Reading the 600-word model essay of Shi Shuo Xin Yu
What do you think of when it comes to note novels that record anecdotes about heritage? What do you think of when you mention the representative of Zhiren's novels? When you mention China's earliest novels with the highest historical value, what do you think of? Tell you, it is a great legend in the history of China-Shi Shuo Xin Yu.
Shi Shuo Xin Yu was compiled by scholars organized by Liu Yiqing in the Southern Dynasties, with Liu Jun as a note in the Liang Dynasty. It is divided into politics, morality, literature and founder. There are more than 1000 philosophical and interesting stories in the book. Reading Shi Shuo Xin Yu feels like listening to an old story. A few words can explain the ideological style of a period. No wonder Mr. Lu Xun called it "remembering words deep and cold, remembering lines simple and wonderful."
Not only that. Shi Shuo Xin Yu is also the "birthplace" of countless idioms! We are familiar with such short stories as "picking up people's teeth and wisdom", "infatuation", "wonders", "taking in everything in a glance" and "quenching thirst by looking at plum blossoms". Let us enjoy it together!
My favorite is the article "Bitter Plum on the Roadside". It tells the story of Wang Jie, who was seven years old, when he was playing with the children, he saw many plums on the plum tree by the roadside, and many plums almost broke the branches. The children scrambled to pick plums, but Wang Jie didn't move. Someone asked him why, and he said, "There are so many plums growing on the trees by the roadside. It must be bitter plums. " The child who picked plums tasted the plums, and it was really bitter.
There is a mystery in this story, which not only praises Wang Jie's strong reasoning ability and good thinking habits since he was a child, but also points out that "no one likes bitter plums on the roadside" and conveys the truth that useless things will be abandoned by people by borrowing bitter plums. In the story, Wang Jie was outstanding from an early age and eventually became one of the seven sages of bamboo forest and a minister of the Western Jin Dynasty.
After reading this book, it caused me a lot of thinking. We should observe carefully, be good at thinking and draw inferences from others in order to realize a valuable life.
"Shi Shuo Xin Yu" "Reading its language, Jin people are full of charm, trance and vivid, but they are simple and mysterious, really endless, and they are a masterpiece in ancient and modern times!"
After reading Shi Shuo Xin Yu, Fan Wen has 600 words (2) The length of each story in Shi Shuo Xin Yu is very short, but it reads like a short story read today, with a beginning and an end and a climax. The words and deeds of the characters recorded are often sporadic fragments, but there is a characteristic in words and expressions, that is, the spoken language at that time is often recorded truthfully without any modification, so some words are not well understood but concise, which can convey people's characteristics. Generally speaking, it is very simple prose, which embodies the personality characteristics that are sometimes like spoken English but meaningful.
Good at grasping the characteristics of characters. The author often accurately describes the protagonist's language and actions with simple words, and clearly presents the protagonist's character to the readers. Such as the description of "Cao Cao grabs the knife".
Make good use of contrast to highlight the character. For example, Xie An's composure during the Battle of Feishui, and the panic of the ministers in the DPRK. Also, Huan Wen is hosting a banquet, inviting courtiers to take the opportunity to get rid of Xie An and Wang. Wang was terrified, but Xie An "thanked him for his tolerance. The more he showed his appearance, the more he looked at his appearance, and the more he sang, the more he satirized the vast torrent."
In addition, Shi Shuo Xin Yu makes good use of literary techniques such as metaphor, metaphor, exaggeration and description, such as the allusion of "no catkins because of the wind". It not only retains many well-known words, but also adds infinite brilliance to the book.
I think its important value lies in its original ecological record of "Wei and Jin demeanor". Wei and Jin Dynasties is an era of pursuing beauty. Appreciating physical beauty, behaving beauty and pursuing celebrity manners became the social fashion in that particular historical period. During the Wei and Jin Dynasties, the demand and pursuit of male beauty exceeded any time.
