According to the classification of Chinese painting techniques, what are the works?
First of all, realism
The representative works of realism include The Riverside Scene at Qingming Festival by Zhang Zeduan in Song Dynasty, which is a national treasure. The paintings range from the vast Yuan Ye, the vast rivers and the towering battlements to the nails and rivets on ships and cars, the small commodities on vendors, and the characters on the market. There are officials, farmers, businessmen, doctors, priests, monks, Taoist priests, petty officials, women and so on in the painting. Just like a realistic street view of the Song Dynasty.
Second, freehand brushwork
One of the schools of flower-and-bird painting in Ming Dynasty is mainly represented by painters Chen Chun (Bai Yang) and Xu Wei (Tianchi). He makes flowers, insects and bamboos, makes good use of ink and wash, and is dripping with ink, unrestrained and not rigid in law. Dry and wet shades of ink are just right, which prevailed in the middle of Ming Dynasty and formed a fashion. It had a great influence on Shi Tao, Badashan people and "Eight Eccentrics of Yangzhou" in Qing Dynasty.
Third, meticulous brushwork
Meticulous painting, also known as "fine painting", is an ancient painting that advocates realism and seeks similarity. Gongbi painting is a form of Chinese painting that depicts scenery with meticulous brushwork.
Zhou Fang's picture of the Tang Dynasty's Zanhua ladies
Extended data
Chinese painting ink and wash techniques
China's traditional Chinese painting techniques emphasize "five-color ink" when using ink. Although there are different opinions, the most famous one is "burnt, thick, heavy, light and clear", which specifically refers to the use of water to adjust the multi-level shade of ink. In addition to the above five, there are thirsty ink and broken ink.
Jiao Mo: The ink used is thick, the lines are dry, the ink color is black and dry, and the effect is old and rough.
Thick ink: less water and thick black ink, with a heavy feeling.
Heavy ink: It contains more water than heavy ink, and its color is slightly lighter.
Light ink: there is a lot of water in ink, which has strong permeability. The ink is gray and transparent, and it feels far away and bright.
Clear ink: a little ink is mixed with clear water, which has strong penetration, light and transparent ink color and a clean feeling.
Thirst for ink: the ink is light and dry, which can draw light and hairy ink, giving people a relaxed and lively feeling.
Broken ink: Before the first time, draw another ink color, which has the feeling of blending and smudging.
Characteristics of China's Traditional Painting
1, which mainly uses the changes of lines, dots and ink colors to describe objects and express feelings. Every kind of painting has a special tool, and the function produced by using a special tool will form a unique artistic ability. Chinese painting is painted with a special animal brush, which has the characteristics of "sharp, neat, round and healthy": sharp, sharp pen; Qi, brush hair flat, flat inside and outside; Round, round, full; Jane, deputy and stick to it to the end. In this way, all kinds of lines, dots, ink (including colors) and water are carried out, and the term is called "pen and ink". As far as Chinese painting is concerned, "pen and ink" itself is art and has relatively independent beauty.
2. A China painter's feelings, intentions, interests, personality, style and skills are all expressed through "pen and ink" in the creative process. "Pen and ink" is the basic element of Chinese painting. For thousands of years, the word "pen and ink" has been regarded as the general term of Chinese painting techniques. The beauty of Chinese painting lies in its "pen and ink".
3. A composition method that is not limited by space and time. Chinese painting is characterized by its main connotation, artistic conception, verve and interest, so it is not bound by vision in composition standard, and gets rid of the fetters of focus perspective, and adopts scattered perspective and visual memory to arrange posture and composition. The composition of traditional Chinese painting is broad and free, with the combination of reality and reality and rich imagination.
4, highly generalized, highlighting the expression of the theme. To "turn scenery into emotion", "look at things proudly" and "write creatively", only a high degree of generalization can highlight the theme and create artistic conception in a work. Although there are occasional additions in the creative ideas of Chinese paintings, the main purpose is to give full play to the author's artistic feelings and make the works perfect.
5, constantly absorb the essence of foreign art, after learning, purify and enrich yourself. Each kind of Chinese painting has its advantages and limitations due to the different regions and materials. What are the characteristics of Chinese painting? "Absorbing foreigners and enriching yourself" is one of the laws of artistic creation. China's art has never been exclusive, and the Han and Tang Dynasties was a glorious period when foreign art was boldly absorbed. We never oppose "external relatives", but "internal soul" must be "internal", which is not only the objective law of artistic development, but also the foothold of artistic innovation.
Traditional Chinese Painting-Baidu Encyclopedia