88 sentences of ancient book techniques
1, calligrapher, the book has the method, so the pen falls on the paper, that is, it enters the "method", and both movement and movement can contain the method. Tang Ou Yangxun's Theory of Using Pen
2, the charm of the book, although in the heart, but the statutes must be learned. Shen Kuo's "Meng Qian Bi Tan"
3. The beauty of this book, the clock and the king, is the pen. Miscellaneous Notes of Spring Rain in Yuan Dynasty
4, using the pen method: the big finger is unfolded, the middle finger is suppressed, the index finger is converged, and the name finger is rejected, so that the palm is as empty as an egg. This is also very important. Don Lu Xie's Linchi Tactics
5, writing, in fact, refers to the virtual boxing. The method of writing is to write first. The true story of calligraphy Wu
6. The so-called virtual palm in ancient times means that all five fingers are attached to the tube, the little finger is attached to the name, and the qi makes the finger end, not the grip. If you hold it too tightly, the force will stop on the tube, but if you don't pay attention to the end, your book will be exposed, dry and weak. Bao Qing Chen Shi is in Wu An.
7. "Learning books" refers to the desire for reality, the desire for palm space, the desire for straightness, and the desire for a round heart. Yi once wrote Hanlin Yaoze.
8. Duke Lu suddenly said, "I learn from my book and seek its strength. I don't know that the power of using a pen is not power. " For strength, the pen is dead. Virtual palm refers to real palm, not palm, up and down, why worship? Most people say that the word "eternal" in the Eight Laws is just a stippling, that is, it is limited to one word, so why not stand by and watch! Preface to stirrup by Don Lin Yun.
9, hiding the head and protecting the tail, the force is in the word, the pen is hard, and the beauty is presented. Eastern Han dynasty Cai Yong's Stone Chamber Magic Pen
10, books reuse pens, and pens save lives. Therefore, those who are good at books use pens, while those who are not good at books use pens.
1 1, pen heart, handsome, deputy, pawn. Clear. Liu Xizai's Art Outline
12, the ancients passed the pen and said, "Hang your wrist with double hooks, let the left side lean to the right, and hold your fingers empty, which is intended for the pen." On the potential of books: "Like a leak, like a wall, like a cone painting sand, like Yin Yinni, like a broken hairpin." Fang's book strategy
65438+ On Books by Huang Tingjian
14, within an inch, the law is at your fingertips; One inch and one outside method is in the elbow and wrist. The palm-finger method is universal, and the elbow-wrist method has also changed. Yuan. Zheng Shuo's Yan Zhu
15, Chinese characters are used to carry the wrist, and the boy is used to carry the wrist. If the meat is not lined with paper, the pen will fly. Fang's book strategy
16, writing low is calm, writing high is elegant. Liang Qing Xian on Writing.
17. To learn calligraphy, learn to write first. If it is true, write two inches and one minute; If it's cursive, write three inches a minute. The next point of drawing Bonet's buckle needs one hand to send it. Eastern Jin dynasty Wei Shuo's brush drawings
18, the depth of the pen depends on the distance to the paper, the distance is floating and thin, and the distance is the front weight. Don Lu Xie's Linchi Tactics
19, anyone who wants to learn to use a pen first, as well as the method of using a pen, wants to hook his wrist with both hands and lean his ring finger against the pen, which is awesome. On Books by Huang Tingjian
20, the so-called law, pay attention. Hook. Refuse. Guide is also. Five generations. Li Yu's Shu Shu
2 1, pen is tight, pen is flexible, you can't point to the pen, you should use your wrist to transport it, the pen is in hand, and the hand is not the main one; Luck lies in the wrist, but the wrist doesn't know how to hold it. Sun Guoting has the method of holding, making, turning and using: holding long and deep; Make it vertical and horizontal; Steering hook and loop reel; Point to the back with verbs; What a coincidence! Song. Jiang Kui's Continued Book Score
22. Where a book needs to be written with a pen, the argument should be put forward at the beginning of the pen, especially at the end. The word "press" is used by calligraphers, consistent but not separated. Therefore, you should lift the pen when it is heavy, and press it when it is light to avoid dropping and floating the pen. Qing Liu Yizai's Artistic Outline
23, the pen must be light and weak. Too slow and boneless, too quick and boneless. On the Essence of Pen by Yu Shinan in Tang Dynasty.
