Imitation of Tang Dynasty architecture and architectural art can refer to the building materials of China and Hongkong Zhilian Jingyuan: China culture has a long history. In the history of more than 5000 years, there are many artistic buildings that are ingenious and natural. Buddhism prevailed in China in the Tang Dynasty, which not only enriched people's thoughts, but also changed architects' creative ideas and achieved unique architecture. The temples in the Tang Dynasty used the traditional architectural techniques of ancient China, and did not forget to add many religious elements, which pushed religion, architecture and art to the peak. Zhilian Jingyuan, located in Diamond Hill, Kowloon, is the largest pear garden-style building complex in the world and an extension of China's traditional culture. It not only imitates the characteristics of religious buildings in the Tang Dynasty, but also follows the technology of ancient wooden structures. With the cooperation of China, Hongkong and Japanese ancient architects, it has become an elegant and solemn building. It has a far-reaching influence on promoting Buddhism and even China culture. Zhilian Jingyuan adopts traditional wooden structure, and the whole temple is made of wood and stone. The design is simple, natural and simple, without deliberate carving, which fully embodies the characteristics of ancient buildings in the Tang Dynasty, reveals a quiet and meticulous atmosphere, and gives people a feeling of "purity". Buddhism reached its peak in the Tang Dynasty, and so did art, literature and other cultures, as well as architectural art ... Zhilian Jingyuan combines architectural technology and religious characteristics, and its artistic temperament is detached. In this bustling metropolis, there is a meticulous and quaint ancient building-Zhilian Jingyuan, which reduces a lot of hostility and troubles for urbanites. Imitating the solemn architecture of the Tang Dynasty is also helpful to preserve and carry forward the traditional culture of China. Show China's unique artistic style to the world. People often use the phrase "the wall falls down but the house doesn't fall down" to describe the wooden buildings in China. In fact, what supports the roof is not the wall at all, but the frame composed of columns, lattices and beams. The wall is light and can be disassembled, so the house will not collapse when it falls down. The overall structure of Zhilian Jingyuan is mainly beam-lifting frame. Roof tiles are laid on rafters, rafters are supported on purlins, and purlins are supported on beams. The beam bears the weight of the whole roof, and then it is transferred to the wooden column, which is unloaded to the ground. Due to fewer columns, the structure is stable. Architectural features of temples: mortise and tenon embedding technology mortise and tenon is an unusual embedding technology in wooden structures. Ancient wooden buildings can withstand many earthquakes. In addition to the strong ductility of wood, they are maintained by tenons and mortises. Zhilian Jingyuan was built in this way, and the whole Buddhist temple was elegant and exquisite, with no nails or iron. The convex part is called tenon, and the concave part is called mortise, which becomes tenon and mortise after merger. Whenever mortise and tenon members are subjected to greater pressure, they become stronger. The combination of buckets is not complicated at all. Buckets are placed on buckets, buckets are placed on buckets, buckets are placed on buckets, and so on and so forth, the same, but with great changes. Bucket arch support technology Bucket is placed on the column beam and under the eaves of the house for gravity transition. Buckets bear the weight of the roof, transition downward to columns and horizontal purlins, or extend to the left and right sides to reduce the pressure on the beams. The last bit of gravity will be dispersed to the ground through the wooden pillars. The technology of "approving bamboo" has also been applied to the Zhilian Garden of Dougong. "Paizhu Ang" is an oblique component, which forms an angle of about 30 degrees with the horizon, and is called Ang; Its upper end is called Angwei. It is pressed down by the weight of the beam and the bottle, and the beam inclined from the roof is supported by the bucket, which becomes a pole supporting the cornice. Only a dozen buildings in China have been approved to use bamboo, and Zhilian Jingyuan is an important step to promote Chinese culture. The roof of the roof and the roof of the roof garden are covered with tiles, and the materials and techniques are meticulous. The tiles are covered and fixed with bark, and the Daxiong Hall is covered with thin persimmon slices, which is waterproof and goes up a flight of stairs. The curvature of the roof can mechanically fix the laid tiles together more closely. The wide eaves not only protect the wooden house, but also prevent the foundation from being damaged by rain. With the use of the bucket, gravity is dispersed outward and the weight of the roof is further removed. The tiles are decorated with lotus patterns in Buddhist colors, which look fresh and pleasing to the eye. The seam between the two slopes of the roof is the most prone to leakage in the whole roof. The roof is formed by strengthening the seal with bricks and tiles. The "Mountain-leaning Style" (also known as Jiuji Hall) used by Zhilian Academy is an advanced architectural style used in ancient China. On the other hand, there are "tails" on the roofs of the Heavenly King Hall and the Ursa Major Hall in the temple, and the joints with the main ridges are straight. The owl's tail is the legendary ceratosaurus. As soon as its tail becomes warped, it needs to be sprayed with water, just to protect flammable wood, which is symbolic. In the architecture of Yun Yun, China, the image of pagodas is unparalleled. However, regardless of its size and shape, it is still a place where Buddhist bones or monks are buried. Tower architecture has gradually become a major symbol of Buddhism. Later, the pagodas gradually moved away from the main hall, and some of them were just for foil. The tower was built in Ming and Qing Dynasties to change the geomantic omen, which was different from the previous dynasties. Ancient pagodas in China can be divided into four categories: single-storey towers, multi-storey towers, dense eaves towers and slope-retaining towers. The Wanfo Pagoda in Jingyuan, Zhilian is a kind of pagoda with dense eaves, with seven miles and five miles outside. The seventh floor is the number of eaves, and the fifth floor is the number of towers. In terms of structure and architecture, the eaves of this tower are next to each other, and there is almost no gap in the middle, so it is called "dense eaves tower". The Ten Thousand Buddha Pagoda in Jingyuan has obviously deviated from the main hall, and outsiders are not allowed to step in. But the artistic value of the stupa is immortal and beyond doubt.
