggar Clan and has always been the former leader. He will be appointed as the gang leader after he is passed on, and will never be passed on to outsiders. Although the name of this method is crude and vulgar, the changes are subtle and the techniques are wonderful. A green-colored dog-beating stick slightly longer than a sword was pointed east and west, extremely sharp. The dog-beating stick technique consists of eight techniques: tripping, splitting, entangling, poking, picking, leading, sealing and turning. When using "trip", the main attack is on the enemy's lower body, just like the Yangtze River, flowing continuously, never allowing the enemy to have any chance to breathe. If the first trip is missed, the second trip will continue to come, and the hook will be connected. "Tang" is used to follow the enemy's things, like a shadow, and use the enemy's strength to control it. No matter how huge the enemy's weapon is, the bamboo stick is like a tough thin vine. After entangling a big tree, the tree can be made dozens of times thicker. , don’t even think about being able to get rid of the shackles again. The "Zhuan" formula is the opposite. It can point at the enemy's vital points or stab the enemy's vital points. Let you move and jump. The bamboo stick turns into a green shadow, covering you completely. The "picking" formula uses "four ounces to move a thousand catties", using clever strength to resolve brute force. When Huang Rong took over as the leader of the Beggar Clan, the gang members were instigated by the gangsters, and the people in the gang were dissatisfied. Later, she used the stick method to defeat the four elders and make them surrender. (See Jin Yong's "The Legend of the Condor Heroes")

Fingering

Yiyang refers to the unique martial arts skills handed down from generation to generation of the Duan family of Dali. It is also the special fingering technique of the "Southern Emperor" Yideng master. The nemesis of Western Poison Ouyang Feng's Toad Kung Fu. After performing the exercise, tap the acupuncture points with the index finger of your right hand. You can move the finger slowly or quickly. When it is slow, it can be graceful and elegant. When it is fast, it can be as fast as lightning, but the point where it is pointed is exactly the same. When fighting against the enemy in a dangerous situation, you can use this fingering technique to get close to the enemy's acupoints, or to bully the enemy from a distance. You will be away with one hit, and retreat with one attack. It is actually a supreme technique for defeating the enemy and protecting yourself in seconds. . However, using one yang finger consumes a lot of energy. If you use it continuously, your energy will be lost, and if you use it continuously, your life will be lost. (See Jin Yong's "The Legend of the Condor Heroes" and "The Eight Parts of the Dragon")

The miraculous power of the fingers with magical powers. Huang Yaoshi made this skill unparalleled in the world: using his fingers to secretly move the potential, and hitting objects with finger bullets or bullets, mainly used to launch hidden weapons. Huang Yaoshi used this skill when he tried playing stone bullets with Zhou Botong. Later Guo Jing also learned this method. (Jin Yong's "The Legend of the Condor Heroes")

The Six-Meining Divine Sword uses the six veins in the hand to control the invisible sword energy, flying vertically and horizontally, far better than a sword. Duan Yu defeated Gusu Murong with this, Qiao Feng looked at it and sighed to himself.

Principle of the Six Meridians Divine Sword: There are three major categories of acupoints: acupoints on the main meridian, acupoints on the extra meridian, and extra meridian acupoints. The thumb - Taiyin Lung Meridian of the hand, Shaoshang acupoint, outer edge of the finger; the index finger - the large intestine meridian of the hand, Yangming Meridian, Shang The Yang point, the back side of the hand, the middle finger - Jueyin pericardial meridian of the hand, the Zhongchong point, the palm side, the ring finger - the Sanjiao meridian of the hand Shaoyang, the Guanchong point, the back side of the hand, the little finger has two - the Shaoyin heart meridian of the hand. , Shaochong point, the inner side of the little finger of the hand, the Taiyang small intestine meridian of the hand, Shaoze point, the outer side of the little finger end of the hand (Jin Yong's "Tian Long Ba Bu")

