Forty Scenery Pictures of Forty Scenery Pictures

Upright and bright: it is the main hall of the Old Summer Palace. Located within the Grand Palace Gate of Yuanmingyuan.

This scene is the first of the forty scenes in the Old Summer Palace. It is actually the former dynasty of the Qing emperor in the Old Summer Palace.

In front of the main entrance is the Xianliang Gate. There are five couplets in the east and west side halls on the left and right, which are respectively the tea room, the imperial study room, the tea room and the military aircraft room. The Zhengda Guangming Hall is seven rooms wide and five rooms deep. It has corridors at the front and back, gray tiles, and a rolling shed resting on the top of the mountain. In the hall, there are couplets written by Emperor Yongzheng, "My heart is in the heart of heaven, I wear clothes at night and eat at night; I enjoy the happiness of the people by harmonizing my nature and pleasing my emotions", and Emperor Qianlong's calligraphy, "Pursue tranquility and see the success, no matter how far you go; use time to cultivate things." , there is that place to live in." The imperial book "Book of Zhou·Wuyi" hangs on the east wall, and the "Picture of Bin Feng" hangs on the west wall (when the British and French allied forces burned the garden, it seemed that the entire Old Summer Palace was hung). Behind the hall is Shoushan Mountain, with bamboo shoots on the mountain. It was later moved to the Renshou Hall in the Summer Palace.

The Entry and Exit Xianliang Gate, also known as the Second Palace Gate of the Old Summer Palace, has five south-facing gate halls with a four-character plaque in Yongzheng's imperial book "Exit and Exit Xianliang". Inside the gate is a seven-room main hall, with a four-character plaque written by Emperor Yongzheng "upright and bright" hanging high on the inner eaves. Diligent government and friendly people: The west is adjacent to Zhengda Guangming.

This scenic spot is an important part of the former dynasty area. It was the place where the Qing emperor listened to politics and handled daily government affairs in the garden. Its function is similar to the Hall of Cultivation of the Heart in the Forbidden City.

Qinzheng Hall is a south-facing five-room hall with three pavilions in front and behind, and a plaque written by Emperor Yongzheng "Qinzheng Hall" hanging on the outer eaves. When the five emperors Yongzheng, Qianlong, Jiaqing, Daoguang and Xianfeng summoned their ministers to listen to government affairs in the garden, this hall would be the place to go. It was also the place where the emperor usually approved provincial regulations, summoned ministers, introduced officials and met with princes from other vassals. There is a throne in the bright room of the hall, and the back screen is engraved with the chapter "Wuyi" written by Emperor Qianlong; the back couplet hangs high in the imperial book "It's difficult for the emperor" written by Emperor Yongzheng, and on the east wall is the "Easy and Difficult to Start a Business and Sustain Success" written by Emperor Qianlong. "It's Hard to Be Lame for the King" written by Chen Yu on the west wall. The Fangbi Cong to the east of the Qinzheng Hall was the place where Qing emperors often worked and ate in summer; behind the Fangbi Cong is the Baohe Taihe Hall, which is nine rooms wide and has three pavilions in front. There are east and west warming pavilions in the hall. Further north is the Fuchun Building, which houses various valuable calligraphy and paintings, Western sculptures and stationery. To the east are Feiyunxuan and Jingjian Pavilion, to the north are Huaiqingfen, beautiful trees and shades, and Shengqiuting. To the east of Jingjian Pavilion are Baohe Taihe, Fuchun Tower and Qingxiang Bamboo Forest. Jiuzhou Qingyan: Located in the west of Yuanmingyuan, on the central axis of Jiuzhou Scenic Area, between the Front Lake and the Back Lake.

This attraction is the emperor's palace. To the south is the front lake, separated from "Zhengda Guangming"; to the north is the back lake. There are nine artificial islands around Houhu. Jiuzhou Qingyan is located on one of the islands, covering an area of ​​about 700,000 square meters.

The front of Jiuzhou Qingyan is five couplets of Yuanmingyuan Hall, followed by seven couplets of Fengsan Selfless Hall and Jiuzhou Qingyan Hall. To the east is Tiandi Jiachun, to the west is Le'anhe, and to the west are Qinghui Pavilion, Luxiangzhai, Wujuanzhai, Rugutang, Songyun Tower and Hande Bookstore. The west road was burned down during the Daoguang period, and Shende Hall was rebuilt. There are two white marble bridges in the south of the island, the Jin'ao Bridge on the left and the Yuqiu Bridge on the right.

Jiuzhou Qingyan is one of the earliest building groups in the Old Summer Palace. The name Jiuzhou Qingyan means that the earth, rivers and seas of Jiuzhou are clear, the world is peaceful, and the country is eternal.

