China Naming Network - Auspicious day query - What calligraphy brush copybook is good?

What calligraphy brush copybook is good?

Wang Xizhi's Preface to Lanting Collection, Wang Xun's Yuan Bo Post, Ou Yangxun's Zhang Hansi's Luji Post, Yan Zhenqing's Sacrifice to My Nephew, Liu Gongquan's Zhao Meng Post, Yang Ningshi's Jiuhua Post, Li Jianzhong's Mutu Post, Su Shi's Huangzhou Cold Food Poetry Post and Huang Tingjian's Songfengge Poetry Post.

Select copybooks from the top ten running scripts.

65438 +0? The best running script in the world-Preface to Lanting by Wang Xizhi?

Preface to Lanting is also called Preface to Lanting, Preface to Lanting, Preface to He Lin, Preface to Zan and Zan Tie. Running script and calligraphy In the 9th year of Yonghe in the Eastern Jin Dynasty (AD 353), 4/kloc-0 people such as Wang Xizhi, Xie An and Sun Chuo wrote a poem in Lanting (now Shaoxing, Zhejiang), and Wang Xizhi wrote a preface for their poems. The preface narrates the beauty of the landscape around Lanting and the joy of gathering, and expresses the author's feelings of impermanence of life and death. Handed down calligraphy and painting, ***28 lines, 324 words, perfect composition, structure and brushwork, is his masterpiece at the age of 33. Later generations commented that "the font of the right army has changed. Its heroic spirit is natural, so it is considered to be a model from ancient times to the present. " Therefore, calligraphers of all ages regarded Lanting as "the first running script". In the Tang Dynasty, he was collected by Emperor Taizong and promoted to be the representative of Wang Shu. He had ordered Zhao Mo and others to make several copies and give them to relatives and trusted ministers. Unfortunately, it was buried in Zhaoling as a sacrificial object by Emperor Taizong, and the original work will never be seen in the world. "Dragon Book" is the most famous ink in the Tang Dynasty. It was named "Lanting Dragon Book" because it was printed with the name of Feng Chengsu during the reign of Emperor Taizong. This book is well written, and its brushwork, ink style, style and charm are all reflected. It is recognized as the best copy. Stone carving is the first to promote the "fixed object book" According to Guo Moruo's textual research, the second half of the Preface to Lanting handed down from ancient times has nothing in common with Wang Xizhi's thoughts, and the calligraphy style is also different from the epitaph of the Eastern Jin Dynasty unearthed in recent years, which is suspected to be wrongly entrusted by Sui and Tang Dynasties. But some people disagree. Preface to Lanting shows the highest realm of Wang Xizhi's calligraphy art, and the author's tolerance, phoenix spirit, mind and feelings are fully displayed in this work. The ancients said that Wang Xizhi's cursive script is like "the breeze comes out of the sleeve and the next month comes into my arms", which is a wonderful metaphor. ?

Number two? The second running script in the world-Yan Zhenqing's "Sacrificing a Nephew"?

The full name of Sacrificing a Nephew is Sacrificing a Nephew, which was written in the first year of Tang Dynasty (AD 758). Hemp paper book, running script, 28.2 cm long? It is 75.5cm wide, with 23 lines, each line is 1 1, 12, and there are ***234 words. The clock has the seals of "Zhao Gongzi's Name", "Elegant", "Qingxinli", "Pivot", "Qingxinli Uncle" and "Qingxinli". It was once collected by Song Xuanhe's Neifu, Yuan, Xian Yushu, Ming, Qing, Xue, Wang and Qing Neifu, and is now in the National Palace Museum in Taipei. ?

The Draft for Sacrificing a Nephew was written by Yan Zhenqing in memory of his nephew Yan Jiming who died in the Anshi Rebellion. ? In the 14th year of Tang Tianbao (775), An Lushan rebelled, and Yan Zhenqing, the prefect of Pingyuan, contacted him from his brother Yan Gaoqing, the prefect of Changshan, to fight against the rebels. In the first month of the following year, the rebel Shi Siming captured Changshan, Yan Gaoqing and his youngest son were arrested and killed one after another, and Yanshi's family was killed more than 30 times. In the first year of Gan Yuan, Tang Suzong (AD 758), Yan Zhenqing ordered Ji Ming's first skeleton to be transported back to Hebei, and wrote this immortal eulogy with tears in his eyes. ?

Yuan Xian wrote in the postscript: "The manuscript for my nephew Ji Ming is the second best in the world." ? Chen Yuanshen Day: "The manuscript of my nephew Ji Ming is 1000 miles long; It is very energetic sometimes. Mixed flow: Or if you seal the brush, or if you carve words? The wonderful solution, almost a pie in the sky? At that time, I was not interested in writing, calligraphy and painting, and I didn't go to work. What about antipode work? " ?

As one of Yan Shu's famous "Three Drafts" (the other two drafts are "Competing for a Seat" and "Telling Uncle"), The Draft for Sacrificing a Nephew was once included in the engraving of Song, Ming and Qing Dynasties, imitated by many generations and praised constantly. ?

Number three? The third running script in the world-Su Shi's poems on cold food in Huangzhou?