Boxing method

Seven Shang Quan Kong The martial arts of the Dong sect were handed down from generation to generation. Later, Xie Xun, the golden-haired lion king of the Ming sect, obtained an ancient copy of the "Seven Injury Boxing Manual" and finally mastered it. This boxing technique is powerful when punched. There are seven different forces in one punch, which may be strong and fierce, or feminine and soft, or hard and soft, or soft and hard, or go out horizontally, or send straight, or shrink in, and the enemy If you can't resist the force coming from you, you will be seriously injured internally. Xie Xun once used this fist to kill the Shaolin monk Kong Jian Master. However, if these Seven Injury Fists are practiced by people whose internal strength has not yet reached the state of perfection, it will cause great harm to themselves. There are two qi of yin and yang in the human body, and the five elements of metal, wood, water, fire, and earth. One practice will cause seven injuries, and all seven will be injured. Therefore, the so-called "seven injuries" mean hurting yourself first and then hurting others. When Xie Xun practiced this boxing, his heart was injured, and sometimes he became violent and uncontrollable. However, Zhang Wuji already has excellent internal strength, so if he practices this boxing again, there will be no hindrance. (See Jin Yong's "The Legend of Heaven and Sword of the Dragon")

Baihua Fist is a boxing technique created by Yuan Shixiao, the strange hero of Tianchi. Yuan Shixiao was frustrated in life and his temperament changed drastically. He vowed to do what his predecessors had not done and to fight what his predecessors had not done. So he integrated hundreds of schools of thought and found a new way to create this boxing. The essence of Baihua Cuoquan is "plausibility and surprise", and the moves are completely contrary to the authentic techniques passed down from ancestors. Chen Jialuo learned this boxing and had the upper hand against Zhou Shiying and Zhang Zhaozhong. (See Jin Yong's "Book of Swords and Enmities")

Beauty Boxing was created by Lin Chaoying, the founder of the Tomb Sect. Each move of the boxing technique imitates an ancient beauty, incorporating the unpredictable charm and demeanor of beauties over the past thousands of years. The names of the moves are very poetic, such as Red Jade Drumming, Red Flying Night Run, Green Pearl Falling from a Building, Wen Ji returns to the Han Dynasty, the red thread steals the box, Mulan bends the bow, Ban Ji composes a poem, Chang'e steals medicine, the waist is slim, Lihua dresses up, Pingji the needle god, Xizi holds the heart, Luo Shen Weibu, Cao Ling cuts off the nose... every The moves all come from a historical allusion, and when performed, they can grow lotuses step by step, or cling like willows, defeating the enemy in a graceful and charming way. Yang Guo once used this boxing technique to outwit the extremely powerful Dalba, the second disciple of King Jin Lun. (See Jin Yong's "The Legend of the Condor Heroes")

Zhou Botong practiced Kong Mingquan hard in a cave on Taohua Island for more than ten years, and suddenly realized the wonderful purpose of using the virtual to hit the real, and using the weak to defeat the opponent. Therefore, he created his own Seventy-two Hands Kong Mingquan, which is mainly "empty and soft". (Jin Yong's "The Legend of the Condor Heroes")

Sanshou Category

The three-no-three-no-hand bare-practice fairy Li Mochou created his own martial arts. The full name is "pervasive", "pervasive", and "doing everything". "Pervasive" means attacking the enemy's entire body, hitting all the major acupoints on his body; "Everywhere" hits the side points all over the enemy's body; "Doing everything" no longer hits acupoints, but only the eyes, throat, lower abdomen, and lower vagina. All the soft places in the human body are vicious and vicious. This skill was broken by Yang Guo using the technique of retrograde meridians taught by Ouyang Feng. (See Jin Yong's "The Legend of the Condor Heroes")

The tiger claw hand is a variation of the Wudang sect's grappling technique, the tiger claw hand. Wudang hero Yu Lianzhou felt that the tiger claw hand might not be able to be captured immediately, so he created twelve new moves from it. However, these moves are very powerful and can cause the enemy to lose his or her heir. On the 100th birthday of his master Zhang Sanfeng, when the heroes came to Wudang to force Zhang Cuishan, the Wudang heroes had discussed using this move, but they gave up because the Shaolin monks broke in again. (See Jin Yong's "The Legend of Heaven and Sword of the Dragon")

Thousands of Spiders and Ten Thousand Poisonous Hands is a vicious evil kung fu. When practicing the martial arts, one has to endure hardships, having to suck one's own blood with a poisonous spider, and bring the spider poison into one's own blood. Once all the venom from the flower spider enters the body of the practitioner, the spider will die and a new one will have to be replaced. Practicing a hundred flower spiders is only a small success. If you want to have deep skills, you have to train thousands of them. This skill is extremely powerful, but the deeper you practice it, the more toxins accumulate in your body, and the uglier your appearance becomes. Yin Li, the granddaughter of Yin Tianzheng, the leader of the Tianying Sect, and her mother had their beauty turned ugly because of practicing this skill. (See Jin Yong's "The Legend of Heaven and Slaying the Dragon")