Since the early years of Yongzheng's reign, the Old Summer Palace has been expanded on a large scale, and this part of the scenic area has become an important palace area for the emperor. This is also the place where the first banquet of the "Three Banquets of Shangyuan" is held. and local yamen, where tributes, objects, and picture albums were presented to the emperor. Hollow Moon Kaiyun: It is located on the southeast coast of Houhu Lake in Jiuzhou Scenic Area, east of Jiuzhou Qingyan.

It was built in the ninth year of Qianlong (1744).

The three emperors Kangxi, Yongzheng and Qianlong once enjoyed peonies here together (see the note of "I still remember two sentences" in this poem). In the imperial era, this place was regarded as a symbol of "peace and prosperity".

The Moon Kaiyun, formerly known as the Peony Pavilion, is one of the earliest architectural complexes in the Old Summer Palace. The building materials are mainly harvested wood, and the roof of the hall is covered with two-color glazed tiles. After Qianlong ascended the throne, it was renamed "Louyue Kaiyun". In the 31st year of Qianlong's reign, a plaque was inscribed on Ji'entang. Hundreds of peonies of various colors were planted in the courtyard. Next to him is Yu Lanfen. Natural landscape: Located on the east bank of Houhu Lake in Jiuzhou Scenic Area, to the north of Kaiyun.

The main building is a square building. To the north of the building are Langyin Tower, Zhuhao Tower, Wufu Hall, Bamboo Deep Lotus Jing, to the west is Jing Zhi Chun Shi Jing, and to the east is Su Causeway at Spring Dawn.

Langyin Pavilion and Bamboo Pavilion are built near the lake. From the tower, you can overlook the mist of the Western Mountains in the distance, the shadow of the Yuquan Wanshou Pagoda in the middle, and the scenery on the banks of the back lake up close. There are thousands of scenes, just like natural paintings. The arrangement of garden plants in this scene is also unique. There are thousands of green bamboo poles in the courtyard, and twin paulownia trees complement each other. In the shadow of Wufu Hall, magnolia is in full bloom. This magnolia was planted when the Yuanmingyuan was first built. Hongli'er often went to the lower reaches of the flower and regarded it as Tong Geng. This tree is known as the ancestor of Yuyuan Magnolia. In the 51st year of Qianlong's reign, Hongli was nearly eighty years old. He occasionally came to the hall and looked at the flowers. He was filled with emotion and composed a poem called "Magnolia Flowers in Wufu Hall, Songs of Long Songs and Ambition". After the poem was completed, it was engraved on a lying stele and erected on it. Next to the flowers, a new Xuan Xuan was decorated with aragonite. Bitong Academy: Located in the northeast corner of Houhu Lake in Jiuzhou Scenic Area, it is a study room.

It was built in the ninth year of Qianlong's reign, 1744 AD.

There are three couplets in the front hall of Bitong Academy, five couplets in the middle hall and the back hall. It is adjacent to the natural landscape in the south, and faces Ciyun Puhu across the water in the west. To the west is the Yuncen Pavilion on the rock.

This scene is a group of buildings built earlier in the Old Summer Palace. It was called "Wutong Courtyard" during the Yongzheng period. Surrounded by mountains and dense forests, this place is a very quiet place. The building is composed of well-proportioned courtyards of different sizes and shapes. The first three courtyards are entered. Under the eaves of the main hall there is a plaque inscribed "Bitong Academy" written by Emperor Yongzheng. There are also beds and Kangs for the emperor to rest in the main hall. Bitong Academy is where the Qing Emperor studied and painted. There are a large number of sycamore trees planted around the academy. The ancients described the tung tree as a symbol of nobility and integrity, and believed that the tung tree could attract phoenixes. The tung trees here are dense, embodying auspiciousness and tranquility. In early summer, the tung trees are full of branches and fragrant. In midsummer, the dense tung leaves provide a retreat from the heat, making it quiet and peaceful. It is an excellent place to study in a quiet room. Emperor Yongzheng studied here all year round. Emperor Qianlong also praised in his poem, "The moon turns and the wind turns back and the green shadows turn, and the rainy windows don't get tired of the noise. Sound is color and color is silent. Don't ask about the Ni Family Lion Garden." Ciyun Puhu: Located in the center of Jiuzhou Scenic Area To the north is a temple garden.

The front hall of this scene faces the back lake, with three couplets, and is called the "Happy Buddha Field". To the north are the three couplets of the building. Guanyin is worshiped upstairs and Guandi is worshiped downstairs. To the east is the Dragon King Hall.

