China Naming Network - Eight-character Q&A - Ancient poems about ink painting

Ancient poems about ink painting

1. A poem about ink painting-"Chen style ink painting landscape"

Date: Tang Author: Fang Gan

Naturally skilled, it also belongs to the pen.

Listening to the stream like ice, the mountain seems to be burning.

Deliberate snow, sweat, sweat.

From then on, it should be difficult to be famous in the world.

Four Ink Screens of Taoist Xu

Year: Song Author:

The word "before the geese cross the wind" condenses after the rain.

I don't know who's son is, and he has established Jiangcheng with you.

The title Wang Qizong's Great Horizontal Ink Painting "

Year: Song Author: Fang Hui

Under the secluded grass of Wolong Peak, the small bridge outside the door flows by itself.

Handsome Wang Lang only counts a few strokes, and the clouds are pale in autumn.

View ink painting obstacles

Year: Tang author:

If it weren't for God's help, inkstone water might hide dragons.

Grinding an inch of ink sweeps a thousand peaks.

Stones piled up at the root of the wall and the bed was withered and loose.

Yuelu wears rats and Xiangjiang blossoms.

Hang clothes wet, dream pillow waves.

Just for less color, people are careless.

Ink and Rain Scenery on Yunshan

Year: Ming Author: Master Zhi 'an

Clouds are raining on trees, and streams are full of autumn sounds.

There is a pavilion on the rock, so there is no need for a castle peak.

Polygonum hydropiper, flowers and insects.

Year: Ming Author: Liu Ji

To love Polygonum multiflorum Thunb. In Jiangtou, Qiu Lai made a grasshopper's home.

Butterflies should follow their dreams when they seek fragrance, while wasps don't occupy my official position when they collect honey.

The song is cold, and the dragonfly is trapped in the night wind.

Painting and ink painting are shocking at first glance, but they are like a boat crossing red sand.

2. What are the poems about ink painting? 1, Tu, the first one.

Yuan Dynasty: Wang Mian

Brilliant day lily flowers, Luosheng North Hall.

The south wind blows the heart, for whom do you vomit?

A loving mother leans against the door, but a wanderer cannot walk.

May the sun be sparse and the day be fearful.

Looking up at Yunlin, I am ashamed to listen to birds.

translate

Brilliant daylily was born under the North Hall. The south wind blows the day lily, swaying for whom to confide fragrance? A kind mother leaned against the door, expecting her child. It's hard for a wanderer to travel far away! The support for parents is alienated every day, and the news of children is not reached every day. Looking up at a cloud forest, I am ashamed to hear the sound of the birds, and I still miss it.

2. Mo Mei

Yuan Dynasty: Wang Mian

The trees in Xiyan Lake near my home are covered with faint ink marks.

Don't boast about the good color, just let the air be full of dried Kun.

translate

There is a plum tree in the West Wild Goose Lake near my home, and the blooming plum blossoms are all covered with faint ink marks. Don't need others to praise its beautiful color, just need the fragrance of plum blossoms to diffuse between heaven and earth.

3. Mo Mei

Song Dynasty: Zhang Gui

Shuibian village, a valley on the hillside, was once blocked by flowers.

I still hate Dongfeng, but I hate it even more.

translate

In the valley on the hillside and in the village by the water, the scattered plum blossoms make passers-by sad. It has always been a pity that the east wind is interest-free, and the drizzle that blows more and more makes the dusk even dimmer.

4. Magnolia Officinalis was sent to Fen Liang southbound at the beginning of slow autumn rain.

Qing Dynasty: Nalan Xingde

Suspected general. Ink painting sparse window, lonely shadow light xiaoxiang. Qian Yi left Gao Wu, lit half a candle and discussed everything. Lotus skirt. Wind shear, ask tonight, who and Gai Yuanyang. Since then, I have been worried about everything and my dreams have been divided.

translate

Autumn drizzle falls on the sparse window, and the raindrop imprint seems to be an ink painting painted on the screen. Could you please carefully weigh the tall buttonwood tree and the burnt-out candle, so as not to add sadness to the pond at this time? The lotus leaf has been blown off by the autumn wind. Who will cover Yuanyang instead of the lotus leaf tonight? You will walk a long way on the road, and you will be very tired after that. When you wake up, you will only be accompanied by a chilling voice of sadness.

5. The Bamboo Map of Wei County Department is a poem by Bao Dakuo/Zhu Mo.

Qing Dynasty: Zheng Xie

Yazhai lay listening to Little Zhu Xiao, suspecting that it was the voice of the people's sufferings.