The Nine Yin White Bone Claws, Iron Corpse Mei Chaofeng and Bronze Corpse Chen Xuanfeng, the couple practiced sinister martial arts based on the second half of the "Nine Yin Manual". Bones, extremely cruel. In the "Nine Yin Manual", this move is called "Nine Yin Divine Grasping". When used, "the five fingers exert strength to break through any stronghold, destroying the enemy's head as if through rotten soil."

"Mei and Chen could not learn the mental methods of nourishing qi and returning to the origin and practicing internal skills in the first half of the "Nine Yin Manual", but they relied on their own ideas and made random guesses. They did not know that "destroying the enemy's head" meant attacking the enemy's key points. He thought he was inserting his five fingers into the enemy's head, and he thought it was necessary to practice martial arts, so he practiced the superior martial arts in a wrong way. Later, Zhou Zhiruo, the head of the Emei Sect, in order to achieve quick results, also practiced this skill and became the best in the world of martial arts. (See Jin Yong's "The Legend of the Condor Heroes" and "The Story of the Heavenly Sword and Dragon Slayer")

Palm Technique

Hua Gu Mian Zhang Mian Zhang is originally an internal martial art and is popular in Hebei and China. Henan and other places. It is characterized by softness on the outside and hardness on the inside, with explosive power as the main technique. The movements are stretched and continuous, and the palm movements are formed into a circle. The power is strong inside and soft on the outside, and explodes quickly. . The novelist developed it into the "Bone-Reforming Cotton Palm", which is an extremely difficult and sinister Kung Fu. The person hit by the Bone-Reforming Cotton Palm is initially unconscious, but after two hours, the force of the palm takes effect and all the bones in the body will be damaged. It was as soft as cotton, with broken organs everywhere, and it was so miserable that there was no way to save it. Mao Dongzhu sneaked into the palace from Snake Island and killed Empress Xiaolian, Prince Rong, Empress Duanjin and others with this palm (see Jin Yong's "The Deer and the Cauldron". 》)

Xuanming Divine Palm is an extremely sinister palm technique created by Taoist Baishu, and was later passed down to his disciples Xuanming, Hebiweng and Luzhangke. The recipient has a green five-finger palm print. The cold poison entered the body, causing excruciating pain during the attack. He narrowly escaped death. Zhang Wuji was struck by a palm from a deer stick man when he was a child. The cold poison spread into his internal organs. Although Zhang Sanfeng and the Wudang heroes injected pure Yang internal energy to help him, and also received the full strength of Hu Qingniu, the medical immortal from Dishe Valley. Although he tried to save him, he still couldn't get rid of the cold poison, and his life was in danger until he mastered the Nine Yang Magic Technique to eliminate the poison in this palm.

Ouyang Feng's Toad Kung Fu. A very powerful skill. When performing the skill, squat on the ground, bend your hands at shoulder level, and make a croaking sound, just like a big frog doing sumo wrestling. This skill is purely based on static braking, and the whole body is gathering strength. He was very powerful, and as soon as the enemy attacked, he would immediately counterattack with fierce force. When he was competing with Hong Qigong that day, he was just using his strength, like a bow ready to go, when Huang Rong touched it rashly. When he got up, Guo Jing would have died under Ouyang Feng's palm unless he tried his luck to save him. Later, Ouyang Feng used this palm technique to sneak attack Hong Qigong, causing him severe damage (this technique can only be broken by "One Yang Finger"). See Jin Yong's "The Legend of the Condor Heroes"). The Toad Kung Fu in modern martial arts is a hard-strengthening external skill that trains masculine strength to make the muscles stronger and easier to defend against enemies. It is customary to use stone piers as training tools, and then practice the wrists, arms and other parts. It applies to the shoulders, back, chest, abdomen, legs, thighs and other parts of the body.

