What are the important points of "parents' three hexagrams"? Come and see if you are interested! | Xuankong Feng Shui seeks the answer

What are the important metaphysical points of "parents' three hexagrams"? Come in and have a look if you are interested! [/post] Tianyu Jing is a monograph of Yang Gong's geomantic art of regulating qi. Since its publication, I don't know how many scholars have explained or omitted this scripture. There are more than a dozen annotated versions of this classic, most of which are explained by hexagrams. Careful readers can find that all the sentences that are not explained by the Trinity Theory are skipping. It is ridiculous to even prevaricate the unexplained sentence with "this sentence is offensive and can be deleted". Others stuffed their own bootleg goods into the scriptures. The full text of Tianyu Jing is seven or five sentences, but some versions actually have seven sentences. Yang Gong doesn't use gossip directly in the practice of geomancy. If you go to various places to inspect the ancient tombs and houses made by Yang Gong and his disciples, you can definitely find that Yang Gong and his disciples used the three-in-one method of regulating qi.

geomantic omen is an applied branch of Yi-ology, which cannot be separated from the theoretical guidance of Yi-ology philosophy. Yang Gong's geomantic omen runs through the ideological brilliance of Zhouyi from beginning to end.

The philosophy of Yi-ology holds that the world has developed from scratch, from infinity to Tai Chi, and everything in life has developed. The third is a critical point of the world, which goes backwards and returns to the infinite chaotic state through Tai Chi. Down the river, life is endless and everything grows. Thousands of worlds are produced by "three". Yang Gong's theory of Yin and Yang's two houses, which is closely related to human survival, life and reproduction, is based on the "three living things", which is undoubtedly far-sighted.

Three kinds of hexagrams condense the Eight Diagrams of Successive Days into three major hexagrams, which is not a denial of the theory of Eight Diagrams of Successive Days, but a high generalization and flexible use of the basic theory of Eight Diagrams on the basis of a high understanding of the theory of Eight Diagrams.

"Jiangdong Gua" is the divination of the acquired gossip, "Jiangxi Gua" is the antithesis of the acquired gossip, and "North-South Gua" is the separation gua and Kangua. The separation of the day after tomorrow is the innate work, the hurdle of the day after tomorrow is the innate Kun, the shock of the day after tomorrow is the innate separation, and the exchange of the day after tomorrow is the innate hurdle. The shock is wood, the exchange is water, the separation is fire, and the ridge is water. In fact, the parents' three hexagrams refer to the five elements of these four hexagrams, which is the theoretical source of the "four major games" of gold, wood, water and fire. Why only use four lines in five elements? As explained in the last lecture, the soil lives in the center and is distributed in all directions, and the mother follows the child, so Yang Gong incorporated it into the Water Bureau.

The theoretical points of Yang Gong's geomantic art of regulating qi are the four major games of gold, wood, water and fire, that is, the "parents' three hexagrams".

"One divination in Jiangdong is from Kyrgyzstan, and four ones in Ba Shen; Jiangxi is a dragon, and Ba Shen is a four-two; There should be no difference between the north and south Ba Shen. " Jiangdong hexagrams include Ugly, Gen, Yin, Jia, Mao, B, Chen and Xun Ba Shen (Bashan), Jiangxi hexagrams include Wei, Kun, Shen, Geng, You, Xin, Xu and Gan Ba Shen (Bashan), and North and South hexagrams include Si, C, Wu, Ding and Hai of North hexagrams. Some explanations list the fire as Jiangdong hexagrams and the water as Jiangxi hexagrams, which is inappropriate.

Yang Gong's geomantic omen basically doesn't use gossip, and all the hexagrams mentioned in the scriptures refer to the "three major hexagrams". This is the true meaning of "hexagrams" and "parents' three hexagrams" mentioned many times in the scriptures. If we interpret Tian Yu Jing from the perspective of gossip, it will inevitably be opposite.

"Ba Shen's Four Ones" and "Ba Shen's Four Ones" are the most difficult mysteries in Tianyu Jing. Many people in history tried to solve this mystery, but they didn't really understand it clearly, and many of them were far-fetched. Because, Yang Gong's scripture is written in argot, and its meaning can only be understood after being instructed by the teacher.

Among the "Jiangdong hexagrams", the Water Bureau has eight "stars": Ding Chou, Xin Chou, Jia Yin, Wu Yin, Yi Mao, Ji Mao, Bing Chen and Ren Chen. The fire bureau has four "stars": ugly, bingyin, ding Mao and jiachen; There are three "stars" in the Golden Bureau: Renyin, Guimao and Gengchen. There are five "stars" in the Wood Bureau: Gui Chou, Geng Yin, Xin Mao, Wu Chen and Ji Si. There is only one game with four "stars" in four games: only the fire game has four "stars". So "Jiangdong Ba Shen four ones".

among the "Jiangxi hexagrams", the Water Bureau has seven "stars": Ding Wei, Jia Shen, Wu Shen, Yi You, Ji You, Bing Xu and Ren Xu. There are five "stars" in the fire bureau, namely, Wei, Bing Shen, Ding You, Jia Xu and Yi Hai. There are four "stars" in the Golden Bureau: B Wei, Ren Shen, Gui You and Geng Xu. There are four "stars" in the Wood Bureau: Gui Wei, Geng Shen, Xin You and the Reform Movement of 1898. Of the four innings, there are four "stars", two are gold innings and two are wood innings, which are "four twos". So "four twos in Ba Shen, Jiangxi".

In order to keep his legacy secret, Yang Gong didn't say the Seventy-two Dragons directly, but called them "getting the stars". Being close to others means being close to and attached to others. Seventy-two dragons are attached to the twenty-four mountains in the territory, and they are close to the twenty-four mountains. It is also appropriate to call them "being close to the stars". It is inappropriate and inappropriate for Jiang to regard the flying star in Jiugong as a "star-catching".