Due to political reasons, Wei's literary wisdom and life wisdom were widely spread in the Jin Dynasty. Celebrities are always talkative and usually elegant. When talking, they hold their tails in their hands. The most admirable thing in their romantic life is their poetic pride. They drink too much to celebrate their birthdays, despise etiquette, show off their personalities, show off their talents, be wild and unrestrained, do whatever they want, be detached from things, laugh at life and death and despise wealth, so they are not official posts ... They are the keel of that era, which reminds us of them thousands of years later: celebrities are true, independent and special. Or embodied in the ambition of the mountain, or manifested in the act of doing good. However, Geng Jie despises everything, doesn't care about the times, and is careless.
I think it is difficult for a cynic to become a celebrity, especially in the Wei and Jin Dynasties. Shi Shuo Xin Yu describes such a social group or cultural group to us.
The current Shi Shuo Xin Yu has not only literary appreciation value, but also stories and literary allusions. Most of them are used by later writers and have a great influence on later notes. The influence of Shi Shuo Xin Yu and its demeanor in Wei and Jin Dynasties have penetrated into the minds of intellectuals, and its ideal and aesthetic life realm have become the eternal pursuit of China intellectuals.
After reading Shi Shuo Xin Yu, there are 600 words. (3) During the summer vacation, I came into contact with the book Shi Shuo Xin Yu, which is full of small ancient prose. I find it particularly interesting. I'll introduce you to some of my favorite essays:
Chen Yuanfang's son is long and talented. He and Ji Fangzi discussed his father's merits and demerits first, but they couldn't argue. Qiu consulted and said, "Fiona Fang is difficult for my brother, and Ji Fang is difficult for my brother." This means that Chen Qun, the son of Chen Ji, is very talented, and Chen Zhong, the son of chenchen, says that his father is very powerful, and they have been unable to draw a conclusion. So I asked Chen Ya, and Chen Ya said, "Fiona Fang, as an elder brother, shouldn't be hard on his younger brother. As a younger brother, Ji Fang should not be difficult for his younger brother. " This story tells us that brothers and sisters should live in harmony, unite and be friendly.
On ning, Hua Xin * * * garden hoe vegetables, epiphany has a piece of gold, pipe hoe and tile stone, catch it and throw it. I have also tasted the taste of reading at the same table. Those who pass by the entrance of the porch would rather study as before and read those useless books. I would rather sit down and say, "I'm not my friend!" " "Guan Ning and Hua Xin hoe vegetables in the field together. When they saw a piece of gold on the ground, Guan Ning raised his hoe and treated it as a small stone. Huaxin picked it up and threw it away. In the past, two people were sitting on mats to study, and an official drove by outside. On ning didn't seem to notice, still reading with relish. While Hua Xin happily ran out to see. So Ning Guan cut the mat and said, "You and I are not kindred spirits. "Reading here, I seem to see Ning Guan's anger in front of me, and the allusions to parting and separation all come from here.
There is another story: Wang Rong was seven years old. He tried to swim with the children and looked at the plum trees on the roadside. Many children broke branches, and the children tried to get them, but they didn't move. People asked him and replied, "There are trees on the roadside, but there are many seeds, which will make plums bitter." Take it for granted When Wang Rong was seven years old, he often played with many children. On the road, they saw a plum tree, which was full of fruits and bent its branches. All the children went to pick plums, but only Wang Rong didn't go. When someone asked him why he didn't leave, Wang Rong said, "There are so many people on the road. If he is a good plum, he will be picked up. After a person tasted it, he found it was really like this. Wang Rong was very insightful and clever at an early age.
Gu Changkang spat on the cane and ate the tail first. People ask why, and the cloud says, "It's getting better." It means that Gu Kaizhi eats sugar cane first, then sugar cane powder. When asked, Gu Kaizhi said, "Bitter first, then sweet, and then slowly get better ..." This story tells us that sweetness will come only after suffering.
Shi Shuo Xin Yu is very suitable for daily reading, rhyming and catchy. My family also likes to listen to me shake my head and read classical Chinese, and often only a few words can vividly depict the image and characteristics of the characters. After a short story in a few words, let everyone laugh and admire the charm of ancient Chinese characters.