The palm technique created by Zuo Lengchan, the head of the Songshan School of Cold Ice Palm, can release the true energy from yin to cold. When Leng Chan competed with Ren Woxing, he used this skill to deal with the Star Absorbing Technique, causing his whole body to freeze and the Tianchi point to be sealed; when competing with Yue Buqun for swordsmanship, Zuo used the Ice Divine Palm to fight Zixia The magic skills are evenly matched, and there is no difference between victory and defeat. (See Jin Yong's "Swordsman")

Yang Guo created his own palm technique, Yang Guo and Xiao Longnu in the Jueqing Valley. After the breakup, martial arts continued to grow. After a few years, except for the gradual improvement of internal skills, there was no other way to practice. I missed Xiao Longnu in my heart, and gradually disappeared. One day, I stood quietly on the beach for a long time. Out of boredom, I punched and kicked me randomly. I smashed the back shell of a big sea turtle to pieces with just one palm. From this, he thought deeply and created a complete set of palm techniques. The movements are very different from ordinary martial arts. The most powerful thing is all the internal strength. He named this set of palms "Ecstasy Palms", which means "Those who are in ecstasy can only say goodbye" in Jiang Yan's farewell poem. The names of the seventeen moves are strange and strange, including being frightened, unfounded worries, making things out of nothing, procrastinating, wandering in empty valleys, powerless, walking corpses, disturbing others, going against the grain, forgetting to eat and sleep, walking alone, drinking and swallowing, restless, at the end of the road, pale, whimsical, and dumbfounded. However, the moves are extremely powerful. Such as the "heart-pounding" move, which uses the chest and abdominal muscles to injure people externally, which is really rare; "making something out of nothing" waits for the enemy to attack close to an inch, and suddenly moves the hands and feet together, with the left palm, right sleeve, and head hammer of both feet. There are moves on the chest, back, waist and abdomen, none of which are powerful enough to injure the enemy; the palm power of "drag the mud and water" coincides with Wu Xing, the right sleeve is the home of Guishui in the north, and the left palm is the home of Wutu in the center, light, heavy and fierce , both; the "face without color" is derived from the mind-taking method of the "Nine Yin Manual". The face is full of joy, anger, sorrow and joy, and there are all kinds of strange things. When the enemy sees it, he can't control his mind immediately. I like the enemy's joy. I am worried about the enemy, but finally obey my orders. This is actually a silent way to defeat the enemy.

This set of palm techniques was created by Yang Guo when he was thinking about Xiao Longnu. When using it, he needs to be in a ecstatic mood, so that the body and mind can be harmonized and the power can be exerted. Otherwise, we cannot defeat the enemy. (See Jin Yong's "The Legend of the Condor Heroes")

Hong Qigong's life skills of the Eighteen Palms for Subduing the Dragon were half acquired from his teacher and half learned through his own understanding. Although there were only eighteen palms, each of them was Every move has great power. Among these eighteen palms, there are dragons that are strong and regretful, flying dragons in the sky, riding six dragons at one time, being shocked for hundreds of miles, dense clouds without rain, success after damage, seeing dragons in the fields, dragons fighting in the wild, two dragons fetching water, and walking on frost and ice. Zhi, Shenlong's tail swing, etc. The whole set of palm techniques is famous for its fierceness. For example, when a flying dragon is in the sky, it jumps into the air and strikes down from a high position, which is extremely powerful. The dragon's tail wagging is a life-saving trick. This move comes from the "Lu" hexagram in the "Book of Changes". It was originally called "Luxing on the tiger's tail". It is like attacking the tiger's back, but stepping on the tiger's tail. The tiger turns back and bites back, which is naturally very powerful and vicious. This move must be launched from behind in a reflexive manner. If the enemy forces you into a corner and cannot turn around, the power will be greatly reduced. The Eighteen Palms of Subduing the Dragon is a martial art of pure yang and extreme strength, but when it is extremely strong, softness naturally arises. In these palm techniques, such as "A strong dragon has regrets" and "Shuangbingbingzhi", the hardness and softness are blended into one. Indistinguishable. When Hong Qigong told about Kang Long's Regret, he said that the essence of this palm is not the word "Kang" but the word "Regret". He did not use full strength when he used the palm, and the force of the blow was very strong, leaving it on his own body. The strength is still 20%, like a fine aged wine, not spicy in the mouth, but extremely mellow in its staying power. As for Lu Shuangbingzhi, when using the palm, raise both elbows slightly, use the right fist and the left palm, hit directly and push horizontally, and strike out quickly and slowly. In one move, there is a combination of hardness and softness, positive and negative, and endless wonderful uses. This kind of palm technique, which is both light and heavy, combining hardness and softness, is so powerful that it makes the enemy unable to guard against it.