24, pens should be used together skillfully, clever is flexible, clumsy is muddy, combined with it, writing is not frivolous and turbid. Clear. Qin's Painting in Tianjin and Liang
25, calligraphy is to use a pen, and the pen is to use a front. Clear. Zhou Xinglian's My Opinion on Linchi
26. The right army writes with a pen, which is mostly positive, so the statutes are strict and fascinating; Amethyst is unfolded with a pen, and its side is half of the front, so the spirit is scattered. Fang's book strategy
27. When the wrist is vertical, the front is the front, the front is regular, and there is full potential in all directions. The second truth refers to the average strength of the system. Second, palm deficiency is cheap to use. Don Li Shimin's Calligraphy Strategy
28. Si Wengyan: The book "Red Cliff Fu" written by Pogong House is positive. It wants to penetrate the back of the paper, and every wave is painted everywhere. There is a faint ink gathering, and the imprint is like millet, which is beyond the reach of stone carvings. All this has reached a very delicate position in ink painting, which is also the secret of calligrapher Mo Chuan. And Tang's "New Interpretation of Linchi"
29. When you write a pen, you care about stability. When using a pen, it is light and healthy: light will be heavy, and heavy will be astringent, which is called hiding the front. The true story of calligraphy Wu
30, the word is different from the front of the Tibetan front, it is better to take over the end. Song. Jiang Kui's Continued Book Score
3 1, if you use a pen, it is especially necessary to hide the front. If you don't hide in front, you will get sick and get sick. How can it be? Don Xu Hao's book.
32. However, I use a pen to draw sand like a cone, which makes it hidden in the front and easy to draw. I often try to make it pass through the back of the paper with a pen, which is extremely successful. Tang Wei continues to "Mofu"
33. The so-called eternal difficulty refers to the texture of the pen, not the face of the pen. Qing Zhou Xinglian's My Opinion on Linchi
34, learn the rules, the word has a body method; Otherwise, the brushwork is not refined and the words are lost. The one-word method is structure: the beauty of a stroke is the beginning, and the beauty of a stroke is the end. The way of structure, especially the subtlety of brushwork. Anonymous "Eight Methods of Chanting Zi"
35, can use this pen, side use, smooth use, reuse, light use, virtual use, practical, grasp it, vertical painting, grasping, unfolding, body, all by the pen tip, very in tune. Qing Zhou Xinglian's My Opinion on Linchi
36. The pen method can be seen at both ends of the painting, while those rich and arrogant people of the ancients were cut off in the painting. There are still traces of manipulation at both ends of the cover; Among them, the reason why interception is rich but not timid is real and not empty, not bone potential, and can not be angry. Clear. Bao's "Art Boat Double Series"
37. The pen is neat and flat. Song. Jiang Kui's Continued Book Score
38. Start writing at the place where you start writing, and don't suppress it, let alone carry on the family line. Ming Dong Qichang's Essays on Painting Zen Rooms
39. The ancients used the same pen to write, divide, write, and cursive. They must give priority to the front and occasionally take advantage of the side. Below the book, front eight, side two, unpredictable. Fang's book strategy
40. The ancients used to hide the front of Chinese characters, so their calligraphy and painting were from top to bottom, and there were few boring places. Nowadays, books are often strange, but I don't know that this book is not expensive for good calligraphers, but it is light for oblique pens and sincere pens, and then there is this. The so-called profile is just a taboo of calligraphy. Southern Song Dynasty. Chen Min's negative noise field record.
