Huailutang Collection: Huailutang Collection

Written by Li Dongyang in Ming Dynasty. Li Dongyang (1447 ~ 15 16) was born in Chaling County, Changsha. The core figure of Chaling Poetry School in the middle and late Ming Dynasty, a poet, calligrapher and politician. Ming Yingzong Tianshun eight years (1464) Jinshi. He has served as editor and lecturer of Hanlin Academy, Shao Qing of Taichang Temple, and right assistant minister of Libu. In the eighth year of Hongzhi (1490), Emperor Xiaozong of the Ming Dynasty served as a scholar of the Ministry of Rites and Wenyuan Pavilion, and joined the cabinet to participate in confidential affairs, so he was called a sage. In his later years, seeing that eunuch Liu Jin was in charge of state affairs, Zheng De of Ming Wuzong was dissolute, and repeated exhortations were ineffective. He resolutely resigned from the post of Huiji and returned to his hometown to provide for the elderly on the grounds of old age and illness. 18 joined the cabinet, clean and frugal, not only taught himself a lot, but also rewarded his later studies and recommended his talents, most of which were very successful. In the Ming Dynasty, after Yang Shiqi, Li Dongyang was the leader of the article. The world was immediately revered as a master, and many literary scholars gathered around him, forming an influential school of poets-Chaling Poetry School.

Li Dongyang is not only famous for his calligraphy, but also a famous writer. Li Dongyang talks about poetry, opposes imitation, advocates subjective temperament, respects Du Li, but does not stick to one pattern. He advocated prospering the Tang Dynasty by taking the method, opposed the weakness of the Thai format, and had a retro tendency. In the history of literary development in the Ming Dynasty, he was a transitional figure from Taige to the first seven scholars. Because he has been in a high position for a long time and divorced from the bottom people, although he has the heart of worrying about the country and the people, he has also written poems such as "sighing for the wind and rain" and "occasionally becoming four verses", but it seems very empty. Poetry is mainly based on rhythm, with equal emphasis on sound and color. He believes that the higher realm of poetry should be "poetry must have eyes and ears." Eyes dominate the case, ears dominate the sound. You can't tell which string it is, so it has ears. The five-color lines are distinguished under the moonlight window, which is also very eye-catching. "His landscape poems not only pay attention to dazzling colors, but also pay attention to the harmony of colors. His representative works include Ten Poems of Western Hills, Strange Rocks in the River: Mounting in the Backstage of Liangqing Temple, etc. His "100 Antique Yuefu Poems" is a statement of the history of Yuefu style poems, and also created the precedent of the creation of the first seven ancient Yuefu poems.

He is the author of Huai Lu Tang Ji, a collection handed down from generation to generation 100 volumes. Liao Fangda's edition was 100. Among them, there are 20 volumes before the poem, 30 volumes before the text, 10 volume after the poem, 30 volumes after the text, and miscellaneous notes 10 volume. It was reprinted from Jiaqing to Jiaqing, with 7 volumes of Ming Biography compiled by France and Tang Dynasty.

There is Zhou Yinbin School's Collection of Li Dongyang, Yuelu Bookstore, 1984 edition.