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Guest lineup:? Mao Bubian, Zheng Naixin, sing Women's Group, Lingyun, Awakening, Jason,,,, Travel New Bee Band, Tailor Shop Band, Hexingtang Lion Dance Team, etc.
Broadcast time: twelfth lunar month, 65438+ 10/419: 30.
On the 23rd of the twelfth lunar month (65438+1October 14), Fantasy Night of Mountains and Seas was broadcast on 19: 30, with the theme of China's classic fairy tale Classic of Mountains and Seas. XR technology is used to create a space-time projection that blends tradition and modernity, bringing you a fantastic atmosphere of mountains and seas, and interacting with the hit drama Aquilaria sinensis.
"Meeting" Across the Millennium: Modern National Music Tells Ancient Fantasy Stories
Shan Hai Jing is a wonderful book handed down in China 2500 years ago, and it is also an important source of China folk culture. For a long time, many netizens thought Shan Hai Jing was China's "super IP library" and called for the fantasy stories in Shan Hai Jing to be put on the screen.
Therefore, the creative team decided to deeply integrate the mountain and sea culture such as time-honored beasts, ancient heroes and blessed door gods with modern national music to create this national wind fantasy music evening called "Mountain and Sea Fantasy Night".
"We hope that the magic night of mountains and seas is a trendy, novel and young festival party, so our program form is not limited to the specific stories of mountains and seas classics, but presents the cultural beauty behind them from different angles." Zhou Jun, the general director of the party, said.
Wu Kequn's "Kuafu Chasing the Sun" reflects the dream-chasing feelings of China people who never give up; Sa Dingding's song "Fish Jump" conveys the beauty of the image of fish jumping for nine days; The tailor band "Qin Xia Bronze Scarlet Tree" started an adventure to find light and hope through the scarlet tree; There is also Liu Yu's China dance program "Mountains and Seas", which depicts three huge "Mountains and Seas" by Luan Bird, Wu Li and Candle dragon, with the pen as the color of heaven and earth, and wonderfully dyed the charm of mountains and seas.
There are two key factors in the choice and adaptation of story theme and music: "adaptation"+"immersion". "'adaptation' refers to the choice of music, that is, the story background and artistic conception of music itself can be substituted into a mountain and sea legend; Immersion refers to expression, and the visual extension of the stage can make the story go deep into the artistic conception of the lyrics and expand the audience's association. "
In addition, the party also achieved a dream linkage with popular fantasy dramas. The mythical image of Shan Hai Jing provides a creative blueprint for China's fantasy film and television drama. Last year, the Jiao Ren nationality and the nine-tailed fox in Youku's hit TV series Meet Jun Chu were inextricably linked with the legend of animals in Shan Hai Jing, so the evening program was also added to the film and television OST of the drama.
"We hope that every stage can express the emotional value of China's traditional culture and reflect the oriental beauty of the mountain and sea world." Zhou Jun said.
Digital technology empowers stage innovation and creates a fantasy world of mountains and seas.
As we all know, the world view of Shan Hai Jing is huge and complicated, and it is even more difficult to present it on the screen.
JOE, head of digital production business of Youku, said that the biggest difficulty of Fantasy Night of Mountains and Seas is to restore the grand world view for the audience as much as possible. So this time, XR technology is adopted because it is the most suitable shooting technology for presenting mountains and seas.
XR technology can not only enable the creative team to realize creative design at the recording site, but also greatly save the synthesis time of green screen special effects in the later period. Take Dream of Mountains and Seas as an example, this program truly and completely realizes a floating island in the sea of clouds. This is the first time in China to use the camera directly on the technical side to achieve ultra-long-distance shooting.