How to express "together together" in classical Chinese
How to express "together together" in classical Chinese
1. How to say "together" in classical Chinese to hold the son's hand and grow old with the son.
Introduction to classical Chinese:
Classical Chinese [wényánwén] is a processed written language based on ancient Chinese. Processing may have occurred in the earliest written language based on spoken language.
Classical Chinese is an article composed of a written language in ancient China. It mainly includes written language based on the spoken language in the pre-Qin period.
During the Spring and Autumn Period and the Warring States Period, items used to record text had not yet been invented. Bamboo slips, silk and other items were used to record text. Silk was expensive, bamboo slips were bulky and the number of words recorded was limited. In order to be able to " Write down more things on the bamboo slips and delete the unimportant words.
Later, when "paper" was used on a large scale, the ruling class's habit of using "official documents" for their correspondence had been finalized, and the ability to use "classical Chinese" had evolved into a symbol of reading and literacy. Classical Chinese is relative to vernacular, and is characterized by writing based on characters, focusing on allusions, parallel antithesis, and neat rhythm. It includes a variety of literary styles such as policy, poetry, lyrics, music, eight-legged essay, and parallel prose.
In order to facilitate reading and understanding, classical Chinese texts in modern books are generally marked with punctuation marks.
2. The ancient text that expresses wanting to be with her for a lifetime will last forever, and this hatred will last forever! If the love between two people lasts for a long time, how can it last day and night? There are many more, some have been compiled for reference only.
1 Liu Yongfengqi’s clothes gradually widened and he never regretted it. 2 The Anonymous Book of Songs Beifeng beats the drum and the relationship between life and death is broad, and he talks about it with Zicheng.
Hold your hand and grow old together. 3 Nalan Xingde's poppy farewell, the last two are the same, the most unbearable resentment in the moonlight.
4 Li Bai said three, five, and seven words: When will we know each other when we miss each other? It's embarrassing to be at this point in the night. 5 Anonymous Feng Qiuhuang plays a harp song. There is a beauty here. When you see her, you will never forget her. If you don’t see her for a day, you will miss her like crazy.
6 Farewell by Zheng Chouyu This time I left you, it was wind, rain, and night; you smiled, I waved my hand, and a lonely road spread to both ends. 7 Li Bai's words of 357 come into my lovesickness door, knowing that my lovesickness is painful. Long lovesickness brings long memories, but short lovesickness brings endless memories.
8 Nalan Xingde breaks through the sands of Huanxi. People's sentiments have become less sentimental, and now they are really not sentimental. 9 When Cao Zhi goes up to a high-rise building under the bright moon, the king is like dust from the road, and the concubine is like muddy cement. They rise and fall in different ways. When will they meet in harmony? 10 If the love between Qin Guan, Magpie Bridge and Immortal lasted for a long time, how could they stay together day and night?
In 11 Zhang Jijie, the wife chanted the song "Returning the Pearl to the King" and her eyes shed tears, wishing they could not meet again when they were not married. 12 Xi Murong How can a flowering tree make you meet me? For this in my most beautiful moment, I have been praying to the Buddha for five hundred years, begging him to let us have a mortal relationship.
13 Chen Hengke wrote that the portrait of Chunqi is still in the human world. How can we live together but die differently? 14 Liang Qichao's Taiwan Bamboo Branch Poetry The bottom of the acacia tree talks about lovesickness, and Si Lang hates Lang Lang without knowing it. 15 Xu Qianshi's thoughts have come from the emperor, and the bright mirror and darkness cannot be cured.
Thinking of you is like running water, there is no end to it. 16 Sima Guang Xijiang and the moon are fighting each other as if they are not seen, how can being sentimental seem to be ruthless?
17 Miscellaneous Poems by Gong Zizhen Jihai Falling red is not a heartless thing, it turns into spring mud to protect flowers. 18 Mr. Zhang will never grow old, and his love will never end.
The heart is like a double mesh with thousands of knots in it. 19 One of the two poems by Huang Jingren is like this: The stars are not last night, for whom the wind and dew set up the midnight.
20 Li Shangyin's six untitled poems, three of which are straightforward, say that it is useless to miss lovesickness, but that melancholy is pure madness. 21 Li Shangyin traveled alone in Qujiang in late autumn, knowing that he was here and his love would always be there. He looked at the sound of the water at the head of the river with regret.
