Who is your favorite screenwriter?
In my eyes, he is a genius and a wonderful flower. His sword is biased, he doesn't play according to the rules, his imagination is unconstrained and his unique style is impressive. In his works, everyone looks abnormal, cute and needs to be beaten, which makes people love and hate. This contrast will always make people fall into his unique charm.
Now, let's talk about three works by Li Shuxing's Miyako. They are very impressed by Feng Gan:
1. Early Death and Early Reincarnation Hellfire Starring: Shenmu Ryunosuke and Tomoya Nagase.
After watching this movie, I gave my knee directly. Among the actors in Hell, I only recognized Tomoya Nagase and Kenta Kiritani, while the beauties Machiko Ono and Nana Seino were completely unrecognizable because of their figure.
In the film, Li Shuxing Gong Teng tells the sad story of life and death in the world in a very happy way. Maybe this is life. Facing all kinds of difficulties, we can still face and break through optimistically.
2. "Sorry, Youth" Starring: Nishikido Ryo and Gwangju Glory
When "Sorry, Youth" was broadcast, the ratings were not ideal. But in that season's word-of-mouth drama, it was far ahead.
The play revolves around the merger of coeducational schools. The two schools are different in gender and beliefs, and they are usually out of place. Sorry, there are no normal people in youth except the hero and heroine. Here, girls are braver than boys, and boys are gentler than girls. All kinds of conflicts between people, as well as the unspoken "sorry", make every episode full of points that make people laugh and cry. Watching this play, the audience will definitely be as accurate as the characters in the play.
3. Narcissistic Interpol starring: Tomoya Nagase, Ikuta Touma and Mika Nakashima.
The plot is actually a little simple, that is, after Tomoya Nagase and Mika Nakashima broke up, they fell into the story that every woman they like is a prisoner. He accidentally discovered that his colleague's wife turned out to be his lover. In fact, Mika Nakashima's role is also a prisoner. She chose to leave because she was afraid of delaying him, and chose to marry a clumsy criminal police in order to pay attention to the progress of the case.
The symbol of narcissistic Interpol is Tomoya Nagase's cheerful dance steps when he goes to see the heroine. Even if this dance step is accompanied by various styles of music from netizens, there is still no sense of disobedience. The most dazzling national wind is one of them.
In Li Shuxing's plays in the Palace Hall, there are always some people who think and act normally, and there are always some abnormal people, but it is precisely because of this conflict, illogical nonsense and just right spit that the audience enjoys the process of watching the play. This humor is a kind of life.