What is the most prosperous painting hanging on the bedside?
first, China landscape painting is referred to as "landscape painting". Chinese painting with mountains and rivers as the main description object. It was formed in Wei, Jin, Southern and Northern Dynasties, but it has not been completely separated from figure painting. It became independent in the Sui and Tang Dynasties and matured in the Five Dynasties and the Northern Song Dynasty, becoming an important branch of Chinese painting. Traditionally, according to the painting style, it is divided into green landscape, golden landscape, ink landscape, light crimson landscape, small green landscape and boneless landscape.
second, compared with western landscape painting, China landscape painting is at least 1 years earlier. In fact, it is a history of China's thoughts. As early as more than 7 years ago, the awakening of the ancients was recorded in the form of patterns. The Hemudu culture of Neolithic has expressed the connotation of conceptual culture by line engraving. The origin of settled farming civilization not only makes people realize the beauty of tools, but also the beauty of metaphysics above the tools. Art is not only an imagination to conquer nature, but also a symbol to conquer nature. From the beginning of antiquity and nature, the discovery of liveliness and logic and the appreciation of art were used to deduce people's eyes, which made a China schema of harmony between man and nature from chaos to clarity.
Third, since Yangshao culture, the relationship between man and nature has become symbolic. In the technique of geometric decoration, the concepts of symmetry and motion have been obviously applied to the expression of time and space. What is particularly touching is "The Worship of Ji God". Under the background of building the country by agriculture, it has always been the practice to offer sacrifices to the gods of millet. The relationship between the crops, fields and people in this picture conveys a simple understanding of the meaning of life by our ancestors. On the basis of the cognition of the natural relationship between people, animals and plants, social consciousness has become the most critical origin of civilization. The Village Map of Cangyuan culture describes human's understanding of "home" in the form of rock paintings. The most visually interesting thing about this painting is the road connection centered on the village, and the gradient deepening of scenes such as holding prisoners, driving animals, worshipping the heavens and jumping around the front center. The depth in the plane has been strongly reflected in this painting. In this way, the relationship between man and nature and between man and society is constantly deepening and developing with the view of art.
Fourth, at present, there are many opinions about using the word "establish" to correct the name of landscape painting, which are Gu Kaizhi's "Fu Tu of Luoshen" and "Zhen Tu of Female History". In the analysis of this kind of copy, we can see the complex expressions of peaks, stones, clouds, water and trees. This artist, who "made a contribution that was not made by his predecessors, is a teacher for future generations", moved landscape to the performance stage of China fine arts for the first time, and his Painting Yuntai Mountain can be regarded as a pioneering work of landscape painting theory. Although the center of the title is the story of Zhao Sheng who gave his life to learn from his teacher, the description of his environment has become a later reflection of China's landscape painting.