Common sense of Peking opera pdf
Cai Dan, usually called the ugly girl, sings with her own voice, but actually she answers this question with a clown. To put it simply, Cai Dan emphasizes simplicity, and basically says Bai Jing, who is mainly engaged in work, exaggerated performance and makeup. He is a funny character and performs funny humor.
These characters are not all bad people, but some of them are used to satirize stupid and smart people, such as Cheng Xueyan, the eldest sister, and Dong Shi. There are also some women who show distinctive, rough and bold personalities, such as Hua Po in Beads of Beads, Shi Wan in Si Zi, and Chen Xiuying's mother in Iron Bow. There are also women who have created humorous artistic images, such as the matchmaker Liu in Picking up the Jade Bracelet.
2。 Wushu is naturally the function of Wushu in life.
It is different from Xiao Sheng in appearance. Most Xiao Sheng people don't have beards, but some Wu Sheng have beards and some don't. The classification of Wushu students is relatively simple, mainly divided into two types: long leaning and short hitting.
Dragons rely on martial arts, generally rely on, wear thick-soled boots, use long weapons, and show more immediate combat. Like Zhao Yun of Changbanpo, Gao Chong who picks Chinese cars, and Guan Ping of Qingshishan; There are also some people who talk about it, such as Zhang Xiu in Chamwan City, Tuotuo in Chamzhou, and Shi Wengong taking revenge with one shot.
Generally speaking, the roles of fighters are not tied up, draped in pleats, wearing arrow suits inside, using short weapons, and fighting hand-to-hand in the next step, such as Sanchakou, Huang Tianba, Ren, He Tianbao who washes Fushan, etc. However, the difference between leaning on dragons and colorful flags cannot be only in the form of clothing, nor can it be absolute.
Like Shi Wengong in Water Margin Play and One Arrow Killed, he is a teacher of Zengtou City, and he can't wear armor like a general in the army, so he doesn't wear a hat and arrow suit called "scarf" in the jargon, but his style of playing with guns with Lu Junyi still belongs to Long Xincheng. Bunting didn't belong until the performance of stealing water from the camp behind.
Another feature of Goumian Opera is to rely on martial arts, that is, to perform some Goumian operas. In China traditional opera terminology, the makeup method of applying oil paints to characters' faces according to a certain pattern is called face hooking or face rubbing.
Wu Sheng's hook-faced characters are common: Jiang Wei in Tielongshan, the leopard in Leopard, Gordon in Sunshine House, etc. Besides the monkey show, Wu Sheng will also perform "Monkey Show", which is the Monkey King in the story of Journey to the West.
The Monkey King is also a hook face. Generally speaking, students' performances should be solemn, but monkey shows must be all hands-on. This is a tradition inherited by the Beijing Opera Kunqu Opera Class. There are almost no martial arts masters in the past dynasties who did not perform monkey shows.
3。 Danxing is a new star in Beijing Opera. In this century, due to the rise of a large number of Dan Jiao artists, a large number of excellent plays have been produced. The performing arts in this line developed rapidly, leaped to the top, surpassed the old school and became the most important business of Beijing opera.
There are many kinds of Dan horns, which can be roughly divided into Tsing Yi and Hua Dan, such as Zou, Wu Dan and Wu Dan in Zhanwan City. Tsing Yi, also known as Zheng Dan, plays a positive role of being dignified and quiet.
The word "Tsing Yi" also comes from the clothes of the characters. In many plays, Wang Chune in "Three Mother Godsons", Wang Baochuan in "Wu Jiapo" and Liu Yingchun in "Fenhe Bay" all wear simple green pleats, so everyone is called Zheng Dan Qingyi. Of course, this is not absolute. For example, Li Yanfei in "Second Palace" wore a dragon (towel skin), and Wang Baochuan in "Three Highs and Five Years" wore a so-called rockhopper (towel skin). After breaking up with her father, she took off her precious clothes and put on pleats.
The symbols that divide Tsing Yi are mainly character and artistic features. Tsing Yi has always been characterized by singing, a bit like an old worker.
Tsing Yi's singing mainly uses falsetto, which is close to the minority introduced earlier. The style of singing should be crisp and masculine, not too gentle and lovely.