4 1, Dong Yue: Although calligraphers cherish the hidden front, they should not be blurred as hidden front. Cover it with strength, increase it with potential, and take rhyme with emptiness. What Yan calls it is like drawing sand with an awl. The Qing Dynasty and Zhang Liang except Zi Xue.
42, but the tube is fixed, the front turns, then the back is flat, painting eight sides is nothing more than a little effort, but it accumulates into words, and the words are gathered into articles. Clear. Bao's "Art Boat Double Series"
43. The pen is always flexible between fingers, so it can be replaced. In case of turning point, you can't change the pen, which will inevitably lead to hard switching. His paintings must be horizontal. Try reading Huai Su's cursive script. If you are surprised, you can bend and stretch. If you are a mass of barbed wire, you will never be biased. I also read Lu's seat stickers. All the papers are round and have no edges. As the ancients said, Duke Lu and Duke Lu used pens to circle, but they all used pens instead. Clear. Wang Moxian's calligraphy guidance
44. Every small painting of the ancients is to make the front turn the pen, but it is used to turn from the beginning to the drag; The ancients pulled together, all rotating, holding the paper in their hearts, and there was no place where Xiaomi collapsed. Clear. Bao's "Art Boat Double Series"
45. Words are drawn, and the first thing is to be light and smart, without traces of pen and ink, such as antelope hanging horns. A scholar with a keen mind and hands. But convenience must be proficient, and the turning point must be dark, in order to know the beauty of folding hairpin strands. Stay in the dark, stay in the team, stay in the team. It's really fast. And Tang's "New Interpretation of Linchi"
46, transfer a few paintings to fold, one painting is expensive to rotate; The same turn, misuse is sick, and it is legal to do it separately. Da Zhongguang's Book Raft in Qing Dynasty
47. The front is wrapped in paper, which means to convert it: in the painting, the walker turns it up; Draw a walker and turn the pipe down; Draw a left walker and turn the pipe to the right. Clear. Bao's "Art Boat Double Series"
48. In calligraphy and painting, it is necessary to make the pen stand on the bone. Although rich, each is an adult. Song Li Misson's Yunxi Collection
49. The theme of a book can be summed up in one word. Yue: The pen is round. Square, folding method, stippling the starting and ending points of waves, square pointing out, word bone also; Round, hanging in the air with a pen, pretending to be a gesture, round the arm and wrist, the word tendon is also. Zhu Qing Luzhen's Introduction to Learning Books
50. Round as the sky, square as the ground. Fiona Fang uses each other, but Yin and Yang hide from each other. Therefore, the pen is expensive and the shape is expensive. The circle is God's circle and cannot be delayed; Fang Naitong Fang, just can't hold it. Elegant characters in Ming Xiangmu's calligraphy
5 1, when the ancients wrote a book, it was round to the end when they put pen to paper, and it was convenient to the end when they put pen to paper, each of which became a kind of composition. "Lanting" uses a circle, "Shengjiao" uses a square, and the second paste is a model of calligraphy in the past century. The so-called rules are the best in Fiona Fang.
52. In order to turn the beam, it is round inside; In terms of pen quality, the bone is square and round. This is a certain principle. Qing Zhou Xinglian's My Opinion on Linchi
53, soft is fat and thin, hard is the length. Therefore, the truth lies in temperament, reaching form, being round in form and based on temperament. Clear. Bao's "Art Boat Double Series"
54. The round pen was used for lifting, but it was frustrated. Fang Bi turned the conversation to dinner and mentioned the contract. The round pen should be sharp, and Fang Bi should turn it over. If the round pen is not sharp, it will be weak, and if Fang Bi does not turn it over, it will be weak. Modern. Kang Youwei's Guang Yi and Zhou Shuang.