Some small collectors in Caozhou County always care about their feelings.

translate

When I was resting in the yamen, I heard the rustling of bamboo leaves, as if I heard the people crying and complaining. Although we are only small officials in the county, every little thing of the people is affecting our feelings.

3. What are the poems about ink painting? 1, flying dust faint ink painting-Du Mu's "Doctor Gong Liu, early years in London, with ten rhymes".

2. New ink painting picture-Zhou Zizhi's "Xijiang Moon Who Wipes Sapphire"

3, Jiang Tian Mo Qiu Guang night by night by Ouyang Che's' Tanfloxacin Yan Zi Shu Kong'.

4, Qingmoshan Vagina-Li Hong's "There is no frost in Minnan in October".

5. Zhao Shixia, the human ink fairy-"Bodhisattva Qiong Ying flies to pity"

6, ink and wash, although it has been a long time, "enjoy the night poetry of Letian Jianglou, because of thirty rhymes."

7. It's said that Xiang Rong's ink and wash in Wuzhong has a high price-Zhang Bi's "Strange Stone on the People's Pool in Tizushan".

8. Half-inky and half-cloudy —— Xu Hun's "A Gift to Li Yique"

9. The Ancient Screen of Ink and Wash-Li Qixian's Misty Rain on Wushan Mountain in Northern Yunnan

10, Liu's magnolia leisure place Jiangshan ink painting.

165438+

12, yesterday's cold forest ink painting-a preview of Hong Xiwen's "Water Tune Song Tou".

13, Ying Qiu Li's ethereal Mo Xian-Su Shi's "Wang Jinqing's Tibetan Erse Mountain"

14, there is a new ink painting-Wang Mian's "Xie Cao Yin Jun for Fan Song"

15, sent as far away as an ink painting-Huang Tingjian's poem "Four Poems with Two Rhymes and Yin An".

4. The ancient poem about Chinese painting is 1, and the balcony seems to be an ink painting (Five Poems to Gu Ciyue in Yueqing, Vae). 2. Ink painting relaxes sleep (Gu's "I know I am engaged in the near Francisco"). 3. Full-body ink painting (Wei's "Bamboo Songs"). Overlooking the lake and mountains, ink painting (Yan, Sanmaoguan in the middle reaches of Erlang River) 7. Ink painting between walls (Song and Shen Daoyuan, who had strange ink paintings, but regretted Jia's poor years without rewards) 8. Bleak Ink Painting (Song Fan Chengda, Huyatan) 9. Several ink paintings in the sunset glow (Song, Tianjiao's ink painting Lohan (Song of Guan Xiu by Tang Ouyang Jiong and Lohan in Dream (a main song of Zen Moon)) 12. People are as neutral as ink painting (Song Jiang's cousin Lv Pingxuan, Tizi Fuyuan), ink painting daffodils, muxi's green sleeves with golden lanterns, and fragrant cars.

Don't look down on a few rooms, thin clouds cover the fog. "Ink Painting Narcissus and muxi" In the past year, the wind exposed the countryside and the clothes were broken.

Don't come to worship your ancestors, you will dye your clothes in a bad color.

5. The poem describing "Jiangnan ink painting" is a Jiangnan ink painting.

From the original poem "Two Poems of a Slight Rain City" by Chang Lu, a poet in the Song Dynasty: The rain reflects the cold air in the air, and the heavy building leans leisurely against the corner of the city. Shallow mountains, high and low trees, a Jiangnan ink painting.

These two poems are works of climbing stairs to see the wild. The first poem depicts an ink painting in the south of the Yangtze River by writing an ink painting, in which the rain reflects the cold weather, the mountains are deep and the trees are secluded, overlooking the balcony.

At noon, the author of the second poem boarded the scene and looked into the distance, depicting a beautiful and sunny picture with flowers and birds, showing the author's cheerful mood. Appreciation: The first sentence is "light rain" in autumn, and the word "reflection" captures the characteristics of natural scenery very aptly.

If it is a light rain in spring, just like a cloud, it can't be "reflected" with the sky; The misty rain in early summer is boundless, and everything in the distance is wrapped up, let alone "reflected" with the sky. Only in autumn, this seemingly transparent "meaningless and silent" rain has this feature.

Therefore, from the beginning of "the rain reflects the cold", it is described in detail with "semi-existence", which truly conveys the god of autumn rain in detail. As for the word "cold" in front of "empty", it is to show the cold feeling of autumn rain and does not contain the poet's subjective feelings.

This is a masterpiece of climbing stairs, which is expected. The second sentence is "going to the city".

