How to distinguish "male sculpture" from "female sculpture"?

Analysis:

Yin engraving and Yang engraving

The intaglio is concave. Relief is a convex shape, which is a three-dimensional line that displays strokes on a plane object.

Yin engraving and Yang engraving are two basic methods of traditional carving in China. However, modern lettering, whether female lettering or male lettering, is obviously fundamentally different from traditional lettering. Modern lettering shows the language communication between knives, and the traces of one knife and one knife and the texture of wooden structure are unobstructed.

Knife marks on the bottom texture of male carving are a new development that breaks through traditional printmaking and a leap in the quality of modern edition. Modern lettering started late, but it developed rapidly in the process of gradually changing from tradition to modernity. 199 1 10 The lettering research society of China Book Association was established in Liuzhou, and the holding of the China-Japan lettering meeting and the national lettering workshop opened the door to modern lettering in China. Undoubtedly, as a dynamic new art of modern lettering, it is attractive and the most striking artistic style. From it, we can see the collection of literature, art, sculpture, modeling and other artistic forms, and feel the brilliance of its aesthetic compound. Mr. Quan Xijun put forward the idea of developing "China lettering, focusing on orthographic lettering". After the initial stage of 10 years, I have learned a lot from Japan and South Korea in terms of sense of form, techniques and decoration. However, if you want to surpass the above countries, you can't take the road of other countries. We should take advantage of China's cultural accumulation for thousands of years to find a breakthrough. Turn the forms of male prints and female prints into a kind of integrated art, and enrich the three-dimensional art form in the sense of inseparable combination of male and female feet. Through many national lettering exhibitions, works combining public engraving with mother engraving, such as Oriental Beauty, Fa Wu Er Men, Sincerity, Hundred Years of Tree People, etc. There are yin and yang collocation and orderly strokes. This combination of yin and yang lines has found a good destination for the expression of male prints, and also increased the sense of content and form for the monotony of female prints, which provided conditions for the development of modern lettering in China.