This scene was built in the latter part of the reign of Emperor Kangxi and is named "Jian Pavilion". After Yongzheng succeeded to the throne, when the Old Summer Palace was upgraded to an imperial garden, Feng Shui masters said that the palace gate was built in the south for the purpose of governing the Ming Dynasty; the main hall was located in the center to build the imperial pole with arches in all directions. In this scene, due north of the central axis, there is a self-ringing bell tower, which is three feet high and corresponds to a white Mercury.

The Huanxi Buddha Hall is dedicated to the Huanxi Buddha of Tibetan Tantric Buddhism to pray for many children and grandchildren. In the main hall of Ciyun Universal Protector, Guanyin Bodhisattva is also praying for a son, but the object of prayer is different. The Dragon King is worshiped in the Dragon King Hall for the sake of good weather and good weather. The large self-ringing bell in the bell tower reminds people of the time to get up early for governance. Therefore, although there are few buildings in this scene, its practical functions are very strong. In front of the Huanxi Buddha Hall, there are "vine flowers hanging down, and the rat girl is in the wind." (Rat Girl: another name for peony) there are weeping willows in the south, and there are mountain peaches and apricots between the buildings. Shangxia Tianguang: It is located on the north bank of Houhu Lake in Jiuzhou Scenic Area, west of Ciyun Puhu and east of Xinghuachun Pavilion.

This scene is a group of buildings built earlier in the Old Summer Palace and was completed during the Yongzheng period. The name of the Shangxia Tianguang Scenic Area comes from the poem "The Story of Yueyang Tower" written by Fan Zhongyan, a writer of the Northern Song Dynasty.

The main building of Shangxia Tianguang is the "Hanyue Tower", which is a building facing the lake. It is a two-story open pavilion with three couplets up and down, pavilions on the left and right, and Ping'an Courtyard behind the building. The outer eaves are hung with Qianlong's imperial pen "Skylight Up and Down". Hanyue Tower is a group of buildings facing the water. The front half extends into the water. There are a group of water pavilions and waterside pavilions on the left and right sides, connected by a nine-curved bridge. This group of buildings is therefore extremely beautiful and ingenious. In the seventh year of Daoguang (AD 1827), Shangxia Tianguang Scenic Area underwent great changes. The original Jiuqu Bridge, Water Pavilion and Water Pavilion were demolished, and the main building "Hanyue Tower" was also rebuilt to imitate the Yanyu Tower in Jiaxing. "Misty Rain Tower". During the Xianfeng period, a ceiling was built on the north side of Yanyu Tower and the old name "Shangxia Tianguang" was restored. Xinghuachun Pavilion: It is located in the northwest of Houhu Lake in Jiuzhou Scenic Area, to the west of Shangxia Tianguang.

This scene was built during the Kangxi period. It was first called the vegetable garden and later also called Chunyuxuan. Yinzhen's "Twelve Odes of Garden Scenery" contains vegetable garden poems.

In February of the fifth year of Yongzheng's reign (1727), the imperial plaques of "Xinghua Spring Pavilion" and "Xinghua Village" were hung. During the Yongzheng period, it was called Xinghua Village. It was built based on the artistic conception in the poem "Qingming" by Du Mu, a poet of the Tang Dynasty, expressing a simple pastoral interest. When the map was completed in the ninth year of Qianlong's reign (1744), the low houses were isolated, surrounded by apricot trees, and a small garden was opened in front, giving it a village scene. In the 20th year of Qianlong's reign (1755), the central and front part of this scene was greatly renovated, and the Chunyuxuan Hall, Jianhe Yuqing Palace Gate and Nanshan Deshu Pavilion were added. There are also Cuiweitang, Chengguan, and green clouds. The building faces the lake to the east and west. There is an Xinghua Village in the west courtyard and a vegetable garden in front of the building. It was built to imitate the rural scenery, and later underwent large-scale additions to make the scenery more exquisite. Broad: Also called Goldfish Pond, it is close to the west bank of Houhu Lake in Jiuzhou Scenic Area.

Imitating the scene of "Fish Watching at Huagang" in Hangzhou, it is a specially designed fish breeding area in the Old Summer Palace, with museum buildings surrounding it and a large pool dug in the middle. This scene is located on the west bank of Houhu Lake. The mountains are low and there are few. The buildings are small and short and are flat. It can introduce the scenery of the Western Mountains. It is open and open, with three couplets. In the front is Suxintang, in the back is Guangfengjiyue, and in the northeast is Zhiyu Pavilion, where you can watch fish in a pond. There are thousands of golden scales under the pond around the house. It is the best place for the emperor to watch goldfish. It is commonly known as the goldfish pond. The scenery is surrounded by water, with mountains on the northwest and outer sides. There are wooden plank bridges across the stream in the west, southwest and southeast. There is a very beautiful stone bridge in the north - Bilan Bridge. This scene includes a waterside pavilion for watching fish in the pond (Lighting Wind and Moonlight), a summer dormitory (half-acre garden), and a main room for dining (Suxintang). Ruguhanjin: Also known as Shaojingxuan, it is located on the west side of Qingyan in Jiuzhou and faces Houhu Lake in the east.