55. Using a pen tip is like falling a front, there is no such thing as a sharp point. The scene is vivid and refreshing, and it is a word, so you must count it. On Jin and Wang Xizhi's Books
56. When writing a book, you should write a pen instead of a letter. Cover the letter pen, its wave painting is weak. As soon as I start writing, I am dominated by every turn. The characters "Zhuan" and "Liang" are clever tactics of calligraphers. Ming Dong Qichang's Essays on Painting Zen Rooms
57. From the beginning, there were priorities, which were real and anti-parallel, far and near. Clear. Liu Xizai's Art Outline
58. A good knife bends when pressed. If you give it up, it will be as strong as ever, and the secular will return to it. That's what the nib wants. What if after a quotation, the song is no longer equivalent, safe and satisfactory? Therefore, long is not as long as long; Strength without roundness is better than no strength. Cover paper, pen and ink are supplemented by calligraphy. Song. Jiang Kui's Continued Book Score
59. Use a pen calmly, calmly, and the pen will not float; Also want to be empty, empty spirit is not good. Using a pen to solve this problem has its own gradual effect. Use the pen skillfully, and cleverness is the spirit. If you are clumsy, it will be ancient, and if you are combined, there will be no disease of lightly picking turbidity. Clear. Qin's "Painting Method with Tone"
60. When the ancients talked about using a pen, it was nothing more than "illness" and "astringency". The astringency is neither too late nor too fast. Too fast is hard, but nothing can be too fast. Books are based on pen and ink. Clear. Liu Xizai's Art Outline
6 1 can be written in two ways: one is sick and the other is astringent. There are two ways to get sick, and the book is wonderful. Eastern Han dynasty Cai Yong's Stone Chamber Magic Pen
62, the pen is expensive around the left, the book is still late, this is also the way of the monarch and the minister. Don Lin Yun's Preface to the Removal of Stirrups
63. If you write a book with a pen too soon, there will be no frustration, and if you write it too late, it will be ineffective. Xian's Theory of Learning Books
64. I am familiar with the saying that I am embarrassed, but I don't know how to become embarrassed. Only when the pen wants to do it, if there is anything to refuse, try your best to fight it, so that it will not be astringent. Qing Liu Xizai's On Writing with a Pen.
65. Never delay when writing, and it is thick and deep for calligraphy. Don. Zhang Yanyuan's Book of Dharma.
66. Xu: When a husband writes, he cares about stability, and when he writes, he cares about lightness, so lightness will be heavy, and astringency will be astringent. This is called Tibetan Front. Not astringent is dangerous, flowing is strong, flowing is slippery, and flowing is vulgar. Tang Han Fang Ming's "Give a Pen"
67. Shan Zhou said: The pen should be soft, and softness is awkward; The style of writing should be long, and the spirit should be long; When the ink is full, it is full; Write quickly, you'll be out soon. Clear. Liang on frequent elections.
68. The brushwork is too revealing and easy to hurt rhyme. When you start writing, you must go against the trend, and you can't procrastinate, that is, you are not angry and naive. Clear. Qin's "Painting Method with Tone"
69. People know that pen and ink have charm, but they don't know that charm is all in their hands. Da Zhongguang painted Sasakawa in Qing Dynasty.
