China Naming Network - Baby naming - The Ordinary Road Classical Chinese

The Ordinary Road Classical Chinese

1. Who translated the ordinary road into classical Chinese?

If you are hesitating and walking, do you want to leave?

Just like glass, proud and self-possessed, Yu Xin was also like this.

My heart is boiling and restless. Where are you going now?

The whole world is puzzled and silent, have you ever heard of my old stories?

I have experienced mountains and seas, and experienced the vicissitudes of the human world;

I have been surrounded by all things, and they have disappeared in a blink of an eye, and I have been confused and confused, not knowing where I am.

Later we learned that prosperity is like the moon in the water and flowers in the mirror, but the ordinary is true.

However, I will still have lingering thoughts about you tomorrow.

How beautiful is your general? Or is it even worse? This is no longer important to me.

I have given up everything I have, and I only wish to go to this place forever;

I have fallen into a boundless darkness, and I can't escape even with all my strength.

I feel like you, like others, like grass and mustard, like misfortune, thirsty, crying, happy, and ordinary.

And if you do this, you will never do anything wrong, if you gain something;

If you do this, you will never do anything wrong, if you lose something;

If you do this, you will lose something. If there is no former, if you don't meet me;

And if you do this, there will be no former, if...

I have tasted the mountains and seas, and also experienced the vicissitudes of the human world;

I have been surrounded by all things, and they have disappeared in a blink of an eye. I have been looking around blankly and not knowing where I am.

Later I know that prosperity is like the moon in the water or the flowers in the mirror. Only the ordinary is true.

I have given up everything I have, and I only wish to go to this place forever;

I have fallen into a boundless darkness, and I can't escape even with all my strength.

I feel like you, like others, like grass and mustard, like misfortune, thirsty, weeping, joyful, and ordinary.

I have experienced the mountains and seas, and experienced the vicissitudes of the human world;

I have searched the heaven and the earth, but I have not found anything.

I am just like you and others, like grass and grass. The world is so big, I only have this one path that I must pass.

The years have been silent, and the Ming Dynasty is coming;

The place where the wind passes is the place where the road is far away,

Where have your words reached? 2. Translate modern texts into ancient Chinese translators: Ordinary Roads

Ordinary Roads - Theme Song of "The End of Time"

Lyrics: Han Han, Pu Shu

Song: Hackberry

Song: Hackberry

Wandering in Tuzhi

How are you doing?

Fragile pride And

He is also a minister

If you feel uneasy, hold on to it

Where are you going now?

Those who are humble are silent.

Are you really listening?

I have crossed mountains and seas and passed through saltwater collections

I have embraced everything in a blink of an eye and it has disappeared like smoke

I have been disappointed in many ways

The only way is to see mediocrity

I still think about it

Your wisdom

It can be good, but it will be worse

It is said that the rest of the words, one day

I have tried to destroy everything in me, but I will go forever

I have tried to fall I can't help myself in the boundless darkness

If I taste it, it will be like a wild flower

Looking at it, crying and laughing

In the past, this behavior was for you. If you go too far

What will you gain from doing this?

What will you lose if you do this?

What will you lose if you do this

I have crossed mountains and seas and passed through saltwater collections

I have held my arms in a flash and disappeared like smoke

I have been disappointed and lost in all directions

And see Mediocrity is the only one

I have destroyed everything in me and will go away forever

I have fallen into the endless darkness and am unable to extricate myself

I have experienced this. Elephant grass and wild flowers

Looking at it, crying and laughing

I have tried to cross mountains and seas and also passed through the salt collection

I have tried to ask the Zhou Dynasty, but the whole world has not found it. Also

I am not as good as you, just like the grass and wild flowers

It is my desire to do it secretly

There is no words like this

Tomorrow is already ahead

The wind blows and the road is still far

What do you want to say?

Bilingual Comparison 3. Use Chinese words to describe the song "The Ordinary Road" 》Written by Pu Shu, description is 150 words

I once crossed mountains and seas and also passed through mountains and seas of people

Everything I once owned was gone like smoke in the blink of an eye

I was once lost, disappointed and lost all direction

Until I saw that ordinary is the only answer

I once ruined everything and just wanted to leave forever

I once Falling into boundless darkness, struggling to extricate myself

It’s all Han Han’s shadow

Wandering on the road, do you want to leave via via

The mysterious silence Are you really listening to this story?

I once asked the whole world but never got an answer

Time is silent like this

Tomorrow is already in front of us

The road blown by the wind is still far

Where does your story end 4. The dialect of the lyrics of Ordinary Road

The dialect is not able to give you the original version first. Let’s go~

The Ordinary Road

Theme song of “The End of Time”

Singer: Pu Shu Lyrics: Han Han Pu Shu Music: Pu Shu

Wandering on the road

Do you want to leave

Fragile and proud

That was also what I looked like

Boiling and restless

Where are you going

Mysterious and silent

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Are you really listening to the story?