It was built around the fourth year of Qianlong (1739). It covers an area of ​​9,000 square meters and has a construction area of ​​3,300 square meters.

Ru Guhan is now a study room. There are five couplets in the main hall, followed by Shaojingxuan, Maoyuzhai and Zhuxiangzhai. This scene has 39 palaces, rooms, verandahs, and platforms with 148 rooms (73 verandahs), one pavilion with double eaves, one hanging flower door, and five wall doors. This scene is where the emperor studied in winter and is decorated luxuriously. There are nanmu wood panels in the interior, and the windows on all sides are decorated with rosewood window frames and nanmu window cores. When the scene was in its prime, pines and willows were planted, and there was a bamboo forest in front of Zhuxiangzhai. In the thirty-third year of Qianlong's reign (1768), there were major renovations. Changchun Fairy Pavilion: It is located in the southwest of Jiuzhou Scenic Area, west of Qianhu, west of Zhengda Guangming Hall, south of Rugu Hanjin, and adjacent to the garden wall in the south.

The construction date was no later than the fourth year of Yongzheng reign (1726).

It was originally named Lotus Pavilion. Since the seventh year of Yongzheng's reign, it has been the residence given to the fourth son of the emperor Hongli, and he calls himself "Changchun layman". Changchun Fairy Pavilion has three couplets at the door and five couplets in the hall. It is surrounded by mountains and water. The entrance and exit are connected to other scenic spots by wooden bridges. It is a garden-within-a-garden architectural landscape group. The island is composed of four courtyards, of which the east courtyard is the main courtyard. It is a complete small quadrangle, consisting of an inverted seat room, a hanging flower door, east and west wing rooms, and a main room. Under the eaves of the main room hangs the imperial inscription "Changchun Immortal Pavilion" written by Emperor Qianlong. In the forty-second year of Qianlong's reign (1777), Qianlong's biological mother, the Empress Dowager Xiaosheng, passed away, and this place was converted into a Buddhist temple to express Qianlong's longing for his mother. To the west of Changchun Fairy Hall are Lvyinxuan, Lijingxuan and Chunhaoxuan. To the west are Hanbitang and Linxu Guijing. On the west bank of Xianguan Island in Changchun, there are also the imperial dining room, the imperial tea room, the imperial pharmacy, and the eunuch duty room. There is a pavilion bridge across the stream to the north of Changchun Fairy Pavilion, named "Linxu Guijing". Wanfang Anhe: It is located on the west side of Houhu Lake, adjacent to Xinghuachun Pavilion in the east, and outside the southwest lake there are high mountains and long waters.

Built in the early years of Yongzheng, it was formerly known as Wanzifang. Wanfang Anhexuan has a unique shape and beautiful scenery, making it suitable for living in all seasons. Emperor Yongzheng was particularly fond of living in this garden. During the Qianlong period, it was still one of the recreational palaces. During the Dragon Boat Festival, he would serve the Empress Dowager at banquets in this palace. Emperor Jiaqing also chanted "All directions are peaceful" 23 times.

The plan of Wanfang Anhe's building is in the shape of a "swastika". The entire white marble building base is built in the water. There are thirty-three palaces connected by twists and turns from east to west, south, and north on the base. This is the favorite scenic spot of Emperor Yongzheng. The Ten Thousand Character Room is surrounded by water on all sides, with the emperor's throne in the middle. Above the throne hangs Yongzheng's imperial letter "Wanfang Anhe". On the west road is an indoor stage. This stage is very cleverly designed. The singers In the northwest hall, the emperor sat in the west hall and watched the play, separated by water.

The southeast of Wanzifang is a dock facing the water. When the emperor came to Wanfang'anhe, he usually took a boat directly to this dock to land. There is a large cross pavilion on the opposite bank of Wanfang'anhe, commonly known as the "Cross Pavilion". There is also a bronze phoenix on the top of the cross pavilion. Many precious flowers and tree species are planted around the cross pavilion. Wuling spring scenery: in Wanfang'an and northeast.

After passing through the cave, you will see the sun and moon in the five-coupled open kettle in the north of the pool, the natural beauty in the east, and the beautiful scenery of the sun and moon in the cave sky in the south. Across the mountain pass are Taohuawu, Taoyuan Deep, Wanchunxuan and Pinshi Hall. The mountain is high and the water is long: It is located in the southwest corner of the Old Summer Palace. The mountain is high and the water is long. The building is located in the west of the flat building.

