China Naming Network - Eight-character Q&A - What are the differences in Feng Shui between the 98 square meters in Building 13 and the 103 square meters in Building 15 in the picture? Doesn't it mean that it's bad feng shui if it's not square? Please give detailed answer,

What are the differences in Feng Shui between the 98 square meters in Building 13 and the 103 square meters in Building 15 in the picture? Doesn't it mean that it's bad feng shui if it's not square? Please give detailed answer,

The whole community is in a square and regular shape, and the houses in the community are all in the same plane shape. The 13 whole houses form a symmetrical figure, and overlapping shapes can be found between the rooms. This should be a characteristic of a good Feng Shui concept.

The core of the traditional Feng Shui concept is: the theory of central axis symmetry. That is, based on a certain point, extend a straight line, that is, facing the mountain, and spread it left and right, front and back along this straight line to form a symmetrical figure, which is regarded as the most standard Feng Shui plan. In the natural state of the wild, the terrain is complex, but the basic idea is to find the relative and symmetrical balance points and evaluate the concept of central axis symmetry. For example: green dragon on the left, white tiger on the right; court case in the front, backing mountain in the back; the ten ways of Tianxin are used for things. All activities are based on the thinking concept of central axis symmetry.

The concept of modern housing is: function, practicality, convenience, safety, beauty and hygiene.

The combination of traditional Feng Shui concepts and modern housing concepts should be: regularity, symmetry, functionality, practicality, convenience, safety, hygiene, and beauty. Dormitory construction and selection, interior layout, and office equipment furnishings should also be conceived from these aspects. It is worth noting that modern urban housing buildings have high Feng Shui advantages and effects from an aesthetic point of view.

As for regularity and symmetry, further explanation is necessary. Regularity, as the name suggests, should be neat and uniform, not messy. Symmetry means finding a balance point in reality. Having a balance point is good Feng Shui. Comparing plains with mountainous areas, the plains definitely have better winds. The plains are reflected in the word "flat", which means they have the basis of symmetry between heaven and earth. The circle is the best symmetrical figure, with 360-degree symmetry. The round earth buildings in Fujian have flourished for hundreds of years and can become the world's intangible cultural heritage. The core of their man-made Feng Shui is the circle. Square, symmetrical on all sides. Rectangles are symmetrical. Huaxi Village is on the same plane. The whole village is built according to the same house style. Every household is symmetrical and uniform. It should be an excellent example of artificial Feng Shui. Dormitory construction, selection, interior layout, and office furnishings are good references.

A further explanation is to study the theory of central axis symmetry and various geometric figures. Axial symmetry is the core of traditional Feng Shui assessment of terrain and features. Circles, oblate circles, squares, rectangles, and trapezoids with a large inside and a small outside are the best shapes recognized by Feng Shui. For example, a circle is a 360-degree symmetrical figure. Standing on a round building, such as the outer edge of a certain point on a city wall, a circle has the widest field of view. Round objects of the same material bear the greatest external pressure. The length of the side is the length of the circle. The content area of ​​the circle is the largest, that is to say, the circle is the most inclusive. From a physical perspective, a circle is 360 degrees symmetrical in all directions, reflecting all-round sensing. The second one is the square, which is square and symmetrical on all four sides, reflecting that one side responds to disasters and all four sides respond. Houses like those in Huaxi Village are symmetrical, and even if ghosts and gods cause disasters, no specific target can be found to inflict disasters. The reality is that it is only a rule of the game to punish the public and not the individual. Under the architectural incentives of neatness, regularity and symmetry of each household, the ideological gene of collective, strong, enterprising and large-scale is cultivated. Under the disorganized and chaotic architectural inducements, selfish, narrow-minded and paranoid ideological genes are cultivated. These may be Feng Shui effects.

How to examine the Feng Shui layout using the concepts of round outside and square inside, soft outside and hard inside, dangers out of oddities, surprises out of dangers, and dangers and obstacles. For example, in Zhuge Bagua Village, in addition to the rationality of the terrain selection, the Bagua layout is also an important example of man-made Feng Shui. The Bagua layout is a typical figure with a circle on the outside and a square on the inside, soft on the outside and hard on the inside, with dangers and obstacles. It seeks asymmetry in symmetry and symmetry in asymmetry. Round on the outside and square on the inside, soft on the outside and hard on the inside, with dangers and obstacles, embodying symmetry and asymmetry in the aesthetic sense. The reason why the portrait of Venus is a model for human beings is that there are also symmetry and asymmetry in the aesthetic thinking. The north and south towers are not in a straight line, and the overall layout is reasonable. It is exactly the meaning of round outside, square inside, soft outside, hard inside, dangerous and dangerous. It is to seek asymmetry within symmetry, and seek symmetry within asymmetry.