You must also rhyme, rhyme and write in white, and you can't read Beijing white to show your dignity and dignity. Hua Dan is the most complicated one.
Hua Dan has many types and plays a variety of roles. Most of them are romantic and charming, lively and lovely, and some are full of vigor and vitality.
Wear all kinds of clothes, some of them read rhyme white, but more of them read Beijing white. A remarkable feature of Hua Dan's performances in the past was that they were usually on stilts.
The so-called "stilts" is a kind of wooden prosthetic foot, which is used to imitate the "three-inch golden lotus" of ancient women. This is a stunt that requires hard training, which is called "skipping work" in the jargon.
1949, "abandoning stilts" was implemented in the field of traditional Chinese opera. It is difficult to see such performances on the stage now, and the skill of "jumping" is on the verge of extinction.
During the trip to Hua Dan, those who played Li Fengjie in The Prince and the Dancer, Sun Yujiao in Picking Jade Bracelets, and other naive girls were called "boudoir Dan" in the jargon. Gui Dan's performance is more of a dance, exquisite and lively, full of dance sense.
Singers are characterized by using Xipi tunes, or Nanbangzi instead of Huang Er tunes. There is another role in Hua Dan that is relatively rare on the stage now, and that is "Duan Zidan".
Duan Zidan once played the leading role in some "Duan Zixi", such as Shen Shi in Zhang Antique Borrowing a Wife, Zhou in Beating Noodles Cylinder, Hua Po in Playing Flower Drum, Mrs. Boat in Danghu, In-laws in the City, etc. But such a "joke play" is hard to see on today's stage. I remember an expert wrote an article more than 30 years ago entitled "Today's people can't understand" jokes ".
Another feature of Duan Zidan's art is that he doesn't necessarily sing Xipihe, but sings some miscellaneous tunes, such as "Zhang Gufeng borrows his wife" to sing the flute, "beating the dough jar" to sing Nangong, "beating the flower drum" to sing Fengyang songs, coloratura and so on. Hua Dan's provocative Dan, generous and informal, said dozen dozen, scold scold.
The most typical one is Ma Jinding, grandma of August 9th in "Stabbing Eight Rings and Falling into the River". This role is close to that of Wu Dan, but you must not play pure Wu Dan.
When we started fighting, we often used big thick sticks instead of walking on stilts, which was different from Hua Dan and Wu Dan at that time.
2. Peking Opera facial makeup knowledge
In Chinese opera, Fang La, a yellow-faced woman, and Pang Taishi, a white-faced woman, are not bad people in history.
It is also a monkey face mask with different shapes. For example, Sun, the Monkey King who made trouble in Heaven, Sun Walker who learned Buddhist scriptures in the Western Heaven, and the Monkey King who was named as "anti-Buddha", some of Facebook showed the spirit of resistance, tenacity and justice, while others showed the image of the Monkey King who got "positive results" from Buddhism.
(And even the facial makeup of the same character, different artists have different musical styles. Another example is the image of a handsome monkey and an ordinary monkey on Guo Huashan. The old monkey is an open-minded and far-sighted ape, and the image of the ink monkey is mainly dark, such as black.
The white apes in Eight Immortals Fighting the White Apes are alert and interesting, with white bright colors as the main colors (there is a picture of Xiantao on his forehead to set off the plot). The fake monkey Wukong Liu Er looks cunning and uneasy. It is also the face of the monkey in the stars in the sky, and the monkey in the fire (that is, Gui Fang in the List of Gods).
The Monkey King had a hand with him in the Heavenly Palace. He is alert and vivid (the masks of the Monkey King and Fire Monkey in Kunqu Opera are not exactly the same as those in Beijing Opera), and Luo Wei (Eclipse Star) in Jiuyi Star looks official and dignified.
3. What is the common sense of Peking Opera facial makeup?
"Facebook" refers to the colorful makeup on the faces of actors in China's traditional dramas.
Peking Opera facial makeup is a special makeup method with national characteristics. Because every historical figure or a certain kind of figure has a common score, just like singing and playing music should be based on the score, it is called "Facebook".