The Shangaoshuichanglou is a two-story building facing west, with 9 rooms on the top and bottom. It is surrounded by a stream in the front and surrounded by hills in the back. The terrain in the middle is flat. It is a place where banquets are specially held to entertain foreign vassals, and martial arts contests are also often held. Archery competition. Across the river is a mountain of earth, which is usually used as a training ground for the Forbidden Army in the Old Summer Palace. There is a monument of Qianlong's "earth wall" poems. In the first month of every year, a banquet is held here to entertain the princes of foreign vassals and enjoy the fireworks show. There are "Thirteen Houses" where the prince lives in the east. Yuendiyunju: Buddhist temple. It is located to the west of Yuanmingyuan and south of Hongci Yonghu.

This scene has five couplets in the main hall, a square hall in front and seven couplets in the back building. To the east is Fayuan Tower, to the east is Jingshi, and to the northwest is General Liu Meng Temple. Hongci Yonghu: Also known as Anyou Palace, it is located in the northwest corner of Yuanmingyuan and is the royal ancestral temple.

It was built in imitation of the Shouhuang Palace in Jingshan. It was built in the seventh year of Qianlong's reign and completely imitated the Ancestral Temple of the Forbidden City. It is the highest-standard building in the park, with yellow glazed tiles, double eaves and nine couplets on the top of the mountain.

In the middle of the hall is the statue of Emperor Kangxi, in the east is the statue of Emperor Yongzheng, and in the west is the statue of Emperor Qianlong. In front of the palace gate are two glazed archways, each with a pair of Chinese watches. To the north is Zibi Mountain House. Huifang Academy: located in the northwest corner of Yuanmingyuan, south of Zibi Mountain House and east of Hongci Yonghu.

The plane of this scene is in the shape of a crescent moon (Meiyuexuan), with Shuzaoxuan, Hanyuanzhai and Sui'an Room inside. There is a "broken bridge with residual snow" across the stream, imitating the ten scenes of West Lake in Hangzhou. Ritian Linyu: Located northwest of the Old Summer Palace and south of Huifang Academy.

This scene is a Buddhist hall. There are a middle front building, a middle back building, a west front building, and a west back building. There is a corridor between the front and rear buildings, and each building is connected by a sky bridge. There is an octagonal pavilion "Shrangama Altar" in front of the middle building, and Ruiying Palace in the east. Peaceful and quiet: It is located to the north of Houhu Lake in Jiuzhou Scenic Area and southeast of Ritian Linyu.

The appearance of this palace is the shape of a Chinese character: "田". "Tian" means cultivated land. Agriculture was the lifeblood of the feudal empire. The emperor held a plowing ceremony here every year.

Shuguang Tower is in the east, Cuifu Tower is in the north, Duojiaxuan is outside the west gate, Guanjiaxuan and Daoxiang Pavilion are in the east, Xishan Bujin and Lanxi Yinyu are in the northeast, and Shuijing is in the southwest. Domain, Jingxiang House, Zhaohe Ding, Humiao Tower. Yingshui Orchid Fragrance: Located in the quiet and tranquil west.

The main hall of this scene has five couplets, facing west, with Diaoyuji in the southeast and Yinyuechi and Zhigengzhi in the north. Shuimu Minser: It is located in the center of the small garden gathering area north of Houhu Lake and northeast of Yingshui Lanxiang.

This scene is modeled after the Shuizhu Residence in Yangzhou. A Western-style hydraulic mechanism is used to drive the fan indoors. It is the first example of "using Thai and Western water methods" for water sound landscaping in Chinese royal gardens.

To the north is Wenyuan Pavilion, which is one of the seven libraries built by the Qing government across the country. It houses the "Collection of Ancient and Modern Books" and "Sikuquanshu". Lianxi Leisure Place: Located to the north of Old Summer Palace and southeast of Huifang Academy.

This scene is the largest garden within a garden in the Old Summer Palace. The center of the park is a large island surrounded by lakes and streams. The island is slightly to the northwest, and the water surface is wider in the southeast. The lake is surrounded by mountains, and the mountains and rivers are connected together.

The main hall has nine couplets, with Yunxiang Qingsheng in the back, Xiangxuelang and Yunxiashujuan in the east, and Huiwanzongchun Temple in the south. Lots of crops like clouds: It is located to the north of the Old Summer Palace and to the west of the flying fish and kites.

The main hall has five couplets and is surrounded by rice fields. Fish Leaping and Kites Flying: Located in the northernmost part of Yuanmingyuan, west of the Great North Gate.