The essence of the Eighteen Dragon Subduing Palms lies in the movement of power and force, but the changes in the palm techniques are very simple. That day, Guo Jing fought with Ouyang Ke using the Eighteen Dragon Subduing Palms he only knew, but finally lost. Hong Qigong taught Guo Jing the remaining three palms in front of Ouyang Ke. Guo Jing had not yet understood it, but the clever Ouyang Ke already understood it. However, when they faced each other, Ouyang Ke found it difficult to cope with the palms Guo Jing had learned. This shows that The power of palm technique lies in "gong" and not in "change". (See Jin Yong's "The Legend of the Condor Heroes")

Internal Strength

Dragon-Elephant Prajna Skill is the supreme Dharma-protecting magical skill in Tantric Buddhism. This skill is divided into thirteen levels. The first level of skill is very simple. Even a stupid person can master it in one or two years as long as it is taught. The second layer is twice as deep as the first layer and will take three to four years. This increases exponentially, and the further back you go, the harder it is to make progress. After reaching the fifth level, if you want to practice at a deeper level, you often need more than thirty years of hard work. Tantric sects have many eminent monks and scholars, but no one has practiced the thirteen-level Dragon Elephant Prajna Kung Fu above the tenth level. In fact, this skill requires gradual progress, and life is limited after all. Jin Lun Dharma King is an unparalleled prodigy who has finally reached the tenth level of practice. At this time, every palm strike has the power of ten dragons and ten elephants, which is really difficult to resist. (See Jin Yong's "The Legend of the Condor Heroes")

Arhat's magical skill of subduing demons was created by a senior Shaolin monk, and is a rare skill in martial arts. This skill is a combination of the great achievements of Buddhist internal skills. It is profound and subtle. When practicing, you need to put aside all worldly worries and distracting thoughts. However, practitioners should not be overly indulged in practicing, so as not to be close to "greed" and violate the Buddha's teachings. Therefore, only talented people who are both smart and simple can hope to achieve a small success in this work. The Arhat's practice of subduing demons is painted on 18 small puppets. The outer layer is covered with clay powder, and the Shaolin's authentic internal skills are also painted on them to prepare for the practice of magical skills. The owner of White Whale Island, the old man Dabei, got the clay doll but didn't know the secret. Before his death, he gave it to Shi Potian. Shi Potian relied on his strong internal strength that he had already cultivated to master the magic skills that ordinary people would need to practice for years or even decades in one day. (See Jin Yong's "Xia Ke Xing")

The Huashan School of Zixia Gong is renowned in the world for its superior internal strength. When it first appeared, it was vague and non-existent, as continuous as clouds. However, it accumulated strength and became extremely tenacious. Later, it became overwhelming and unstoppable. The face of the person who performs the power is full of purple energy, so it is called "Zixia". Humanity says "Huashan Nine Gongs, the first is Zixia". Usually only the masters can practice this skill. Yue Buqun once threatened to teach it to his eldest disciple Linghu Chong, which was to express his intention that he would take over the throne in the future. When Hengshan sent Lu Lianrong to fight with Mrs. Yue in a sword fight, Yue Buqun used Zixia Gong to break their swords, causing Lu Lianrong to fly away. During the sword competition in Songshan to compete for the leadership of the Five Mountains Sect, Yue Buqun used this skill to connect Zuo Lengchan's three "Ice Palms". He was not injured, and his voice did not even tremble when he spoke.

Most of Jin Yong's martial arts descriptions are rich in cultural connotations.