As for the source of Facebook, it is generally said that it comes from a mask. The evolution and development of Facebook is not the product of someone's imagination, but the observation, experience and synthesis of life phenomena by opera artists in their long-term artistic practice, as well as the continuous analysis, judgment and evaluation of the characters in the play, which gradually formed a complete set of artistic techniques.
This kind of facial makeup is mainly used for clean (face painting) and ugly (clown). It has a certain format in form, color and type.
A professional audience can tell from Facebook whether the character is a hero or a bad guy, smart or stupid, cute or annoying. The charming facial makeup of Peking Opera occupies a special position in the numerous facial makeup of China's plays.
Peking Opera facial makeup is famous for its symbolism and exaggeration. It uses exaggerated and distorted graphics to express the character characteristics of the role.
Eyes, foreheads and cheeks are usually painted as wings of bats, butterflies or swallows, with exaggerated mouths and noses to create the required facial effects. 1。
Classification of facial makeup: facial makeup can be divided into four basic types: rubbing, hooking, wiping and breaking. The face rubbing is dignified and powerful, and the overall color is dominant, plus the texture of the five senses. This is a very old form of facial makeup.
The hook surface is colorful, rich in patterns, complex and beautiful, colorful, and some are covered with gold and silver, which is colorful. Wipe your face with a light color, thinking that powder powder does not show your true face, highlighting the nature of treacherous bad people.
Disfigured, asymmetrical face, different left and right sides, describing ugly face or villain. According to the pattern arrangement of facial makeup, facial makeup is divided into the following four types: the most primitive form of facial makeup, which is divided into two parts by using double eyebrows.
On the basis of the whole face, the three tile faces divide the face into two masks according to the nose and mouth. Spend three tiles to make the boundary edges of the three tiles artistic, and add various patterns of facial makeup.
The broken surface is a variant of the three-tile surface, and the boundary edge is very flowery, which destroys the original outline. 2。
Patterns of facial makeup: There are many patterns of facial makeup, which are generally divided into forehead, eyebrows, eye sockets, nose sockets, mouth forks and mouth bottoms. The pattern of each part is different, regular and inconclusive. For example, Bao Zheng has a white crescent on his black forehead, indicating that he is honest and clean.
Meng Liang has a red gourd on his forehead, indicating that he likes drinking. Wen Zhong and Yang Jian painted three eyes, which originated from classical legends.
Genies, sand gods and leopards are multifaceted, highlighting their ghostly characteristics. Yang has a traditional "tiger" on his forehead, which shows that he is brave and invincible.
Zhao Kuangyin's dragon eyebrows are the real dragon emperor. There is a lightning pattern on Lei Gong's face.
Jiang Wei painted a picture of Yin and Yang on his forehead, indicating a clever plan. Xia Houdun's eye socket was injured by an arrow, so the red spots on his face are no different. Doordon, Dian Wei and others all have their best weapon patterns on their faces.
Wang drew a toad, indicating that it was the reincarnation of a water beast. Zhao Gongming painted on money to show that he was a god of wealth.
The big dipper drew a picture of the seven stars on his forehead.
Please provide knowledge about Beijing Opera.
The Origin of Peking Opera Peking Opera is the quintessence of our country and one of the important operas popular in the whole country.
It has a history of more than 200 years. In the fifty-fifth year of Qing Qianlong (1790), four Huizhou Qupai clubs, Sanqing, Sixi, Chuntai and Hechun, which were originally performing in the south, performed in Beijing one after another. They cooperated with Hubei Han Diao artists, influenced each other, accepted some plays, tunes and performance methods of Kunqu Opera and Qinqiang Opera, and absorbed some folk tunes, and gradually merged and evolved into Beijing Opera.
Its music basically belongs to banqiang, and its singing is mainly based on Huizhou and Handiao watermelons, so it was called "Pihuang". In addition, there are Xipi's anti-tune (that is, "anti-Xipi"), Er Quan's anti-tune (that is, "anti-Er Quan") and Nanbangzi, Sipingdiao, Chuiqiang, Gaopaizi and Nangong.