This scene is a five-couplet square hall with doors on all sides. To the east is Changguan Pavilion, to the southwest is Pucui Circulation, to the south are rolling hills, and at the entrance of the mountain is Duozi Pavilion. Beiyuan Mountain Village: located east of Dabei Gate.

This scene is full of rice fields, and the names of each house are related to farming, presenting a rich pastoral scenery. There are Lanye, Huiyu Jingshe, Shuicuntu, Daoliang Building, Shequ Building, Zhanxu Bookstore and other buildings. The beauty of Xifeng: it is located to the north of Old Summer Palace, with Savatthi City in the south and Beiyuan Mountain Village in the north.

This scene is known as Xiaolushan in the garden, modeled after Lushan in Jiangxi; Huagang Fish Viewing in the back wall is modeled after the scenic West Lake in Hangzhou. Every Chinese Valentine's Day, a special banquet is held here. Across the river to the west is Xiaokuanglu, with the Dragon King Temple behind it. To the east are Hanyun Pavilion, Yitang Heqi, Zide Pavilion and Lanjingfang.

The west peak is beautiful, with a hall and a platform in the west. The stone mountain in the northwest depicts the scenery of Mount Lu. There is a cave in the mountain, called Sanxian Cave. The entrance of the cave faces to the west. The cave can accommodate 200 people. It has collapsed. Siyi Bookstore: It is located north of the water surface of Fuhai and northeast of Kuoran Grand Duke.

There are 5 palaces. The main hall is called Anlan Garden. It was rebuilt after Qianlong's southern tour and was modeled after the Chen Yuyuan in Haining on the bank of Hangzhou Bay. Fanghu Scenic Spot: Located in the northeast corner of Fuhai Waterfront and east of Siyi Bookstore.

This scene was basically built in the third year of Qianlong (1738 AD). The three double-eaves pavilions in the front extend into the lake in the shape of a "mountain", and the nine pavilions in the middle and back are enshrined in the lake. With more than 2,000 Buddha statues and more than 30 pagodas, the building is magnificent and splendid. It is a famous landscape like a fairy mountain and a palace. The theme attic is actually a temple building. Across the bridge behind the pavilion is the main hall of Fanghu Shengjing. It is a two-story building with five couplets on the front and back. It is called the Yaluan Hall in the front, Qionghua Tower in the north, and auxiliary buildings on the left and right, connected by a sky bridge. To the east of Fanghu Scenic Area is Ruizhu Palace. To the west are the Three Pools Reflecting the Moon, the Sky Sky Bright, the Qingkuang Tower and the Huazhao Tower. Bathing Body and Bathing De: Located on the south side of the west bank of Fuhai, facing Fuhai to the east.

The vastness of the sea of ​​blessings symbolizes the endless flow of the sea, and the vastness of the realm encompasses all things. The clearness of the sea of ​​blessings, which spreads across an expanse, symbolizes the ability to observe oneself and to bathe in virtue. The main hall of this scene is a clear and empty pavilion with three couplets. The one in the south is "Han Qinghui" and the north is "Han Miaozhi". To the southwest is Jingxiang Library. Crossing the river in the north are Wangyingzhou, Xifeng Songyue and Shenliu Reading Hall.

Bathing body and virtue is a group of landscapes with Confucian thoughts of self-cultivation and virtue as the artistic conception. It is mainly composed of three groups of buildings: a group of three buildings facing the water, mainly Chengyuan Pavilion, Wangyingzhou to the north of Chengyuan Pavilion, and Shenliu Reading Hall surrounded by mountains to the north. Wangyingzhou is located to the north of Chengyuan Pavilion. It is a square pavilion built on a high platform to overlook the scenery of Fuhai.

Shenliu Reading Hall is surrounded by mountains in the northwest of Wangyingzhou. It is said that "the shade of deep willows will not invade even in severe heat". This hall was built during the Kangxi period. Before Qianlong ascended the throne, he once wrote a poem that said, "The willows are deeper as the years go by, and I still remember my relatives today." Pinghu Qiuyue: Located on the northwest coast of Fuhai, the main scenery is in the west.

It was built during the Yongzheng period. Imitation of the autumn moon scenery of West Lake in Hangzhou.

There are three couplets in the main hall of this scene, followed by Liushuiyin. At the entrance of the mountain in the northeast are Huayu Langao, Two Peaks Chaoyun, Shanshuiyue, Junzixuan and Zangmi Tower. The shape combines the essence of Hangzhou’s West Lake, the flat lake, the autumn moon, and the twin peaks piercing the clouds.

