The beauty of images comes from the heart, and the painter Yi Honglin's paintings and landscapes are elegant.
Yi Honglin's series of ink and wash landscape paintings reflect his inner feelings, understanding, attitude and thinking about life. A wide range of subjects. The subject matter is wide and varied, and the performance is rich and colorful. It has gone through the process of "bamboo in the eyes, bamboo in the heart and bamboo in the hands", extracting beauty from life, then giving it to the works and conveying it to the viewers. His ink-and-wash landscape paintings do not have the lofty space of mountains and valleys in traditional landscape paintings, the steep turn of mountains with deep rocks and the change of smoke clouds in mountain streams and springs, but he gallops the images that stand out from his mind in his picture with the spiritual change of his pen.
"Spring is Strong and Moistening the Spring Breeze" 68x68cm
When he created ink and wash landscape paintings, he abandoned and subverted the traditional landscape painting techniques of hooking, breaking, rubbing, pointing and dyeing, and created a three-dimensional feeling for landscape paintings. Instead, he chose the messy images and elements accumulated in ordinary life to blend and graft, and boldly and skillfully absorbed western methods to take advantage of nature.
Family Mountain has an appointment 69x138cm
The West Wind Pavilion 69x138cm
You read his ink-and-wash landscape paintings, which have elements of landscapes, figures and flowers and birds, which are paradoxical. What is presented to the audience is a Chinese painting that magnifies the symbols of various elements. The so-called beautiful world refers to the specific content of the work, as well as the implication and the author's aesthetic feelings. -Li Xibin
"Reflecting the Ancient and Modern Dynasties" Yi Hong Lin 145x21cm
"Pray? Harmonious Home 24x12cm
Searching 12x24cm
-A brief introduction to the painter-
Yi Hong Lin was born in November 1992, whose name is Zi Yan, and he was born in Bazhong, Sichuan. In 212, he studied Chinese painting in Sichuan University of Culture and Art (Academy of Fine Arts), and studied in Liu Huaiyong, Mary, Tang Hui, Xie Jiajun, Gu Hongbin, Wang Xusheng and other teachers. Vice-Chairman and Director of Creative Department of Fucheng Artists Association, Mianyang City, painter and head of Shengleng Chinese Painting Studio, currently a special painter of Mingkun Painting Academy, a lecturer of Huxiang Chinese Painting Creation Academy, and a member of China Gongbi Painting Society.
The Story of Silk Road in 22 was selected as the third "White Mountain and Black Water" sponsored by China-America Association. Beautiful Siping "national Chinese painting exhibition;
In 219, the work "The Silk Road Sanctuary of the Grand Canyon in Xinjiang" was selected for the 4th Loudong (Taicang) National Landscape Painting Biennale "Revisiting Classics" sponsored by China-America Association.
218 work "Ruins? Whispering was selected in the "218 Million Pujiang" National Chinese Painting Exhibition (Fine brushwork) hosted by China-America Association, and the 218 work "Splendid New City II" was selected in the first National Chinese Painting Exhibition hosted by China-America Association, and the 218 work "The Bridge of Grandma's House" was collected by Mianyang Museum.
In 217, the work Gaze was selected into the 1th National Excellent Works Exhibition of Contemporary Flower and Bird Painters sponsored by Chinese Painting Society, and won the bronze prize;
In 217, Qing Chi Jing Yu was selected as the "First Mianyang Fine Arts Exhibition" hosted by Mianyang Artists Association, and won the Excellence Award;
In 217, the work "Mo Yun asked" was selected in the "National College Students' Art Exhibition" (the highest prize) sponsored by China-America Association. In 217, the work "Smoke Clouds for Support" was selected in the "Celebrating the 19th National Congress of the Communist Party of China-Theme Exhibition of Sichuan Fine Arts Calligraphy Photography Works" sponsored by Sichuan Artists Association and won the excellent prize.
In 217, the work "The Holy Land of Mo Yun" was shortlisted for the "Shangyi" 217 National Chinese Painting (Freehand Painting) Exhibition hosted by the China-America Association;
In 217, the work "Silk Road Sanctuary" was selected as the "Revisiting Classics in the Third Loudong (Taicang) National Landscape Painting Biennale" sponsored by China-America Association.
In 217, the work "Girl" was shortlisted for the "217, Pujiang National Exhibition of Chinese Painting Figures" sponsored by China-America Association;
In 217, the work "Cloud Opera Home Mountain" was selected as the "Lu Yanshao Prize" for the Second National Exhibition of Chinese Paintings hosted by Zhejiang Painting Academy;
In 217, the work "Yun Gui Hometown" was selected as "Salute to the Great Wall of Steel-Commemorating the 9th Anniversary of the Founding of the People's Liberation Army of China" sponsored by Sichuan Artists Association, and won the Excellence Award;
In 217, the work "Soul of the Mountain" was selected as the "China Dream 217 Art Grassland National Exhibition of Chinese Painting and Oil Painting" sponsored by China-America Association;
In 217, the work "Seeking" was selected as the "Building Dreams and ahava" 217 National Chinese Painting Exhibition hosted by the China-America Association;
In 217, the work "Prayer" was selected for the "National Exhibition of Chinese Paintings Celebrating the 2th Anniversary of Hong Kong's Return" sponsored by the China-America Association.
In 216, the work "Yun Gui Hometown" was selected as the "8th New Artists Exhibition" sponsored by Sichuan Artists Association;
In 216, the work "Farewell to the Western Regions" won the "I Love Danqing" Second National China Art Exhibition Excellence Award;
In 216, the work "Where is the Dust Contaminated" was shortlisted for the "Danqing Yangzhou" 216 National Exhibition of Chinese Painting (Flowers and Birds) sponsored by the China-America Association;
In 216, the work "Time to Remember" was selected for the "216 National Exhibition of Chinese Paintings" sponsored by China-America Association;
In 216, the work "Yunxi Jiashan" won the "Silver Award" in the landscape painting exhibition of Bashu, which was hosted by Sichuan Artists Association.
In 216, the work Jinxiu New Town was shortlisted for the second "Rong Baozhai" Art Biennale hosted by China-America Association;
In 215, the work "Farewell to the Western Regions" was selected for the "6th Huangyuan Painting and Calligraphy Scholarship" exhibition hosted by sichuan fine arts institute.
In 215, the work "Farewell to the Western Regions" was selected as the "5th Young Artists Exhibition" sponsored by Sichuan Artists Association;
In 215, Yi Hong Lin's solo exhibition "Precipitating Time" was held in Wangmeng Art Museum;
In 215, the work "Earth Meteorological Cliff as Evidence" was collected by "Wangmeng Literature and Art Museum";
In 215, the work "Brown Heart Talk" was selected for the "Mianyang Painters Painting Mianyang in 215" art exhibition hosted by Mianyang Artists Association;
In 215, the work "Dream of Covered Bridges" was selected for the art exhibition "Commemorating the 7th Anniversary of the Victory of Chinese People's War of Resistance against Japanese Aggression and the World Anti-Fascist War" sponsored by the Propaganda Department of Sichuan Provincial Party Committee, the Propaganda Department of Political Department of Chengdu Military Region and the Sichuan Federation of Literary and Art Circles.
In 213, the work "Faraway Hometown" was selected for the exhibition of the 7th College Students Art Festival in Sichuan Province;