Four-yuan jar celadon in the Eastern Han Dynasty: What is the historical origin of four-yuan jar celadon in the Eastern Han Dynasty?
Celadon of the eastern han dynasty refers to celadon fired in the Eastern Han Dynasty. Celadon of the eastern han dynasty's fetal quality is dense and hard, and the fetal color is mostly gray or light blue-gray, with a high degree of porcelain and crisp tapping sound. The glaze layer is uniform, and the fetal glaze is closely combined, and only a few cases have glaze removal and glaze accumulation; The glaze is bluish green, and some are bluish yellow, but the glaze is even.
Quaternary celadon in the Eastern Han Dynasty is a cultural relic of the Eastern Han Dynasty and the best in celadon of the eastern han dynasty. The celadon of the Quaternary jar in the Eastern Han Dynasty is 23 meters high. 2 cm, diameter 1 1 cm, base diameter 14. Seven centimeters. 1954 was unearthed in Zhiziling, Changsha.
So, what did the four series cans in celadon of the eastern han dynasty look like in the Eastern Han Dynasty?
Containers or burial utensils. The overall shape of the tank is simple and generous, beautiful and practical. The tire color of the can is grayish white, and the belly of the can is painted with green glaze. The glaze is as bright as new, and the fetal glaze is closely combined. It is a rare boutique in celadon of the eastern han dynasty.
What is the historical origin of celadon of four series tanks in the Eastern Han Dynasty?
The most common types of celadon from Han Dynasty to Tang Dynasty. Straight mouth, rich shoulders, bulging belly, flat bottom, four ears on the shoulders, pinched or cut into a bridge shape by two mud strips. Since the Wei, Jin and Tang Dynasties, the evolution law of the four-series can is: the body of the can is constantly increasing, the upper abdomen is shrinking, the lower abdomen and the bottom are correspondingly enlarged, and the center of gravity is downward, which is becoming more and more practical.
A container, or a container used by a tomb owner before his death, is used for burial after his death. The Eastern Han Dynasty was the period when ancient mature porcelain was produced, and it completed the transition from primitive porcelain to real porcelain that met modern standards. This artifact can be regarded as the product of this process. This pot has a small mouth, a short neck, a smooth shoulder and a bulging belly. The curves of the shoulders and abdomen are smooth, the lower abdomen is inclined, the bottom is flat and slightly concave, and four clay strips are symmetrically adhered to the shoulders. The overall shape is simple and generous, beautiful and practical. The tire color of the can is grayish white, and the belly of the can is painted with green glaze. The glaze color is crystal clear, the glaze surface is as bright as new, the opening is fine, and the tire glaze is closely combined. It is a rare boutique in celadon of the eastern han dynasty.
Celadon unearthed from Xiaoxiantan kiln site in Shangyu County in the late Eastern Han Dynasty represents the firing level of this period.
The firing level of celadon rose rapidly during the period of Wu Xi Jin in the Three Kingdoms. Yue kilns in Shangyu, Shaoxing, Yuyao, Ningbo and Xiaoshan in Zhejiang, Ou kilns in Wenzhou and Wu kilns in Jinhua have become the main producing areas of celadon. Junshan Kiln in Yixing, Jiangsu, and parts of Hubei, Hunan and Jiangxi are also produced. During the Eastern Jin Dynasty and the Southern and Northern Dynasties, celadon was produced all over Zhejiang, Jiangsu, Jiangxi, Fujian, Hunan, Hubei, Sichuan, Shandong and other places, and more than 270 kiln sites were found on the slopes on both sides of the Cao 'e River in Zhejiang.
Celadon is still the main porcelain in Sui Dynasty, and the important kiln sites are Anyang kiln and Gongxian kiln in Henan Province. Gabi Village Kiln, Cixian County, Hebei Province; An Wei Huainan Kiln; Xiangyin kiln in Hunan and Qionglai kiln in Sichuan. Celadon still played an important role in the Tang Dynasty. Yue Kiln, Ou Kiln and Wuzhou Kiln in Zhejiang; Yue Zhouyao Kiln and Changsha Kiln in Hunan; Hongzhou Kiln in Jiangxi and Caijialong Kiln in Jiujiang; Linchuan White Lake Kiln; Fujian Annan Kiln and Jiangle Kiln; Guangdong Chaoan Kiln, Sanshui Dongkou Kiln, Xinhui Yamen Guanchong Kiln, Sichuan Chengdu Qingyang Palace Kiln and Qionglai Kiln were the main producing areas at that time. The world-famous Yue kiln celadon flourished in the middle and late Tang Dynasty. Its products are delicate and clean, the glaze color is "ice" and "jade", the shape is rich and the pattern is elegant. It is also called "southern blue and northern white" with the northern Xingyao white porcelain. After the mid-Northern Song Dynasty, Yue Kiln declined and Longquan celadon rose.
At the same time, celadon from Yaozhou Kiln, Ruyao Kiln, Linru Kiln and Bianjing Official Kiln in the north rose suddenly and reached a high firing level. Longquan pink glaze and plum blossom green glaze reached the highest level of green glaze firing in the middle and late Southern Song Dynasty. In the Ming Dynasty, celadon gradually declined due to the appearance of blue-and-white porcelain and the rise of colored porcelain.