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What TV series is Fang Sijing?

Fang Sijing is the heroine in the TV series Anjia.

Fang Sijing was almost drowned in a well by his mother when he was born, so he was named Sijing and later renamed Jin Si. She is the heroine in the TV series "An Jia", played by Sun Li, an actress born in China in 1980s. An Jian is an urban workplace drama directed by An Jian and starring Sun Li and Luo Jin. This paper describes the regional manager of Anjian Tianxia Intermediary Company and as a real estate agent, who witnessed the joys and sorrows of customers' lives while helping customers settle down.

In the TV series "Anjia", Fang Jin Si is a gold-lettered signboard of Anjia Tianxia Intermediary Company at a young age. Encouraged by her boss Zhai, she parachuted into the lean shop as a dual manager. After taking office, the room was like brocade, and the Leifa wall was used to clear the field, fight back against foreign enemies and clean the cold blood at home. After a series of events, Fang and Fang came together, and they took the employees of Antianxia Fine Arts Store to quit their jobs and set up Chengjia Apartment.

Drama Evaluation of "An Jia"

"An Jia" adopts a unitary narrative structure, completely immersed in urban life, and focuses on depicting small people in daily life, such as the doctor couple who changed their new houses to welcome their second child, and the steamed bun couple who worked hard for most of their lives to settle down. Through subtle and real conflicts, the audience can find their own resonance in the play while improving the experience of watching the play.

Taking "settling down" as the proposition, the play explores the answers to such questions as "what is the relationship between the intermediary and the customer" and "whether the intermediary should be responsible for the customer's choice of buying a house", and the cohesion, security and sense of belonging behind "home" are also presented one by one.

"settling down" involves some unique phenomena and working conditions of real estate intermediary industry. At the same time, although they are "big women", women do not show signs of "Mary Su" and "Golden Finger", but show obvious shortcomings. Indeed, Liu Liu made a drastic adaptation of The Woman Selling a House, which linked this story with a deep Japanese social and cultural imprint with the local atmosphere of the audience in China.