The high platform with double eaves and square pavilion on the east side of the Five-hole Bridge is called "Two Peaks in the Clouds", also named after the West Lake scenery. It was the place where Emperor Qianlong climbed up during the Double Ninth Festival. The western courtyard of this scene was converted into a three-volume hall during the Jiaqing period, with the addition of "Jingyuanzhou".

There is a literary saying: "Leaning on the mountain and facing the lake, there are dense bamboo trees, and there are plank bridges on the left and right to connect the shoes. The lake covers dozens of hectares. When the moon is deep in autumn, the moon is bright, and the waves are shining, touching the sky. Boundless. On the bank of Su Gong Embankment, there is no difference between the light of the sky and the light of the water. The pool (on the right side of Wang Jiali) is in the cool sky, and the flowers are full of mist and dew. The elegant guests of Su Gong are dancing with each other with a cup of wine. Who doesn't know Qiantang at that time? "Pengdao Yaotai: located in the center of Fuhai.

There are three islands in this scene. The structure and layout are designed based on the "Fairy Mountain Pavilions" painting by the ancient painter Li Sixun; there are 3 palace gates, 7 main halls, Changjin Towers in the east and west columns in front of the palace. There are three islands in Shenzhou. The east side hall is Sui'an's room, and the west side hall is for daily peace and good news. There is a crossing bridge in the southeast, which can lead to the east island, and there is a Yinghai Fairy Mountain Pavilion on the island. There is a curved bridge in the northwest, which can be It leads to Bei Island and has three palaces built on it. Jiexiu Shanfang: Located in the south of the east coast of Fuhai, it was built around 1731 (the ninth year of Yongzheng reign).

Here you overlook the huge lake and see the beautiful scenery of the Western Mountains in the distance.

The names of the buildings in this scenic spot have been changed; after the main hall connected to the Xiushan House, it was changed to "Yunjin Villa". The southernmost courtyard was transformed into the three-volume main hall "Guanlan Hall" in 1817 (the 22nd year of Jiaqing).

The interior decoration of Jiexiu Mountain House is all made of rosewood lacquerware, which is inlaid with gold, silver, gems, ivory, etc. These rare treasures are engraved with landscapes, pavilions, figures, flowers, trees, insects and birds.

This kind of decoration, from design to carving techniques, was created by a craftsman named Zhou Zhou in Hangzhou in the late Ming Dynasty, so it is called Zhou system and occupies an important position in the history of Chinese sculpture. Biyoudongtian: It is located in the mountains and rivers in the southeast corner of Fuhai.

It was built around 1730 (the eighth year of the Yongzheng reign) and was called Xiuqing Village. In 1739 (the fourth year of the Qianlong reign), it was named "Bieyou Cave". Later, around 1751, 1762 and 1803 (the eighth year of Jiaqing), there were many additions and reconstructions. It is a garden within a garden with scattered pavilions and elegant environment.

The location is secret and accessible through the city gate. There are Nacui Tower, Shuimu Qinghua Pavilion, Shishangzhai and Shifang.

Alchemy was made here during the Yongzheng period, and emperors Qianlong (reigned 1736-1795) and Jiaqing (reigned 1796-1820) often lived in this garden.

On the south bank of Fuhai, west of Nanping Evening Bell.

It is a water bridge pavilion spanning two small islands on the south coast of Fuhai, taking the poetic meaning of Li Bai's "two waters sandwiching a bright ytterbium, a twin bridge falling a rainbow". There are two small islands in the middle of the south coast of Fuhai. The ends of the islands form a strait. A white stone bridge spans the strait and connects the two islands. To the north of the bridge is the broad Fuhai Sea, and to the south of the bridge is a small harbor lake. The so-called "clip mirror" is because the vast water surface of Fuhai in the north and the inner harbor in the south are connected with each other, and a bridge pavilion with a circular arch spans between the two. Combined with the reflection of the water surface, it is like a round mirror; the so-called " "Mingqin" refers to the fact that a spring falls on the cliff to the east and rushes into the rocks, making a sound like a musical instrument.

To the east is the Nanping Evening Bell, to the west are the mountains in the painting, and the mountains and rivers are like water. To the west are lakes and mountains in sight, beautiful mountains and rivers, and Changchun in the cave. There is "Guangyu Palace" built on the hillside to the east. Hanxulangjian: Leifeng is the setting sun, located on the east coast of Fuhai.

