The weather is calm.

Recently, as the first drama of Hunan Satellite TV, Luo Jin and Mabel Yuan's new drama "There are so many beauties in Jiangshan" has been quietly launched.

As the finale of Hunan Radio and Television's "Trilogy of Getting rid of Poverty", the drama frequently mentioned Weibo's hot search, which topped the list for eight consecutive days, and even rushed to the top of the hot search list of Mango TV dramas. The cumulative broadcast volume of 10 was 240 million, which was well received by People's Daily. As far as the current situation is concerned, I think this drama has the potential to become an explosion.

There are so many beautiful women in China, which is a drama about how Pu Quansheng and Sha Ou helped Wanmixi Village get rid of poverty.

Among them, Luo Jin plays the male host Pu Quansheng. He not only has the initiative and responsibility that young people should have, but also the image of "motorcycle secretary" has broken people's inherent impression of poverty alleviation cadres. Who says village cadres can't be "fashionable"?

Gao Fei, an ambitious graduate student in the play, has been working at the grassroots level for several years. He was transferred to longtan town as the deputy mayor, but he met a thorny problem just after taking office.

The whole village in Wanmixi village, located in the mountainous area, is gathering to hold the annual bullfighting competition, but according to the weather forecast, there will be heavy rain in Wanmixi village, which may cause flash floods.

To this end, Pu Quan, who was afraid of safety accidents, kept running over, trying to stop the villagers from holding bullfights, evacuate the crowd and ensure the personal safety of the villagers.

But as a stranger, especially unfamiliar with local customs, the villagers don't trust him, let alone listen to him.

Sure enough, poverty alleviation is not as simple as imagined.

Although it is a bit of a drama, compared with previous poverty alleviation dramas, "There are so many beauties in Jiangshan" has a distinctive style, a solid plot and excellent production, and does not blindly emphasize "poverty".

The story begins with a group photo full of national characteristics. The whole village of Wanmixi village in the mountains is gathering to hold a bullfight, but when the male owner arrives at the bullfight site, the scenery in the mountains can't help but make people shine.

Wanmixi Village in the play is located in the misty green hills, with beautiful scenery and charming scenery. In order to meet the shooting needs of Wanmixi Village in the script, director An Jianhe and the art group visited more than 400 villages and finally decided Mudixi Village as the main scene.

These scenes of bullfighting in the film were actually shot in a real remote mountain village in Hunan, and the scene shooting presented the beautiful scenery of Wanmixi Village.

However, in contrast to the beautiful scenery of the village, it is the poverty of the village. Not to mention the old mountain houses, poor signal in the mountains, less arable land per capita in the village, inconvenient transportation, no street lights, and no money to repair the collapsed classrooms. There are even a group of lazy village heads who do nothing all day, just muddling along and living on relief.

Especially this lazy man is smooth, not to mention his sloppy appearance, unshaven beard and tattered clothes. He is also lazy, likes to take advantage of others everywhere, keeps his mouth shut and asks cadres to give poverty alleviation money, so he is not enterprising. It is no exaggeration to describe him as a ruffian rogue, which is very eye-catching.

But did you find out? It was the quaint little hair in the cookhouse squad story that played the lazy horse Changshun.

It was a smash hit. Originally, he could have a good development, but at the peak of his career, he lost many opportunities because he took care of his sick mother. In order to take care of his mother, he didn't film for three years, and even declined the role of Yan Xiaoliu in the later hit TV series Legend of Wulin. Since then, he has missed the critical period of his career development.

Later, his mother unexpectedly opened the road to acting and became an actress. She is also a powerful person. She played many wonderful and vivid roles, such as the mother in Gui Wang and Anna, Aunt Liu in Iron Pear, and the second aunt in Parents' Love. In recent years, Si Kuiniang in Red Sorghum and Zhang Shenpo in River God and Dying for Survival all said, "I want to live.

However, I didn't expect 19 to pass, and that eccentric teenager became a "lazy man" and claimed to be a cultural person.

In the play, Ma Changshun played by him is even more different, and the unkempt shape is even more unrecognizable.

First of all, his hair is messy and his beard is subversive. At the same time, he also has a nickname "Ma Confused", which is named after being in a confused state all day. Secondly, his performance is very magical. Every time he throws his hair and rolls his eyes beforehand, he looks funny.

Mami in the play is an out-and-out slacker and a famous poverty alleviation object in Wanmixi Village.

His laziness has reached the point of making people angry. Drink and sleep every day, and then look for wine everywhere. If you have no money, go to petition and live on state subsidies. Even because the card holders have become professional petitioners, they have made a big fuss about office petitions. He wants to keep the low-income households and the people who set up the card on himself, just to enjoy more benefits, which can be described as laziness.

In addition, the pigs given by the village are going to be taken back and raised well. Other families are counting on the pig to grow up. As a result, Ma Changshun, a "lazy man", turned around and baked.

Faced with such a rogue slacker, the hero Pu Quansheng was angry and annoyed, and thought of a good idea: he found a group of village women, stripped the slacker naked again and again, stuffed him into wooden barrels, and gave him a "soul wash", which led to a laundry list of stories.

The story of "fighting wits and wits" between the poverty alleviation cadres and the poverty alleviation targets makes people laugh and cry, but it is very touching.

However, the service and shaping of parents in the play are very short, and the right grounding gas surprises me.

Especially the plot, except for the bugs that men and women must encounter when they go out and deliberately create conflicts, most of them are as solid and grounded as possible.

For example, when a flash flood came, the elderly villagers in the village provoked Grandpa not to leave at once, because the villagers took Shoucai very seriously, so they wanted to move Shoucai first, instead of saving their lives by themselves.

There are also problems such as how to distribute the inheritance after the death of village cadres.

Luo Jin deserves to be the strength faction, and the male master's psychology and attitude are very accurate.

The pen is very slippery, so a later report almost made Pu Quansheng capsize in the gutter, and was finally sent to Wanmixi Village as the village party secretary.

I really didn't expect this poverty alleviation drama to attract me. There are laughter and tears, and the plot follows the pulse of the times and is full of positive energy.

At the end of each episode, there are "creative notes" of the crew, which is a highlight of the play. The content inside is not the tidbits of the crew, but the real work diary of local poverty alleviation workers and some poverty alleviation work results. Let us feel that it is not easy for poverty alleviation workers.

The story of Pu Quansheng and Sha Ou's poverty alleviation in the play is the true epitome of all contemporary cadres who are fighting in the front line of poverty alleviation.

I was moved by several places in the play, especially the scene where every villager cooked the best food to thank their respected village cadres. Facts have proved that farmers are the most simple. As long as you are really good to them and can really help them get rid of poverty, they will be good to you.

There are so many beauties in Jiangshan, which is a drama reflecting the realistic theme of contemporary socialism. In fact, poverty alleviation is not only poverty alleviation, but also poverty alleviation first. Spiritual poverty alleviation is really important. Especially the Changshun people in Malik, we should help their spirit and guide them to the right path of getting rid of poverty and becoming rich.

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