22 Four of the five poems written by Yuan Zhen Li Si Once the sea was filled with water, except for Wushan, it was not a cloud. 23 Li Shangyin Jinse This feeling can be recalled later, but it was already at a loss at that time.
24 Zhang Zhongsu’s lovesickness in Yanzilou is so much that one night stand is not far away. 25 Yuan Haowen Moyu'er, one of the two poems, asks what love is in the world, and teaches the promise of life and death.
26 Li Shangyin has no title, no colorful phoenix and two flying wings, and his mind has a clear understanding. 27 photos of Hongqiu beasts, water smoke sinking in the furnace, and remaining flowers in green marshes are written line by line in the biography of lovesickness.
28 Xu Zaisi won the title of Guilin, so he could not miss lovesickness in his life, so he could miss lovesickness, which would harm lovesickness. 29 Li Guandie is in love with a flower and misses her thousands of times. There is no place in the world to arrange it.
30 Su Shi’s ten years of life and death in Jiangchengzi were so vast that he could not think about it and could never forget it. He was alone in a tomb thousands of miles away and had no place to talk about his desolation. 31 Anonymous Book of Songs Tang Feng prepares for today and tomorrow, I will see this beloved man.
32 Bai Juyi’s song of eternal regret lasts forever, but this hatred lasts forever. 33 Bai Juyi's Song of Everlasting Sorrow: In the sky, I wish to be a winged bird, and in the earth, I wish to be a twig.
34 Wen Ting style butterfly love flowers overlap with tear stains and brocade characters, life is only about love that is hard to die. 35 Cao Xueqin raised her eyebrows in vain. One is a fairy from Langyuan, and the other is a flawless jade.
If you say there is no romance, you will meet him again in this life; if you say there is a romance, how can you end up lying? 36 Li Shangyin's Untitled Spring Silkworms will not run out until they die, and the wax torch will turn to ashes before the tears dry up. 37 Kuang Zhou Yi reduced his character to Huan Xisha. He should not be obsessed with love in this life. There is no place in the world for lovesickness.
38 Ouyang Xiuyulou Chunzun was about to tell him the date of return, but Chunrong swallowed hard before saying anything. 39 Anonymous Book of Songs Zhou Nanguanjuguanguanjujiu, in the river continent.
A graceful lady, a gentleman is a good man. 40 Ouyang Xiu Yu Lou Chun Life is full of love and infatuation, and this hatred has nothing to do with the wind and the moon.
41 Liu Yong Yu Lin Ling has been here for many years, which should be a good time and good scenery. Even if there are thousands of customs, who can tell them?
42 Li Zhiyi, the divination operator, only hopes that your heart will be like mine, and you will live up to your love. 43 Yan Jidao Linjiang Immortal's two poems, the falling flower man is independent, and Wei Yuyan flies together.
44 Chen Tao’s journey to the west is pitiful for his bones by the Wuding River, just like those in a spring boudoir’s dream. 45 Xin Qiji fished for fish and bought a lot of money, such as gifts. Who can complain about this feeling?
46 Wen Tingyun’s three more poems are composed of three sycamore trees and rain at three o’clock, which means separation and love are suffering. Leaf by leaf, a sound drips into the sky.
47 Su Wu tied the knot as husband and wife, and there was no doubt about their love. 48 Nie Shengqiong is looking for a good dream in the sky, but it is difficult to come true.
Who knows how I feel at this time. Tears fell in front of the pillow, rain fell in front of the curtain, and dripped into the morning through the window.
49 Who can complain about Liu Yong’s loneliness day and night? Even as a preface, it’s always an easy task.
50 Li Bai's Two Songs of Long Acacia: The long journey is a long way and the soul is flying. 51 Xi Murong's Mark Don't refuse to say that beautiful vow just because it might change, don't dare to pursue a heart-to-heart encounter just because you might be separated.
52 Fan Cheng’s Cart in the Far Away Chapter May I be like a star and a king like the moon, and the stream of light will be bright and clear every night. 53 Dai Shulun's lovesickness faded away on the road to the end of the world, and he began to believe that parting in the world was painful.
54 Liu Yongyu Linling looked at each other with tears in her eyes, speechless and choked. 55. Two of Yuan Zhen's three poems about sadness and sadness. I sincerely know that this hatred exists for everyone, and poor and humble couples are sad for everything.