Ouyang Feng's retrograde meridians symbolize the retrograde effects of "Western Poison"; Linghu Chong's Dugu Nine Swords are in line with his unrestrained and proud character. When the Zixia Gong here is activated, the face can change color and the purple energy flickers in and out. This is obviously a mockery of the hypocrisy of Yue Buqun, the "gentleman's sword". Zixia Kung is by no means domineering, but it is full of resilience and can prevent others from attacking later. It is just used to pave the way for Yue Buqun's role in the competition to unify the Five Sacred Mountains. He is not as arrogant as Zuo Lengchan, but in the end he is the leader of the Five Sacred Sect. . (See Jin Yong's "Swordsman")

Wixing, the director of the Demon Sect's Absorbing Star Dharma, created a set of martial arts by combining the Dali Duan's Beiming Divine Kung Fu and the Xingxiu Sect's Huigong Dafa. It focuses on Hua Gong Dafa all the way. The Star Absorbing Technique specializes in absorbing the opponent's true energy, storing it in one's own Dantian, and then driving it into the eight extraordinary meridians for one's own use. It is extremely powerful in battle, but very damaging. Linghu Chong discovered the secret of this method on the iron plate in Renwoxing's cell, and after learning it, he defeated Hei Baizi and others. But when Ren Woxing was fighting with Zuo Lengchan, he used the Star Absorbing Technique to absorb the poisonous inner power of the Ice Divine Palm, almost freezing him. The Star Absorbing Technique has serious hidden dangers for practitioners. The skills of others it attracts will suddenly counterattack one day. The more skills it attracts, the greater the force of the counterattack. Ren Woxing will die as a result. Fortunately, Linghu Chong was taught the Yi Jin Jing technique by a Shaolin disciple, and was able to eliminate the foreign energy in his body. (See Jin Yong's "The Swordsman")

Other martial arts

The two-hand fighting technique Zhou Botong was trapped on Peach Blossom Island by Huang Yaoshi for fifteen years, and he created this technique out of boredom. As the saying goes: "The heart has no dual purpose." He also said: "If you draw a square with your left hand and a circle with your right hand, it cannot be a rule." This technique of fighting with both hands requires the human heart to have two purposes, one mind guarding the inside, and the other mind wandering outside. , using both hands to perform different martial arts moves. When facing an enemy, if you use this set of skills and attack separately, it is equivalent to fighting two against one. (See Jin Yong's "The Legend of the Condor Heroes")

The method of contracting the muscles and bones is recorded in the second half of the "Nine Yin Manual". This method is originally the lowest level of Kung Fu, and is used by rats and dogs to dig holes. However, if you practice it to the best, you can shrink the whole body's muscles and bones into a very small ball, just like a hedgehog and a porcupine curling up when encountering an enemy. Guo Jing was framed by bandits and bound to the Beggar Gang. He used this method to remove the restraints from his hands and feet and narrowly escaped death. Later, Zhang Wuji was trapped in a cave by the traitor Zhu Changling. After practicing this skill, he escaped safely. (See Jin Yong's "The Legend of the Condor Heroes" and "The Legend of Heaven and the Dragon Sword")

Tie Banqiao's life-saving trick to avoid the enemy's hidden weapons. Usually the hidden weapon comes too fast, and there is no time to jump up or step aside, so the body becomes stiff and suddenly leans back, allowing the hidden weapon to pass by, but the feet are still firmly nailed to the ground. The higher the skill, the closer the vest can be to the ground. What is important is to rise and fall quickly and the body to be straight. The so-called "feet are like cast iron, body is as straight as a board, and tilted like a bridge." For example, Monk Baoshu once used this trick to avoid Cao Yunqi's plot. . (See Jin Yong's "Flying Fox in the Snow Mountain")

Zhang Sanfeng, the founder of the Wudang sect of Yitian Slaying Dragon Skill, was heartbroken that his beloved disciple Yu Daiyan was brutally murdered. He used his fingers to calligraphy in the atrium at night, and repeatedly wrote "The supreme king of martial arts, slaying dragons with precious swords, commanding the world." ", don't dare to disobey, rely on the sky, who can compete with you?" These twenty-four characters have evolved into a set of extremely superb martial arts, each character contains several changes of moves. Its contraction is also dignified, like the bend of an inchworm, and its vertical movement is also dangerous and vigorous, like the escape of a cunning rabbit, dripping, hearty, vigorous and vigorous. It happened that Zhang Cuishan saw in the secret that the master and the disciple were connected mentally, and Zhang Cuishan understood the secret. After that, he used the judge's pen to write these twenty-four characters on the cliff on Wangpan Mountain, which shocked Xie Xun, the golden-haired lion king with unparalleled martial arts skills, and had to sigh to himself. (See Jin Yong's "Eternal Heaven and Sword of the Dragon")

I hope these are useful to you.