The word "leisure" on the heavy building not only shows that the poet is not here for the first time-he will be in a very urgent mood and there will be no word "leisure"; This also means that he didn't try to relocate the guests-it would be boring and impossible to be "idle". The most important thing is to point out that when the poet has leisure, his heart is relaxed and he can appreciate autumn scenery slowly in this autumn rain.

The poet looked at the wild, and the poet summed it up with a poem: "The shallow mountains are high and the trees are low." The sky is high and the air is clear, and the columns are heavy, either near or far, or light or dark, each with a "shallow depth"; On the other hand, the trees on the mountain are quite mixed and confusing, but when you see layers of trees, the "height" is different.

"Shallow and deep" and "high and low" describe the distant land of autumn mountains. This kind of scenery is unprecedented for the poet, and he is more interested.

The poet's new feeling of "old knowledge" is more attractive than when he first met. Although the poet has seen this kind of scenery, he has never gazed in the light rain before, and he is not in such a comfortable mood. He later enjoyed a particularly high interest.

In a word, the poet lingers and is lost in thought. After repeated pondering, he finally became suddenly enlightened: "the mountains are shallow and the trees are high" in front of him, just like "an ink painting of the south of the Yangtze River".

Empty and clear, desolate and distant, only ink painting has this artistic conception. The beauty he never appreciated before, but now he has a leisurely heart, so he feels very comfortable.

Therefore, this last sentence is not just a subtle and appropriate metaphor, but full of extreme pleasure. However, the metaphorical relationship between "there are trees with high and low colors in shallow mountains" and "an ink painting map of the south of the Yangtze River" is also very meaningful.

The above sentence is a real scene. In order to compare with ink painting, the poet deliberately avoided color and only used the word "shallow and deep" to describe it. The next sentence is a virtual image. Although it is virtual, it is extremely detailed. In front of "ink painting" are "Jiangnan" and "mountain color", which leaves readers with room for imagination. In this way, from real to virtual, virtual and real are born together. Although there is no delicate description of the scenery, it can show the charm of the scenery and arouse readers' distant association.

References: Yu. A dictionary of appreciation of song poetry. Shanghai: Shanghai Dictionary Publishing House, February 1997.

6. Help to think of a poem to describe ink painting ~ Shi Fo Wang Wei in Tang Dynasty, especially famous for his beautiful and distant landscape poems. Wang Wei's landscape poems advocate freehand brushwork and pursue the highest art of charm and emotion, which has the beauty of "unspeakable meaning" and the endless interest of "implication between words and unexpected taste"

Wang Wei's Zen landscape poems have always been highly praised by theorists. Lu Shiyong wrote in his "General Theory of Poetry Mirror" that "the color of rubbings is clear and subtle. I had expected Xie Tao's vassal ... who can be an author after leaving the image?" Wang Wei did have a great influence on the development of China's landscape poetry. His achievements in landscape poetry are related to his evolution of the concept of Zen into his own guiding ideology for poetry creation and the introduction of some Zen enlightenment methods into poetry creation. It is also the Zen in his poems that constitutes his ethereal and elegant poetic artistic conception.

This paper tries to make a brief analysis of the combination of Zen and poetry, the influence and interaction of Zen theory of Nanzong Zen on Wang Wei's landscape poems, and the significance of the development of poetry and theory in later generations. First, the integration of religious thought and aesthetic experience Wang Wei lived in the prosperous Tang Dynasty, and Buddhism in China has developed to a comprehensive and mature stage.

At that time, the sects that were not close to the roof, had a complete theoretical system, and Nanchan also established a fairly mature core idea. Of course, Wang Wei has the closest relationship with Zen: Wang Wei is the only poet who enjoys the reputation of "Shi Fo" in the history of China literature.

On the one hand, because his Buddhist theory is profound, few poets in history can achieve it; On the other hand, it is also because he can adhere to strict religious practice and gain the Samadhi of Zen through a thorough understanding of the wonderful methods of Zen, so that some poems have reached the position of "Zen meaning". Of course, there are many contributing factors to the integration of Wang Wei's Zen theory and aesthetic experience.

First of all, the most important reason is the development of Southern Zen. After Dharma was introduced to China, the six ancestors were wise, which made this religious experience of "not writing" closer to the literati market than introspection. Three realms of southern Zen: one is "but how can I find his footprints among the fallen leaves piled up on the bare hillside!" " ; Second, "there is no one in the empty mountain, and flowers bloom in the water"; Third, "the sky is eternal, there is wind and moon"; The concern for the world after these feelings has changed the picturesque secular world in life, such as the color in the phase and the flower in the water, and gained a sense of freedom after being freed from secular things: Zen pays more attention to people's state of mind, and then it is related to literature on the aesthetic level, which is embodied in Wang Wei's recluse spirit.