56 Gu Xun expressed his heartfelt feelings to exchange my heart for yours, so we know each other deeply and remember each other deeply. 57 Yu Xuanji Jiangling is worried and hoping to send memories to you. Your heart is like the water of the West River, flowing eastward day and night without rest.
58 Li Shangyin's six untitled poems are among the six. The heart of spring is full of blooming flowers, every inch of lovesickness and every inch of ashes. 59 Le Wan Bu Shuzi lovesickness is as deep as the sea, and past events are as far away as the sky.
60Bai Juyi It is better to hate each other than to have faith in the waves. When I miss you, I realize that the sea is not deep. 61 Do you know that Wen Tingyun’s exquisite willow branches and red beans are embedded in the dice? 62 Shao Rui, Peng Die and Hua Renren paid a thousand gold for a smile? After all, missing each other is not as good as meeting each other.
63 Yan Shu Yulou Spring When the corners of the earth are limited, there is only endless love. 64 Cao Xueqin spent his whole life misunderstanding that the capital was a good match, and I only thought about the alliance between wood and stone.
Looking at the sky, the snow in the mountains is shining brightly; I will never forget the lonely forest in the fairyland. 65 Zhou Bangyan The spring people in Yulou are like the wind, and the clouds are flowing into the river, and the feelings are like the flocculation on the ground after the rain.
66 Cao Xueqin’s red bean poem: endless lovesickness, blood and tears, throwing away red beans, endless spring willows and spring flowers filling the painting building. 67 One of two poems from Ouyang Xiu's Butterfly Loves Flowers. With tears in his eyes, he asked about the flowers. The flowers were silent, and the red flowers flew across the swing.
68 Feng Xiaoqing complained about the thin figure and self-pity in the autumn water photos. You must pity me and I pity you. 69 Zhu Yizun fell in love on the balcony and was afraid of falling in love.
Looking forward to the long embankment, the grass is full of red hearts. It's so sad that it's moving, it's blue and falling in the yellow spring, it's hard to find two places.
70 He Zhu Hengtang Road How many leisure and sorrows are there? Yichuan Tobacco is popular in the city.
3. How to use classical Chinese to express "We fight together and work hard together, and advance and retreat together." Classical Chinese sentences: Liu Bang's "Great Wind Song" of the Han Dynasty: The strong wind is blowing and the clouds are flying, and we are returning to our hometown in peace. We have strong men to guard the four sides!
Interpretation: The strong wind is blowing, the clouds are flying, I have unified the world and I am returning home in fine clothes. How can I get warriors to guard the country in all directions!
In October of the twelfth year of Emperor Gaozu of the Han Dynasty (196 BC), Wang Ying of Huainan launched an army to fight against the Han. Due to his bravery and proficiency in fighting, the military strength was so strong that Liu Bang had to go out in person.
Later, he defeated Yingbu. On his way back to the army after victory, Liu Bang took a trip back to his hometown - Pei County (now part of Xuzhou, Jiangsu Province), and summoned his former friends and elders.* **Drinking together for more than ten days. One day while drinking heavily, Liu Bang improvised the song "Song of the Wind" while building and singing.
Extended information:
A few years before the creation of this poem, the newly-established Han Empire experienced rebellions by King Zang Tu of Yan, King Xin of Han, and Chen Xi. Now Yingbo has rebelled. was pacified, but the Huns to the north were eyeing him, domestic rebel forces were waiting for an opportunity, and the whole country was on the verge of collapse.
Liu Bang returned to his hometown at this time, remembering that the ups and downs in the first half of his life had led to his current prosperity, and all forces were trying to push the empire he had built by himself into the abyss. Liu Bang must be singing This poem must be filled with a sense of heroism that is masked by sadness.
There is "xi" in every sentence of this poem. Although Pei County, Liu Bang's hometown, was originally a Song Dynasty, it has been occupied by the Chu State for a hundred years, so the writing style is naturally tainted with some Chu style. Because of the tragedy of its representative figure Qu Yuan, Chu Ci became a literary style for expressing resentment. And because of the strong folk customs in Chu, Chu Ci became more majestic. Liu Bang chose this style of writing to appropriately express his concern for the rise and fall of his family and country without losing his kingly demeanor.