I once crossed mountains and seas

I also crossed mountains and seas of people

I once had everything

Everything disappeared like smoke in a blink of an eye

I was once disappointed and lost all direction

Until I saw that ordinary is the only answer

When you are still Still daydreaming

Your tomorrow

Will she be better or worse

It’s another day for me

I was Ruined everything for me

I just wanted to leave forever

I once fell into boundless darkness

I wanted to struggle and couldn’t extricate myself

I once Like you, like him, like the wild grass and wild flowers

Desperate, longing, crying, laughing, ordinary

Just go forward, just go like this

Even if you have been given What

Just go forward like this

Even if something is taken away from you

Just go forward like this

Even if you miss it What

Just go forward like this

Even if you can

I have crossed mountains and seas

I have also crossed mountains and seas of people

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I once had everything

It all disappeared like smoke in the blink of an eye

I was once disappointed and lost all direction

Until I saw that ordinary is the only thing Answer

I once ruined everything about me

I just wanted to leave forever

I once fell into boundless darkness

I couldn’t struggle even if I wanted to Extricate yourself

I used to be like you, like him, like the wild grass and wild flowers

Desperate, longing, crying, laughing and ordinary

I once crossed the mountains and the sea

Also passed through the sea of ​​people

I once asked all over the world

I never got the answer

I am just like you, like him, like that weed Wildflowers

This is the only way I have to go

Time is like this without words

Tomorrow is already in front of me

The road blown by the wind is still far

Where does your story end? 5. The Ordinary Road of Modern Poetry

The ten most worth-reading modern poems ------ in In front of these works, I realized what it means to look up to a high mountain.

Whether you like poetry or not, as long as you are a native Chinese speaker, these works are worth your serious reading. Any wonderful language will pale in front of these works. I only have strong recommendations: 1. The tenth song, "Waiting for You, In the Rain" by Yu Guangzhong: Waiting for you, in the rain, the sound of cicadas falls in the rainbow-making rain. , the sound of frogs rises from a pool of red lotuses like red flames. In the rain, it doesn’t matter whether you come or not. I actually feel that every lotus looks like you, especially across the dusk, across such drizzle, eternity, moment, moment, eternity, etc. You, outside time and within time, waiting for you, in an instant, in eternity. If your hand is in my hand, if your fragrance is in my nostrils at this moment, I will say, little lover, this one The hand should be picking lotus flowers. In the Wu Palace, this hand should be shaking a handle of cinnamon syrup. In the magnolia boat, a star is hanging on the cornice of the science museum like an earring. A Swiss watch said it was already seven o'clock. Suddenly you came and walked in the rain. The red lotus behind is graceful, you come like a little order, from an allusion of love, you come, from Jiang Baishi's words, in rhyme, you come, I have seen many comments and impressions about this poem. The most profound one is an article about how wonderful the science museum and the Swiss watch are. It is said to be a combination of classical and modern. However, I personally think that the appearance of these two images may be the only flaw of this poem. The combination of suit and melon skin hat. The combination makes people look uncomfortable.

2. The ninth song, "Laughter" by Lin Huiyin: What smiles is her eyes, lips, and the whirlpool of *** on her lips. As gorgeous as dewdrops, the blossoming smile hides in the flash of shell teeth.

That is a smile - the smile of God, the smile of beauty: the reflection of water, the song of wind. What’s smiling is her loose curly hair, which is scattered next to her ears.

As light and soft as the shadow of a flower, the tickling sweetness floods into your heart. That is laughter - the laughter of poetry, the laughter of painting: the traces of clouds, the soft waves of waves.

It is said that Xu Zhimo started writing poetry because of his admiration for this talented woman. However, Lin Huiyin chose Liang Sicheng in the end. Later, many people knew this name because of this allusion. I think that a name that can write such a work does not need the help of allusions to remember.

3. The eighth song, "Star" by Fei Ming: The stars in the sky are said to be eternal spring flowers. The shadows of begonia flowers on the east wall are said to be the eternal autumn moon.

Waking up in the morning is like a dream on a winter night. The stars in the middle of the night last night were as clean as a bright net, sparse but not missing. The spring flowers and autumn moon were also pure. The child is not a fish, but I know the fish.

Feng Wenping integrated his beloved Lao Zhuang into his poems, and his thoughts flowed everywhere in his works. Those so-called philosophical poems are simply not on the same level as him.

4. The seventh song, "Fragment" by Bian Zhilin: You stand on the bridge and look at the scenery, and the people watching the scenery are watching you upstairs. The bright moon decorates your windows, and you decorate other people's dreams.

Among all works with fragments as titles, this one is the most famous. However, the interpretations of many authoritative commentators cannot be agreed with by the author himself.