Wang Wei is also a scholar who digs deep into his heart. His reclusive culture embodies this essence.

For example, Zen Buddhism's "letting go of body and mind and making it comfortable" has three influences on Wang Wei's reclusive personality: first, it treats real social life by combining active birth with passive anti-world; Second, it is a kind of emotional, tragic and "extraordinary" personality spirit; Thirdly, it pursues a kind of spiritual freedom, attaches importance to the meaning of life and is willing to be lonely and silent. Here you can quote the Peach Blossom Garden written by Wang Wei 19 years old. In this poem, Wang Wei transcends Tao Yuanming's realm of "building a house on earth" and deliberately creates another realm of "watching colorful trees, not thinking about the distance, walking in Qingxi and not seeing people" and "clearing the petals for him in the morning and fishing for him at dusk".

This is already a literati's yearning for the inner Zen realm, with exquisite and elegant style and profound and lofty cultural atmosphere. Escape was originally put forward from the recluse fashion, and its transcendent, carefree, recluse and ethereal purport most naturally shows another kind of tolerance in the recluse personality spirit.

The combination of seclusion culture and Zen makes Wang Wei's poetry move from the hustle and bustle of the city to the quietness and loneliness of culture, and pays more attention to raising natural beauty, humanistic beauty and spiritual beauty to the level of personality and spirit, which is undoubtedly a progress from an artistic point of view. Because of the mutual infiltration and blending with the concept of Zen, Wang Wei's pursuit of indifferent life presents a deep meditation and a carefree state of mind, which is no longer different from Tao Yuanming's "morning, waste filth, take the moon lotus home" and "naked, but not against my wishes", but to achieve "I will walk to the water to stop me, and then sit and watch the rising clouds" and "cross"

On this level, Wang Wei applied the concept of Zen to landscape poems, making the ideological implication of landscape poems more mysterious. Secondly, the reason why religious experience can be highly integrated in Wang Wei's place is not only the connotation of religious experience itself, but also related to Wang Wei's own way of liberation.

He said in Brother Shishan, "I lost myself in the mountains", and in the poem Monk Migai Jinshan, he said more clearly: "When I realize silence, I am happy." Wang Wei's mother believes in Buddhism, and Wang Wei himself may have contacts with many monks. His words were written in the Buddhist classic Vimalakīrti Sutra. According to the textual research of Mr. Chen, a master of modern Chinese studies, "Vimalakīrti" means eliminating evil and reducing evil, which echoes with his landscape poems that exude a touch of Zen.

Wang Wei intends to eliminate his lifelong regret and sadness in the spiritual kingdom of Buddhism and the quiet natural realm of mountains and forests. In other words, an empty mountain forest and quiet joy are the best way for him to get rid of his troubles and pains. In this way, he must achieve his goal through religious experience and aesthetic experience.

Zen, a unique religious experience in China, aims to see nature clearly, while the aesthetic experience of China literati wandering around nature is often to obtain a supreme state of "harmony with heaven, which is called heavenly joy" (Zhuangzi, Heaven). Besides, Wang Wei was not very proud of his career all his life. At the age of fifteen, he left home for the capital and "wandered among nobles" in Chang 'an. With his talent, he became famous in the upper class. However, he was repeatedly excluded from the officialdom, and his heart was extremely painful.

Facing the harsh reality of disillusionment, the poet is unwilling to go with the flow and feels powerless. What is the way out? He wants to seek a relief from his religious experience, and naturally there will be a sentence like "How many sad things in his life, don't sell them to an empty net" ("Sighing with White Hair"). Wang Wei's aesthetic experience is perfectly combined with his Zen philosophy.

7. The famous sentence about ink painting is 1. Hiding the fragrance of a drop of real water is just grinding time into ink, which can reproduce the scattered hidden in the depths. The deeper the ink, the thicker the light and shadow are, just like the correct ink color, neither deep nor shallow, just wrapped like water.

-Dai Hongmei ink painting

2. "The smoke blows the cloud tip and leaves it pale, and the cloud steams the mountainside in deep blue." What I like best is its "counting white as black". Seemingly simple blank space, but with a virtual sense of reality, alternating between reality and reality, always makes people unconsciously empty a clear sky in their hearts.

-Dai Hongmei ink painting

3, small bridges, people who bypass white tiles and blue bricks; Smoke and willow flying, the setting sun shining, attracted a few flying geese to their nests; The distant mountains are continuous, the trees are swaying, and the smoke from the kitchen is curling, reflecting the warm fireworks on earth.