After thinking for a moment, I suddenly remembered that there was such a story in the birthday article of Shi Shuo Xin Yu. I picked up the book again and savored it carefully, so I couldn't help smiling.
This story tells the story that Yin Xiancheng, an official of the Eastern Jin Dynasty, was the magistrate of Zhang Yu. Before he left, many people asked him to bring letters that he longed for. When he arrived in Stone City, Xian threw all the letters into the river and said, "What sinks will sink, and what floats will float. Yin Hongqiao can't send books and emails. "
After reading this little story, I said to him, "Those who sink sink, those who float." It wasn't until I read this sentence in other books that I realized that sages don't admire this social fashion of "not taking the right path, but coveting the right path". They think that although they have won the official position, it is called "success", and it is better to rely on their own words and deeds to achieve their own success. Therefore, the deeper meaning of "those who sink, those who float" is that useless talents will never be appreciated, and talents with both ability and political integrity will be reused.
The same is true in real life. More and more people give up the road of light and justice, go astray and go into darkness in order to covet small profits for a while. This may bring some benefits, but it is not a long-term solution after all, not to mention it is a symbol of moral corruption and a bad code of conduct. Instead of taking this deviant road, it is better to concentrate on doing good and do everything in a down-to-earth manner. Although it will pay more than the former, it is an opportunity to exercise and show yourself, which will make success more real and make you more proud and happy. Why not give it a try? Cultivating this habit from an early age is of great help to the later development process, various aspirations or mentality when encountering setbacks. In order to be appreciated and successful, the only and necessary way is to study. Learning needs the tenacious perseverance and diligent attitude of "grinding the iron pestle into a needle". As Tong Dizhou said, "Genius is bought with labor." When we really do this, we will become real floaters.
Don't blindly envy others and do nothing for yourself, let alone abandon the light for the benefit, which will only sink deeper and deeper like a swamp. Only by being an eagle fighting the sky can the snail at the top of the pyramid have its own tomorrow.
After reading Shi Shuo Xin Yu, I feel 600 words (5) After reading Shi Shuo Xin Yu, my biggest feeling is "natural inaction".
"Natural inaction" is the only sharp weapon for metaphysical scholars in Wei and Jin Dynasties to resist Confucian etiquette and law, which contains the essence of Taoism. Metaphysics in Wei and Jin Dynasties holds that the free development of human nature is called nature. And people rule people and interfere with others' freedom, which is artificial.
I don't know which is right, Taoism or Confucianism, but I like the Taoist thought-"natural inaction". This is similar to Xianwai's school motto "Let nature take its course". The Taoist theory of "natural inaction" calls on people to discover the existence of true self and find the meaning of life.
I found the value of people, so I had the pursuit of life: drinking and writing poems, speaking freely, showing my talents and going their separate ways. For example, Wang Zi's obstinacy, Ji Kang's Song Guangling San, Gu Kaizhi's "three unique skills", Du Yu's addiction to Zuo Zhuan, Ruan Ji's blue eyes and white eyes, and Wang Xizhi's disembowelling ... they want to live a chic and free life in a short life. They are bohemian, bold, not afraid of life and death, and sometimes even look like crazy people. They don't care about the eyes and opinions of the world, and don't even know what shame is. They just live according to their own wishes.
During the Wei and Jin Dynasties, the confusion of religious beliefs and people's disappointment and dissatisfaction with the rulers led to a large number of talented and capable people living in seclusion in the mountains, dragging their feet all day and drinking and having fun. If they had been born in the prosperous Tang dynasty, they would have achieved something, but all those who dared to blame at that time died, and the rest could only dare to say and do. Some use alcohol to paralyze themselves, while others directly give up hope and look for the Tao in their hearts in the mountains.
In my opinion, the above practices of these Wei and Jin celebrities are reasonable. If you are poor, you will be immune to it, and if you are rich, you will help the world. We don't need to be heroes and good people, we just need to do our own thing and do meaningful things in our limited life.