70. If you have tasted brushwork but can't ink, don't use brushwork and don't use the author. Clear. Bao's "Art Boat Double Series"
7 1, ink is everywhere, which is excellent for calligraphers. And Tang's "New Interpretation of Linchi"
72. With the method of ink painting, water is scattered and ink is present, and traces are floating and gathering, which is natural. Don Lu Xie's Linchi Tactics
73. The method of calligraphy and painting is based on the pen and becomes ink, so ink painting is a key to calligraphy art. In fact, the pen is heavy, but it is floating. Clear. Bao's "Art Boat Double Series"
74, grinding ink to be cooked, breaking water to live; Dip in a pen to moisten, but frown and use it will be turbid. Black is round and white, with a wide and tight border (black has a fat, round and tortuous circle, and white has a square, rectangle and oblique angle). Calligraphers in ancient and modern times, the same round show, but only the center is strong and straight, neat and smooth, and then round and round. Da Zhongguang's Book Raft in Qing Dynasty
75. The ink should be thick, the pen should be healthy, the pen should be thick, and the words should be strong and floating. Clear. Wang Shu's Lun Shu and Teng Yu
76. The heavy pen is called vigorous, and the light pen is called Gao Yi. Clear. The queen plays "essays on the rain window"
77. If the ink is light, it will hurt, and the absolute concentration will stagnate; Fat is dull, thin is obvious; It's not surprising that you don't hurt your weakness and anger. The true story of calligraphy Wu
78. Wipe the ink, not too dry. Walking on the grass, you will get wet when you are dry, take advantage when you are wet, and take risks when you are dry. Thick ink makes the pen sluggish, while dry ink makes it dry. This pen is long and round. If you are long, you can exercise with ink; You are strong, you are strong; If you are round, you will be beautiful. Song. Jiang Kui's Continued Book Score
79. The ink must be dark, dry and wet, and naturally angry at one go. Clear. Qin's "Painting Method with Tone"
80, ink must be moist, not boring, especially avoid fat, fat is a great evil. Ming Dong Qichang's Essays on Painting Zen Rooms
8 1, with horizontal strokes and vertical characters. The qi stretches, the tendons are twisted, the veins are constantly pulled, the flesh and blood are reconciled, the interest is exposed in the hook, the light is distributed, the lines are dense and flowing, and the situation is staggered. Da Zhongguang's Book Raft in Qing Dynasty
82. Write at the beginning. There are those who ride the front and those who fold the front. One font is scheduled to be written at the beginning. Whenever writing a word, the first word is mostly a folding front, the second and third words are gestures, mostly a front. If most of the right side is folded between words, it should be the left side. There are also plain people, such as Li Hua; Those who hide the front are like printing pictures. In particular, it is wonderful to break the spirit, hide the good and hide the good, and have both. Song. Jiang Kui's Continued Book Score
83. There are yin and yang. If it is horizontal, it is upper yang and lower yin. Vertical is left as yang and right as yin, but both yin and yang can be achieved, otherwise you will be alone. Clear. Liu Xizai's Art Outline
84. The pen of horizontal painting is up, the pen of vertical painting is down, the pen of vertical painting is heavy, the pen of Nai is light, the pen of folding is flat, the pen of wrapping is round, the pen of point is frustrated, the pen of hook is exposed, the pen of hiding is full, the pen of distribution is wide and the pen of structure is tight. Da Zhongguang's Book Raft in Qing Dynasty
85. Generally speaking, the pen is slow and urgent, with a sharp edge and no sharp edge, with words on it, traction, and illness, and it suddenly closes and returns. Slow to the ancient style, anxious to surprise; There is a front to show off its spirit, and there is no front to contain its smell. Tilt straight, hook and loop coiled, all dominated by potential. However, if you don't want to be with each other, then bring the customs. Horizontal painting doesn't want to be too long, and if it is long, it will be converted late; If you don't want to draw too much, you will be fascinated. When you run out of meaning, use a garter. If the meaning is unfinished, there must be a pen meaning. Hang up your ears if you don't use them. Song. Jiang Kui's Continued Book Score
86, horizontal can not be flat, vertical can not be straight, wrist can not be obvious, eyes can not be noted, distribution can not be; If the distribution is not good, the rules cannot be prepared; Rules are harmful and laws are difficult to learn. Da Zhongguang's Book Raft in Qing Dynasty
87. Write something like dealing with guests. Above one hall, the guests are full, taking care of both sides. The guest does not know its quietness, and the Lord does not slack off. Writing a book can't be thoughtful. There are setbacks and slippages, such as not taking good care of the guests. The cloud pen has been delivered, that's it. And Tang's "New Interpretation of Linchi"
88. Learning books is neither illegal nor illegal. As the saying goes, once you get a fish, you forget it. Zhu Qing Luzhen's Introduction to Learning Books