The development history of Chinese ink painting

According to legend, it began in the Tang Dynasty, matured in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and in modern times. Take the brushwork as the main method and give full play to the function of the ink method. "Ink is color" means that the change of the shade of ink is the change of color levels. "Ink is divided into five colors" means that the colorful colors can be replaced by multi-level ink shades.

Shen Kuo's "Picture Song" of the Northern Song Dynasty says: "Dong Yuan in the south of the Yangtze River has a great beauty, with light ink and light mist as one body." That is to say, ink painting. People in the Tang and Song Dynasties often used wet brushes to paint landscapes, which produced the effect of "water halo ink seals." People in the Yuan Dynasty began to use dry brushes, and the ink colors were more varied, creating an artistic effect of "like five colors at the same time." In the Tang Dynasty, Wang Wei proposed that "ink and wash should be the first" for painting styles, and later generations followed this. Ink painting has long occupied an important position in the history of Chinese painting. Extended information

Landscape paintings began to appear in the Sui Dynasty. Landscape paintings emphasized "flat distance", "high distance" and "far-reaching". Using scatter perspective, flat distance is like "walking on the mountain path". While walking and looking, the focus is constantly changing, and you can draw a very long scroll, encompassing thousands of miles of mountains and rivers;

Gaoyuan is like slowly descending from the top of the mountain on a parachute, the focus is also changing, and you can draw from the top of the mountain to the bottom of the mountain. The vertical scroll is a long scroll; the far-reaching one uses the contrast of the shapes of distant and near mountains to create a three-dimensional and deep valley effect.

Since ancient times, the fourth characteristic of Chinese landscape painting has been that people or buildings must appear in the painting for the painting to be alive; starting from the Tang Dynasty, Chinese landscape painting began to be divided into two schools, the southern and the northern.

The founder of the Northern School was Li Sixun, a painter of the Tang Dynasty. He invented the method of splitting with a big ax and used color heavily in the painting. The thick ink spots on the moss were also painted with bright azurite, which was very suitable for realizing the northern sunshine. Brilliant, craggy mountain peaks. Painters of the Song Dynasty such as Zhang Zeduan, Li Tang, Ma Yuan and Xia Gui inherited his style and formed a faction.

Baidu Encyclopedia-Chinese Ink Painting