Reference:. qid=7006060802774
Many existing buildings in the Tang Dynasty were renovated and rebuilt by later generations, such as Yueyang Tower! If you want to know the architectural art of the Tang Dynasty, you can refer to the Zhilian Garden in China and Hongkong, which imitates the architecture of the Tang Dynasty. If you must be a "historic site", I recommend the well-preserved Little Wild Goose Pagoda, Fei Ying Pagoda and Chongsheng Pagoda = = = The Little Wild Goose Pagoda is located in Jianfu Temple in Xi, China, which is called "Jianfu Temple Pagoda" and belongs to the well-preserved ancient pagodas in the Tang Dynasty. Little Wild Goose Pagoda and its ancient clock "Wild Goose Pagoda Morning Bell" are listed as eight scenic spots in Guanzhong. The Little Wild Goose Pagoda was built in the Tang Dynasty (707 ~7 10). Because it is lower than the Big Wild Goose Pagoda, it is called Little Wild Goose Pagoda. During the war in the late Tang Dynasty, Jianfu Temple was repeatedly destroyed, and the temple was destroyed, only the Little Wild Goose Pagoda was kept. In the sixth year of Huizong in Northern Song Dynasty (1 1 16), a believer who called himself "Wandering Valley" vowed to repair the Little Wild Goose Pagoda, repaired the severely weathered eaves of the pagoda and decorated it with white mud powder. Up to now, traces of white clay painting can still be seen on the tower. Jianfu Temple and Little Wild Goose Pagoda were repaired many times in Ming and Qing Dynasties. At the end of Chenghua in the Ming Dynasty (1487), an earthquake occurred in Xi 'an, and the tower of Little Wild Goose Pagoda was shattered. Later, when the tower was rebuilt, a layer of brick was laid at the bottom of the tower, but the cracks in the tower body were not repaired. 1965 It took another renovation to fix the crack. Little Wild Goose Pagoda, with a total building floor of *** 15, is a brick building with dense eaves and beautiful tower shape, and is considered as an excellent architectural art heritage. The plane of Little Wild Goose Pagoda is square, and the base is a brick platform. It turns out that there is a big canopy of brick and wood structure around the tower at the bottom of Little Wild Goose Pagoda, which is called "waist wrapping". In the Jin and Yuan Dynasties, the "waist-binding" was destroyed. The base is a hollow single-walled tower. The bottom floor is higher, and the height of the second floor and above decreases step by step, so the outline of the tower presents a graceful rolling. There are overlapping brick eaves between each floor, and the tower of 15 floor has overlapping eaves. There is a ticket hole in the middle of each floor, the tower is hollow, and the stairs with brick and wood structure can be boarded. 1989 the total height of the measuring tower is 43.395 meters. There is Shimenfang in the Qing Dynasty in the south of Taki, with the inscription "Wan Hui En" in the south and "Blifamen" in the north. There is an underground palace under the base, which is a vertical hole. Fei Ying Mansion = = = Fei Ying Mansion is located in Xiaxia Street, Taxia, Huzhou, Zhejiang. Founded in the fourth year of the Middle Tang Dynasty (884), it was a national key cultural relic protection unit and was overhauled in 1986. Fei Ying Tower consists of two towers, the inner tower and the outer tower. The tower in the tower is a wonder of the world and a rare treasure of ancient pagodas. The outer tower is 55 meters high, with 7 floors and 8 faces of brick and wood structure, which can reach the top floor directly, where you can watch the art of stone tower and overlook the scenery of Huzhou city. The inner tower is a five-story stone tower with a height of15m. It is carved with thousands of Buddha statues, lions, elephants, lotus flowers and Swiss grass. Its composition is concise and vivid, which is really a treasure of stone carving art in Tang Dynasty. According to records, during the period of Tang Xianzong, the superior monk in Chang 'an gave Ashoka seven relic beads and a stone pagoda to feed the tiger. Later, because of the legend that there is a divine light at the top, a wooden tower was built outside the stone tower to protect it. Taking the meaning of Buddhist language "relic flying wheel shines", it was renamed Fei Ying Tower and stood in the city center. The three pagodas of Chongsheng Temple = = = = = Chongsheng Temple is located in the north of Dali ancient city 1.5km, which was built in the Kaiyuan period of Tang Dynasty. Three pagodas stand in front of Chongsheng Temple. The main tower, called Chihiro Pagoda, was built during the reign of Quanfengyou in Nanzhao (823-859) and is 69 meters high. It is a 16 square hollow brick tower with dense eaves. It belongs to the typical architectural style of Tang Dynasty.
Reference: cultural relics * * *