The accompaniment instruments are mainly Jinghu, supplemented by Erhu, Yueqin and Sanxian. Some voices and music are accompanied by suona and flute.
Percussion instruments include Dan Pigu, Sandalwood, Gong, Xiao Gong, cymbals, drums and planetesimals. Beijing opera performance pays equal attention to singing, reading, doing and playing, often adopts virtual movements, attaches importance to the blending of scenes, and is full of sounds and emotions.
Since its birth, Peking Opera has had many names, such as "Random Play", "Spring Tune", "Beijing Spring", "Beijing Er Quan", "Er Quan", "Drama", "Pingju" (Beijing was once called Beiping), Peking Opera and so on. There are thousands of traditional operas in Beijing Opera, among which the popular Peking Opera such as Making Peace, Heroes Meeting, Empty City Plan, Drunken Maid, Sanchakou, Picking up Jade Bracelet and Fishing and Killing was formed about 1.50 years ago.
In the fifty-fifth year of Qing Qianlong (1790), the well-known Huizhou class "Sanqing Class" in the south of the Yangtze River went to Beijing to celebrate the 80th birthday of Qing Qianlong. Huizhou Opera Troupe refers to a troupe that performs Huizhou tunes or Huizhou operas, which was very popular in the south in the early Qing Dynasty.
Followed by many Huizhou classes, the most famous of which are Sanqing, Sixi, Chuntai and Hechun, and they are called "four Huizhou classes". They have their own characteristics in performance, and Sanqing is good at performing the whole drama; Sixi is good at Kunqu opera; Children's Ling, mainly teenagers, in Chuntai; And the spring martial arts drama is outstanding.
After 1828, a group of China opera actors went to Beijing one after another. Han opera, also known as Chu tune, is now called Han opera. It is a local opera popular in Hubei, with Xipi and Huanger as the main voices, especially Xipi.
Because of the consanguineous relationship between Huizhou Opera and Han Opera in voice and performance, most of the actors of Han Opera participated in the cooperative performance of Huizhou Class after they came to Beijing, and some of them became the main actors of Huizhou Class, such as Yu Sansheng. Huang Er, high-beat, blowing, and four-level tones are the major tones of Huizhou. Occasionally, there are Xipi tune, Kunqu tune and Yi tune. Actors in the Han Dynasty played Xipi and Huang Er.
The two classes of Hui and Han cooperated and the two tunes merged. After a period of mutual integration and absorption, coupled with Beijing dialect, it constantly absorbed nutrition from Kunqu opera, Yi opera and Qin opera, and finally formed a new kind of drama-Beijing opera. The maturity and recognition of the first generation of Peking Opera actors is about 1840.
Peking Opera has had many names since its birth. There are: Luantan, Chundiao, Huang Jing, Jing Erhuang, Pi Huang (Pi Huang), Huang Er (Huang Er), Drama, Pingju, Old Opera, National Opera, Peking Opera and Peking Opera.
What are the characteristics of Beijing Opera music? The vocals of Beijing Opera belong to the plate-type variety, with Xipi and Chun Er as the main vocals. Xipi's melody fluctuates greatly, the rhythm is compact, and the singing is smooth and lively, which is suitable for expressing cheerful and determined emotions; Huang Er's melody is relatively stable, the rhythm is slow, and his singing is dignified and vigorous, which is more suitable for expressing depressed, sad and angry emotions.
Little knowledge of Chinese opera 1. Name the airplane donated by Chang Xiangyu, a famous performing artist during the War to Resist US Aggression and Aid Korea? A: The number of Yu Xiang Drama Club. 2. What is the music structure of Henan Opera? A: Plate cavity.
3. Please name the five famous Dan of Henan Opera and one of its representative plays? A: Chang Xiangyu, Matchmaker, Legend of White Snake, Mulan; Chen Suzhen's Cosmic Front and Spring and Autumn Match; Cui Lantian, Taohua Temple, Qin Xianglian; Mu is in command, Huada Chao,; Yan Lipin, Qin Xuemei, the hidden boat. 4. Who was the first actor who won the plum blossom award in our province? Don Yu Ying.