It is modeled after the Leifeng sunset in West Lake, Hangzhou. Leifeng Sunset is the only scenic spot among the ten scenic spots of West Lake that needs to be restored and reconstructed. On Xizhao Mountain, a branch of Nanping Mountain on the south bank of the West Lake, there is an eight-sided and five-story brick pagoda. It was built by Qian Hongshu, king of Wuyue, in 975 AD to celebrate the birth of his concubine Huang's son. It is commonly known as Huangfei pagoda. Because the pagoda is outside Xiguan, it is also called Xiguan Brick Pagoda. Later generations renamed it Leifeng Pagoda because it was located on a hill called Leifeng. Every time the sun sets in the west, the shadow of the tower spreads across the sky, resplendent and resplendent, hence the name Leifeng Sunset.

To the north are Hui Ruchun, Xunyun Pavilion, and Huixin Not far away, and to the south are Linfangzhong, Yunjinshu, and Wanjingtianquan. Kuoran Grand Duke, also known as Shuanghezhai.

It is located northeast of Savatthi City. This scene is a larger group of buildings in the garden, modeled after Jichang Garden in Huishan, Wuxi.

The main building of this scene is adjacent to the large pond in the north, and the scenery in the garden is reflected in the water. There are also scenic spots such as Shiyong Hall and Linghe Depth. The northern half of this scene was built in the middle of the Qianlong period, imitating the rocks in the Yunlin Stone Chamber of Panshan Jingji Villa. People know that the Harmonious Garden in the Summer Palace was modeled after the Jichang Garden in Huishan. In fact, a replica of the Jichang Garden was also built in the Old Summer Palace at that time. It's just that the two imitations have different artistic conceptions.

A Jiaqing poem praising Shuanghezhai said: The structure is very similar to Huishan, and the famous garden conveys the tranquility and tranquility. The winding roads are steep, the sycamore pines are especially luxuriant, the small caves are rugged and the rocks are not stubborn. Sitting on the Stone Linliu: It is located in the northeast of Houhu Lake in Jiuzhou Scenic Area and south of Savatthi City.

It was built around 1727 (the fifth year of Yongzheng reign).

This scene can be divided into five parts: Orchid Pavilion in the northwest, Baopu Thatched Cottage in the southwest, Savatthi City in the northeast, Tongyuan Garden, a three-story theater in the southeast, and Royal Palace Market Street in the middle.

The Orchid Pavilion was originally an open pavilion with double eaves and three bays. It imitated the artistic conception of the "curved water cup" of the ancient Orchid Pavilion in Shaoxing, Zhejiang. It was built in the early years of Yongzheng and was called Liubei Pavilion. The stone flows". The pavilion was later rebuilt into an octagonal shape in 1779 (the forty-fourth year of Qianlong's reign) and replaced with giant stone pillars. Each pillar was engraved with a volume of famous calligraphy "Lanting Tie" from past dynasties, which is called Orchid Pavilion Eight Pillar Tie. Savatthi City is a typical Buddhist building, commonly known as the Buddha City. It is dedicated to the City God, Lord Guan, the Third Buddha, Maitreya Buddha, etc. Quyuan Fenghe: Located on the west bank of Fuhai, it is the transition area from Jiuzhou Scenic Area to Fuhai Scenic Area.

The main hall of this scene has five rooms in a row, modeled after the West Lake Quyuan in Hangzhou. There is also a nine-hole stone bridge across the pond. The archway on the west of the bridge is inscribed with the name of Jin Ao, and the archway on the east of the bridge is inscribed with the name of Yu. Therefore, it is also called Jin'ao Yuqiao Bridge. It is the largest stone bridge in the Three Gardens of Yuanming Dynasty. There is Quyuan in the north.

There is a lake in the south with a nine-hole bridge on the lake. The nearly one-mile-long earth embankment in the west of the lake slightly imitates the artistic conception of West Lake Su Di. In summer and autumn, the long lake is the land of hibiscus. Strolling on the nine-hole bridge, walking along the bank of the lake, admiring the lotus flowers standing on the green leaves and swaying in the lake water, and smelling the refreshing fragrance, it makes people transcendent and refined. Deep in the cave: located inside Fuyuan Gate, east of Qinzheng Qinxian.

This scene mainly includes the upper study rooms of the East and West Institutes and the North and South Islands in the west. In the northeast is the small courtyard of the Ruyi Pavilion of the Qing Palace Painting Academy, and on the outside of the east corridor is the long warehouse courtyard adjacent to the garden wall.

There are two courtyards in the east and west of Fuyuan Gate, which are the residences of the princes. At the beginning, there were four residences in the northeast, southeast, northwest and southwest, called the four residences in the east of Fuyuan Gate. In the 26th year of Daoguang's reign (1846), the four buildings in the east of Fuyuan Gate were rebuilt on a large scale into two buildings in the east and west, with hanging flower doors in front of each building. The main room was changed to five rooms on each of the front and back floors, and five or three east and west wing rooms were added.