Is there any allusion to "wash enough water and start the wind"?

Original sentence: The water in the pool is used to wash your feet, and the wind blows outside the door

The water in the pool is used to wash your feet. Water for washing your feet. Qu Yuan, a poet of the Chu State during the Warring States Period, said in his "Chu Ci: Fisherman": "The water in the Canglang is clear, and I can wash my tassel (the ribbon used to tie my hat); the water in the Canglang is turbid, and I can wash my feet."

Taitoufeng outside the door: head against the wind. [Tang Dynasty] Bai Juyi's poem "Little Boat" says: "The shadows of yellow willows follow the moon, and the fragrance of white apples blows the wind."

"There is enough water in the pool, and the wind blows outside the door" is from "Sound Rhythm" "Enlightenment" is a rhyme of the East. "Enlightenment of Rhythm" is an enlightenment book that trains children to cope with and master the rhythm of rhythm.

Extended information

"Rhythm Enlightenment" is an enlightenment book that trains children to cope with and master the rhythm of rhythm. It is organized according to rhyme, including virtual and real responses to astronomy, geography, flowers and trees, birds and beasts, people, utensils, etc. From single-character pairs to two-character pairs, three-character pairs, five-character pairs, seven-character pairs, to eleven-character pairs, the sounds and rhymes are harmonious and catchy, and you can get training in pronunciation, vocabulary, and rhetoric.

The layers of pairs from single words to multiple words make reading like singing. Compared with other three-character and four-character sentences, it has more charm. This type of reading is unique among enlightenment readings and has endured for a long time. Since the Ming and Qing Dynasties, books such as "Xun Meng Haihai" and "Li Weng Duiyun" have been written in this way and have been widely circulated.

Poetry and couplets are important literary forms in ancient China. They have been passed down from generation to generation for more than two thousand years and still have strong vitality today. In ancient times, this kind of literary training began as a child in a private school, with strict requirements on tone, rhythm, meter, etc.

As a result, some works on rhythm have also emerged, among which "Enlightenment of Rhythm" written by Che Wanyu during the Kangxi period of the Qing Dynasty is one of the more representative ones.

What we are using today is the version privately collected by Wei Chaojun in Chengdu in 1883 during the reign of Guangxu Guiwei in the Qing Dynasty. It is "Summary of the Enlightenment of Rhythm", and the author titled it "Reedited by Nie Xianmin Rongfeng of Hengshan, Written by Shaoling Che Wanyu Shuangting, and Written by Xiangtan Xia Daguan Fengjiang".

Since this book is called "Summary", naturally it will only excerpt and extract the most important parts of "The Enlightenment of Rhythm". It is divided into two volumes, the upper and lower volumes, and only has 30 rhymes in Pingsheng. (i.e. the rhyme section used in most metrical poems), it is obvious that this was extracted from the first two volumes written by Zhu Ming, and based on it, some deletions and revisions were made that the author considered necessary.

Reference material: Baidu Encyclopedia? "Rhythm Enlightenment"