5. What are the basic skills of China traditional opera? Answer: Sing, read, do, fight, hand, eye, body, method and step. 6. What are the martial arts gongs and drums in Beijing Opera? Answer: Four strokes, emergency wind, small four strokes, horse legs, strings and so on.
7. What's the name of the Henan opera Run Bianjing? Answer: Eight-style or embroidered shoes 8. What are the challenges in China's traditional operas? A: The hint given by the actor to the drummer before singing. 9. What is the business of "Kokura Wa" in "Roster"? What's your name again? A: the behavior is ugly; Also known as "three sides".
10. Who is the screenwriter of Mulan in Henan Opera? A: Chen * * *. For more details, please visit the following website for your reference:
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5. Seek knowledge of Peking Opera
It's actually quite simple.
1 Sheng Xing: Xiao Sheng refers to a handsome young man who has no long beard and is generally bookish.
Wusheng is a young man with stunts and martial arts.
Old students refer to the elderly. Generally, this kind of person has more obvious beard and makeup than young students, and his eyebrows are not very heavy.
Danxing: a general term for women. "Xiao Dan" refers to unmarried girls from poor families.
Lao Dan refers to an elderly woman.
"Tsing Yi" refers to middle-aged women.
"wudan" and "Beijing Opera Blues" refer to women with unique skills and high martial arts.
Open line: generally speaking, there are copper hammers to draw faces, also called big faces, and shelves to draw faces.
Ugliness: There are two kinds of ugliness: Wen Chou and Wu Chou.
Copper hammer painting face: also known as singing and painting face. Because his representative, Xu, holds a bronze hammer, all the people who sing a painted face are generally called bronze hammer painted face.
Correctly, it is not called Gong Zheng Laosheng, but Gong Zheng Laosheng. This means that actors' business is the main old business.
6. All the basic knowledge of Peking Opera
Sorry, that's all I found. Is it useful? Beijing Opera: Also called "Beijing Opera", it is one of the most popular operas in China.
It has a history of more than 200 years. Since the fifty-five years of Qianlong (1790), four Huizhou Qupai clubs, Sanqing, Sixi, Chuntai and Hechun, which have performed in the south, have successively performed in Beijing. They cooperated with Hubei Quyi artists, influenced each other, accepted some plays, tunes and playing methods of Kunqu Opera and Qin Opera, absorbed some folk tunes, and gradually merged, evolved and developed.
"Four Merits and Five Techniques": the collective name of four performance techniques of "singing and doing" and five technical methods of "hand-eye-body-step". This is the basic accomplishment of traditional opera actors.
"Role": In China traditional operas, the types of roles are divided according to the different genders, ages, identities and personalities of the people in the plays. For example, the average person is called life or death; The old woman is called Lao Dan; A man with a rough personality is called a shelf to draw a face (vice net) and so on.
Each has its own performing arts characteristics. From the perspective of China opera history, the division of roles has gradually changed from simple to complex.
In modern times, most traditional operas take life, Dan, Jing, end and ugliness as the main line, each with a relatively fine division. If life is divided into old students, young students and martial arts students; Dan is divided into Tsing Yi, Huadan, Lao Dan and wudan.
Actors often specialize in one kind of role, thus forming various specialized businesses. Traditionally, roles and occupations are common.
"Meeting color": a term of China traditional opera. It means that as soon as the actor ended, the audience gave warm applause, commonly known as "meeting color"
Ticket friends: terms of traditional Chinese opera and Quyi. It is a general term for non-professional opera, quyi actors and musicians.
According to legend, in the early years of the Qing Dynasty, the children of the Eight Banners, with the "Dragon Seal" issued by the Qing court, went to various places to sing children's books, engage in propaganda, and received no salary. Later, they called amateur actors who didn't get paid as "ticket friends". The fan organization of the fans is called "box office".
The performance of fans is called "ticket play". An amateur becomes a professional actor, which is called "going to sea".
Ma, Tan, Yang and Xi Xiaobo, four famous Peking Opera actors, became famous in 1930s. 1936, Beijing Liyan Daily held a public vote to select four Peking Opera actresses, namely Li Shifang, Zhang Junqiu, Mao Shilai and Song Dezhu, who were in class at that time or had not finished their studies, as "four-child actresses". 1940, under the influence of the four famous Dan, the above four people were re-elected as the "four minor Dan".