5. The sixth song, "Mistake" by Zheng Chouyu: I walked through the south of the Yangtze River. The face waiting in the season is like the blooming and falling of the lotus. The east wind does not come, and the catkins in March do not fly. Your heart is like this. The small lonely city is just like the bluestone streets that are silent at night. The spring curtain in March is not lifted. Your heart is a small window that tightly covers me. Dada's horse hooves are a beautiful mistake. I am not a returnee, but a person. Passer-by... Maybe this mistake is not just for the person inside the window, but also for the passer-by, because the person inside the window is not waiting for him. Many of Zheng Chouyu's poems are worth reading, especially "The Mistress".

6. The fifth song, "Dead Water" by Wen Yiduo: This is a ditch of hopeless stagnant water, and the breeze cannot blow any ripples. It's better to throw away more junk metal and just throw your leftovers on it.

Maybe the copper will turn green into emeralds, and a few peach blossoms will be embroidered on the tin cans. Then, let the grease weave a layer of silk, and the mold will steam out some clouds. Let the dead water ferment into a ditch of green wine, covered with pearly white scum. The small beads laughed and turned into big beads, Only to burst as gnats steal the wine.

Such a ditch of hopeless stagnant water can only be said to be somewhat vivid. If the frog can't bear the loneliness, the dead water will sing again.

This is a ditch of hopeless stagnant water. It is by no means a place for beauty. It is better to let ugliness reclaim it and see what kind of world it creates. Only a person with such a personality can write such a work.

7. The fourth song, "Snake" by Feng Zhi: My loneliness is a long snake, cold and speechless --- Girl, if you dream of it, don't Be afraid! It is my loyal companion, and it is filled with passionate nostalgia in its heart: it is thinking of the lush grassland, --- the rich black silk on your head. As gentle as the moonlight, it sneaks past you; it carries your dreams for me, like a crimson flower.

Feng Zhi was called by Lu Xun "the most outstanding lyric poet in China, and only he can write such works. His "Night in the South" is also so good that people are speechless.

8. The third song, "Prophecy" by He Qifang: This heart-beating day has finally arrived. I can clearly hear your approaching footsteps like a sigh in the night, not the whispers of the forest leaves and the night wind, the elk. The sound of hooves galloping across the moss path.

Tell me, tell me with the singing voice of your silver bell, are you the young god in the prophecy? You must come from the gentle south. Tell me the moonlight there, the sunshine there, tell me how the spring breeze blows the flowers, and how the swallows are infatuated with the green poplars. I will close my eyes and fall asleep in your dreamlike singing. I seem to remember that warmth, but I also seem to have forgotten it.

Please stop, stop you running tiredly, Come in, here is a tiger skin mattress for you to sit on, Let me burn the fallen leaves that I pick up every autumn, and listen to me sing my own in a low voice. Song. The song is as melancholy and high-spirited as the fire, and the fire is telling my life.

Don’t go forward, there is a boundless forest ahead, the ancient trees are marked with the markings of wild beasts, they are intertwined like half-lived and half-dead vine pythons, and not a single star can escape from the dense leaves. You will timidly dare not take the second step, when you hear the empty echo of the first step.

Do you have to go? Please wait for me to walk with you. My feet know every safe path. I can keep singing songs that forget tiredness. I will give it to you again and give it to your hand. Gentle. When the darkness of the night blocks us, you can look into my eyes in a blink of an eye.

You didn't listen to my excited singing, your feet didn't pause for my trembling, like a quiet breeze drifting through the dusk. 6. What does "The Ordinary Road" mean?

"The Ordinary Road" expresses a touch of warmth and sadness, allowing the listener to calm down and enjoy peace and tranquility in the stable melody. Innocence, you can also experience the intuition of youth through the power of songs, and find the direction for the future amidst sadness and confusion.

"The Ordinary Road" was composed by Pu Shu, with lyrics written by Pu Shu and Han Han, arranged and sung by Pu Shu. The single was first released on July 16, 2014. This song is the theme song of the movie "The End of Time" and is included in Pu Shu's album "Orion" released on April 30, 2017.

On November 22, 2014, the song won the Best Original Film Song at the 51st Taiwan Film Golden Horse Awards.

Extended information

The creation of "Ordinary Road" stemmed from Pu Shu's need to prepare for the release of an album, and also stemmed from Han Han's sincere invitation. Because Pu Shu has always been one of Han Han's favorite singers, he personally visited Pu Shu at his door.

When we arrived at Pu Shu's house, Pu Shu had just finished writing the last note of "The Ordinary Road". After listening to the unfinished demo, Han Han wanted to use it in the movie "Unforgettable". Pu Shu was also moved by Han Han's sincerity, so he readily agreed and worked with Han Han to write lyrics.

When making the song, Pu Shu repeatedly adjusted it in the studio and revised it several times in the recording studio. Finally, at the final singing time, he handed over this theme song for the movie "The End of Time" .