Sun Yong is hidden in painting and calligraphy.
Since the 21st century, all kinds of elegant collections that have disappeared for more than half a century are on the rise again. Although all the current elegant clubs can't be compared with the ancients, they are also precious. Around Baohuatang, there are a group of young talents who are engaged in poetry, painting and calligraphy. Although their artistic style is still in constant perfection, their excellent works are overlapping and the artistic forest attracts attention. Sun Yong is one of them.
Sun Yong, alias An Ruo, was born in Zhucheng, Shandong province. Graduated from the Academy of Fine Arts of Shanghai Normal University, majoring in painting, calligraphy and fine seal cutting. He has participated in the joint exhibition of Baohuatang Boutique in Daqian Gallery in 213, the joint exhibition of Qunji Junxiu in Baishi Painting Gallery in 213, the exhibition of Sun Yong's paintings and calligraphy in Shanxi Jinshang Park in 214, the cutting-edge recommendation exhibition of contemporary art in Shanxi Library in 214, the art exhibition of "Painting Tao and Literary Mind" in Lingnan Art Museum in 215, and the "Gold" in Baishi Painting Gallery in 216. He has published Sun Yong Seal Carving-Sixteen Fearful Events, Qunji Junxiu-Sun Yongjuan and Sun Yonglin's Mei Qing Album Selection.
During the Spring Festival in 22, it is very important to avoid the epidemic. No shooting, no New Year greetings, no visiting relatives, staying at home every day. Accustomed to the hustle and bustle, Chinese people feel impatient, always looking forward to the end of the epidemic and going out freely, even in the community.
It was on such a day that we had an exchange with Mr. Sun.
Mr. Sun is indifferent. He said that apart from not going out to buy food every day, staying at home to fight the epidemic is no different from ordinary life. Get up, have breakfast, grind ink, draw pictures ... For three meals a day, it's time to read, draw and draw pictures.
leaning against the south window
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leaning against the south window is a sign of pride, and it is easy to let your knees rest. During the epidemic, the studio can't go, the room is narrow and small, and you have to share the desk with your son who doesn't go to school. Mr. Sun said with a smile: Fortunately, you can arrange your life in an orderly way only if you have an easy heart. Sure enough, the world of literati always has a calm attitude.
a thousand trees and a half pool
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a thousand trees and pears and a hundred pots of wine, a half pool of autumn water and a well. So far, pear blossoms have not been seen, and it is not a demerit to drink a hundred pots of wine. Mr. Sun still drinks the same amount, neither more nor less than usual. Xiao Zhuan should be written carefully, carefully and in one go. Huang Tingjian has a poetic cloud-the new flower must be drunk for thousands of times, and the wine will run a hundred ships.
It's worth saying that Mr. Sun is good at calligraphy. Through his ability of structure and modeling, he makes the appearance of characters on Xuan paper get a higher standard: vigorous and powerful, with thick, clear and strange texture, with unrepeatable mystery and associative space, which constitutes a dazzling and charming calligraphy palace, which makes people fascinated.
Jigu Leshan Lian
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Guanling Hushan
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The predecessor of the bright moon
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The book is a painting at the extreme, and painting at the extreme is a book. Mr. Sun loves painting, focusing on mountains and rivers, going in and out between Yuan and Ming Dynasties, and being a teacher's heart is not a trace, imitating the past and not muddying the past. He mainly learns from Huang Gongwang, and his pictures are mostly dry, seemingly dry, but in fact bright, and the scenery in his paintings is light and transparent. His works make people feel that his approach to the ancients is not to follow suit in appearance, but to learn from the mind and intention of China painters, so the pen and ink have a very high aesthetic value.
there are new flowers, and there is no shortage of wine. Mr. Sun is at home, and his daily routine is just painting. Recently, I was obsessed with Mei Qing, so I couldn't go out and see flowers. Fortunately, I "discussed and communicated" with Mr. Mei at home. Dig out Mr. Mei's paintings, appreciate them, try to figure them out, copy them and play them ... The cliff is an old cliff, but the flowers are new.
I'm fascinated by Mei Qing, and I'm also bent over the pine of Huangshan Mountain. Mr. Sun's pine and Mr. Mei's pine are about the same, but the pine has taken on a new look in the past one or two hundred years. This new look may be loose, but it may be exciting. That is, things are different.
Wang Yuanqi said that painting and writing are interlinked, and it is necessary to get rid of antiquity in antique, so you can see a pen and ink. It's hard to judge how much Zhang Mei-ching has gained in the end. However, if you read it carefully and use ink, you will feel safe and calm.
the interest in painting mountains may be changed from one painting to another. Layout is the general trend, and there must be hills and valleys in the chest; Dyeing is fun, so you should be relaxed and skilled. Mr. sun is a careful person, and he carefully tidies up his big mind, which is precisely because of the nuances.
take your time in the bamboo. Mr. Sun said: "It is not easy to talk to the ancients-I want to learn too much and want too much-so I lost my composure. When I was young, I always faced the post first, then backed it, and then meant it. It's a process of seeing whether a mountain is a mountain or not. What does it matter if Mei Qing is Mei Qing or not? It is enough to take shape and borrow momentum. "
When chatting with Mr. Sun, you will always be unconsciously infected by his seriousness and frankness.
Mei Qing imitated Wang Shuming, so Mr. Sun came to imitate Mei Qing. It is not easy to use a pen through the ages, and the words are passed down from time to time. As far as painting is concerned, the pattern and momentum are changeable, and the people who sit and talk can do whatever they want, whether they are in red or in Tsing Yi ... What remains unchanged is the literati. You can travel and live in a pleasant place. When you think about it this way, talking to the ancients in this way is beyond vision and straight to heart-your month is my month, your soul is my soul, and your pen and ink can also be turned into my pen and ink. It is not easy through the ages, but it is just a literary heart.
when Mr. sun paints, he does not simply imitate objects, but places infinite feelings in them. His paintings are rich in mountains, lush in vegetation, and smooth in clouds, organically blending the elements of geographical geomantic omen "surrounded by mountains and rivers, hiding wind and gathering gas", and the picture scroll is full of vitality. Looking at each painting carefully, the pen is light, but not frivolous, fast, but not astringent, and contains escaping gas in the ethereal and frankness in the energetic. It can not only show his skillful pen and ink control ability, but also contain his personality ideal. Each work gives full play to the accumulation and change of ink and wash, and the blank treatment is full of ink and breath, which is very interesting. Let us feel a true strength and his enthusiasm for life.
It's also a combination of karma to avoid the epidemic for half a month and be so safe in panic. Cao Xueqin always said that his "The Story of the Stone" was used to serve rice and wine. Mr. Sun said: My painting does not dare to compare with Cao Gong's essay, but it is just a gift from the impermanence of life-I used the time spent in the first month of last year to paint. I only want to do what Wang Yuanqi said-people who wear light makeup but don't kitsch.
As Mr. Sun said, life, epidemic or not, affection or not, can be hidden in painting and calligraphy.
Planning | Master Bao Hua Tang
Writing | Xiaoding
Editing | Xiaoding.