Four Famous Corners: Four Famous Corners of Peking Opera which became famous in the 1920s. They are Mei Lanfang, Shang Xiaoyun, Cheng and Xun Huisheng. Martial arts field "refers to percussion instruments in musical instruments."
Such as big gongs, small gongs, cymbals and drums in Beijing Opera. It used to refer to the percussionist "Wen Chang": it refers to all kinds of orchestral music played in musical instruments.
Such as the huqin, Heizi, Yueqin, flute and suona in Beijing Opera. In the past, it also referred to musicians and flute players who played these instruments.
7. Basic knowledge of Peking Opera
At least 0.27 yuan/day, Baidu Library members can be opened. The full content can be found in the last line of Library > Original Publisher: Long Yuan Journal Network, which is referred to as "the end".
This business is mainly for men over middle age. In fact, at the end of the lines, he is specialized in leading the play, such as the lead actor.
Walk-on: A role smaller than a supporting role. Most of them play soldiers, officials, followers and the masses.
Don't think that these people are unimportant, especially on the battlefield. Four walk-on representatives have thousands of troops. They often run up and down under various flags according to the needs of the plot (so they are also called walk-on). This run, the grand atmosphere on the battlefield also came out.
Wenchang: a band in the accompaniment of Beijing Opera. Musical instruments mainly include jinghu, flute, sheng, suona, etc. You don't need to play. Ugly behavior is called "ugliness" for short.
Ugliness can be divided into Wen Chou and Wu Ugliness. According to the zodiac, ugliness belongs to cattle, which is stupid, and ugliness is synonymous with stupidity.
But the ugly martial arts on the stage is also called mouth jumping, which can talk and jump, and perform lively and smart roles, which is completely different from the ugliness and stupidity of cattle. Banyan: The term of China traditional opera music is beat.
In Beijing opera, the beat is controlled by the drum board. The beat with strong beat is called "board", and the second strong beat and weak beat are called "middle eye" and "small eye", which together are called "board eye". Martial arts field: a percussion band in the accompaniment of Beijing opera. The main musical instruments are drums (Dan Pigu, sandalwood), big A, cymbals and small gongs.
8. Peking Opera knowledge
Peking Opera, also known as "Pihuang", is composed of two basic tones, Xipi and Huanger. It also sings some local tunes (such as Liu Zi Opera and Blowing Opera) and Kunqu Qupai.
1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera". It is still a big drama with national influence.
It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum. Peking Opera is the quintessence of China with a history of 200 years.
In addition, "Beijing Opera" is also an online word, which means the same as "fear". Basic Explanation [Beijing Opera] One of the main operas in China, Hui and Han tunes were introduced to Beijing in the middle of Qing Dynasty and merged with each other.
The accent is mainly Xipi and Huanger, accompanied by huqin and gongs and drums, which are popular all over the country. Detailed explanation is also called "Beijing Opera".
One of the most popular plays in China. After entering Beijing in the last years of Qing Qianlong, Class Four of Huizhou School cooperated with artists from Hubei during Jiaqing and Daoguang years and influenced each other. They gradually accepted some plays, tunes and performance methods of Kunqu opera and Shaanxi opera, and absorbed some folk tunes, and gradually integrated and developed.
Basic Concepts Peking Opera is one of the traditional operas formed in Beijing, with a history of nearly 200 years. On the basis of harmony between Hui Opera and Han Opera, it gradually evolved by absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera.
Peking Opera music belongs to the banqiang style, and the lead singers are Huang Er and Xipi, so Peking Opera is also called "Pihuang". Other commonly used vocals in Beijing Opera are Nanbangzi, Siping Tone, Gaobazi and Chui.
There are about 1000 traditional operas in Beijing Opera, and about 300 or 400 are often performed. Among them, besides Anhui Opera, Han Opera, Kunqu Opera and Shaanxi Opera, quite a few of them were created by Peking Opera artists and folk writers. Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts.
There are not only the whole drama, but also a large number of passbook dramas, in addition to some series. Performance techniques: Singing, reciting and playing are the four major artistic methods and four basic skills of Peking Opera performance.
Singing refers to singing, while reciting refers to musical chanting, which complement each other and form a "song", which is one of the two major elements of the performing arts of singing, dancing and Peking Opera. Doing refers to the body movements, fighting and tumbling skills of dance, which are combined with each other to form a "dance", which is one of the two major elements of the performing arts of song, dance and Beijing opera. Four skills, commonly known as four skills and five methods, refer to singing, reading, doing and playing four skills.
"Singing" means singing skills. "Doing" means doing work, that is, performing.
"Nian" refers to music chanting. And "fighting" refers to martial arts.
Opera actors have been trained from these four aspects since childhood, although some actors are good at singing (singing old pedants), some are mainly engaged in work (Hua Dan) and some are mainly engaged in martial arts (Jason Wu). However, every actor is required to have four basic skills: singing, reading, doing and acting, in order to give full play to the function of opera art performance as a musical.
Better performance and characterization of various roles in the play. The role of Peking Opera The role of Peking Opera is divided into seven lines in the early stage, namely, fate, Dan, purity, end, ugliness, martial arts and fashion (walk-on), and then into four lines, namely, fate, Dan, purity and ugliness, and each line has a detailed division of labor.
"Sheng" is a general term for male roles other than painted faces and clowns, and it is also divided into old students (bearded students), primary school students, martial arts students and baby students. "Dan" is a general term for female roles, which is divided into Zheng Dan, Hua Dan, Gui Mendan, Wu Dan, Lao Dan and Cai Dan (Dai Dan) Peking Opera blues.
"Jing", commonly known as Hua Lian, mostly plays a male character with a certain special character, quality or appearance. The makeup mask has a loud tone and a rough style. "Net" is a singer, such as Bao Zheng; Erhualian, who mainly works, looks like Cao Cao.
The "ugly" who plays comedy, because he put a small piece of white powder on the bridge of his nose, is commonly known as Xiaohua face. A major feature of Peking Opera is that people's faces are painted with a certain color to symbolize their personality, characteristics, roles and destiny, which can help to understand the plot.
Simply put, red face contains praise, representing loyalty and courage; Black face is neutral, representing fierce wisdom; Blue face and green face are also neutral, representing rebellious heroes; Yellow face and white face are derogatory, representing fierceness; Gold and silver surfaces are mysterious, representing gods and demons. Facebook originated from ancient religions and dance masks, and this tradition has been preserved in many local operas today.
The artistic features of this passage: revenge of the prince of Peking Opera; Beijing opera is thought-provoking and mellow. Through the long-term stage practice of countless artists, the stage art of Peking Opera has formed a set of standardized and standardized programs, which restrict and complement each other in literature, performance, music, singing, gongs and drums, makeup and facial makeup.
As an artistic means to create a stage image, it is very rich and its usage is very strict. If you can't master these programs, you can't complete the creation of Beijing opera stage art.
Because Beijing Opera entered the court at the beginning of its formation, its development and growth are different from local operas. It is required to show a wider range of life, create more types of characters, be more comprehensive and complete in skills, and have higher aesthetic requirements for its stage image.
Of course, it also weakens its folk local flavor, and its simple and rude style is relatively weak. Therefore, its performing arts tend to combine reality with reality, which goes beyond the limitation of stage space and time to the maximum extent, thus achieving the artistic realm of "expressing the spirit with form and having both form and spirit".
The performance requires exquisiteness and exquisiteness, and it is everywhere; It is required to sing melodiously and euphemistically, and the voice is full of emotion; Martial arts is not won by bravery, but by "singing martial arts". The first 50 years of the 20th century was the heyday of Chinese Peking Opera, during which the famous "Four Famous Dances" and "Four Bears" were produced.
However, many famous Peking Opera artists also died during this period, and later generations can only appreciate their art by relying on a large number of old records left by them at that time. At that time, most of the famous actors had records handed down from generation to generation in record companies such as Gaoting, EMI, Beikai and Shengli, with a wide variety.
However, with the passage of time and the progress of technology, these old records gradually disappear, and most of them are no longer available for examination.