Poems on Cold Food in Huangzhou were written by Su Shi, in plain ink, 34.2 cm in horizontal direction, 18.9 cm in vertical direction, running script, 17 lines, and 129 characters. Now in the Palace Museum in Taiwan. , representing the private hand of Taiwan Province Province. ? Years Without Money was actually written by Song Shenzong Yuanfeng in the fifth year (A.D. 1082). At that time, Su Shi was rejected by the New Party and demoted to the Huangzhou Youth League because of the Wutai Poetry Case, the largest literary prison in the Song Dynasty. He felt lonely in spirit, depressed and poor in life, and wrote two five-character poems at the Cold Food Festival in the third year of his demotion:

I have had three cold meals since I came to Huangzhou. Cherish spring, want to keep spring, and manage spring from self-management to no one regrets. ? This year also suffered from continuous rain, for two months, the climate was bleak as autumn. Sniff begonia flowers and swallow branches of snow. Sneaking around in the middle of the night is really something. He Shu's sick teenager had a white start. ?

The riverside is surging, as if to rush into the portal, and the fierce attack of heavy rain seems not bad. The hut is like a fishing boat, in a misty water cloud. The empty kitchen is cooking some cold dishes, and damp reeds are burning at the bottom of the stove. I didn't know it was a cold food, but I saw crows burning the remaining paper money. The emperor's palace gate has nine floors, which is far-reaching and difficult to return. The tombs of ancestors in the distance cannot be mourned. I just want to imitate Ruan Ji and cry out in despair, but I am disheartened and unwilling to rekindle. ?

Huangzhou Cold Food Poetry Post presents a dynamic trend with ups and downs. Poetry is desolate and melancholy, and calligraphy is produced in this mood and situation. Throughout the ups and downs, rapid and steady, incisively and vividly, in one go. Su Shi put the changes of artistic conception and emotion in his poems in the changes of stippling lines, either before or after, changing and changing, breaking with the trend, and being natural. Its words are also strange, big or small, sparse or dense, light or heavy, wide or narrow, uneven, arbitrary and strange, and varied. No wonder Huang Tingjian bowed his head and sighed, "Dongpo's poems are like Li Taibai, but I'm afraid they are too white and everywhere. This book was also written by Yan, Yang and Li Xitai. Trying to get Dongpo to return to it may not be the case. " (Postscript of Huangzhou Cold Food Poetry) Dong Qichang also has a postscript praising the cloud: "I have read Mr. Dongpo's original volume of more than 30 volumes all my life, and I must take it as a good view." Huangzhou Cold Food Poetry Post is a masterpiece of Su Shi's calligraphy works, which has a great influence in the history of calligraphy. Xian Yushu in Yuan Dynasty called it "the third running script in the world" after Wang Xizhi's Preface to Lanting and Yan Zhenqing's Sacrifice to His Nephew. ?

NO.4 The fourth running script in the world-Wang Xun's Yuan Bo Post?

"Yuan Bo Post" Wang Xun is a letter greeting relatives and friends' illness, which is an ink book. Because the first line has the word "Yuan Bo", it is named after this post. 5 lines of ***47 characters, 25 cm long and 17 cm wide. This post, together with Wang Xizhi's "Quick Snow Clear Post" and Wang Xianzhi's "Mid-Autumn Post", is one of the "three wishes" of Emperor Qianlong in Qing Dynasty. But the sunny day post in the fast snow is copied, and the mid-autumn post is copied. Only this post is the original of Wang Xun, and it is the most credible and unique calligraphy treasure in the ink of Jin people. This calligraphy style is typical of Wang's calligraphy style. It was written in Xin 'an Wu Xinyu in the late Ming Dynasty and later belonged to Wu Ting. It was engraved in the post, and was included in the palace in the Qing Dynasty, and is now in the Palace Museum in Beijing. ?

Wang Xun's name is Lin. He was born in a small city when he was young. He is the grandson of Wang Dao, the son of Wang Qia and the nephew of Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty. Wang Xun was born in the fifth year of Emperor Yonghe of Jinmu (AD 349) and died in the fourth year of Andy Longan (AD 400). Sima Changming, Emperor of Filial Piety, is an elegant classic, including Wang Xun, Yin Zhongkan, Xu Miao, Wang Gong and Hui. With his learned articles, Emperor Xiao Chengdi was tired of being an official and kept a servant, recruited general Lu, and led the prince to make a stand. In the first year of Long 'an (A.D. 397), he moved his official position and added regular attendants to find sick soldiers. Dong Qichang commented: "Wang Xun is chic and ancient, and it is romantic in the Eastern Jin Dynasty." ?

NO.5 The Fifth Line in the World-Yang Ningshi's Jiuhua Tie

Yang Ningshi's book, running script, black hemp paper, 26 cm high, 28 cm wide, ***7 lines, 63 words. Jiuhua Post is a letter about waking up from a nap and being hungry. Someone just sent Jiuhua, which was delicious, so I wrote to express my gratitude. ?

Dong Qichang once said: "Shao Shi's" Flowers of chives "is slightly elegant and easy to escape, which is different from other books of Shao Shi. However, it is a good place for Shao Shi. " The font of this post is between running script and regular script. Bai and Shu Lang are free and easy, and won the brushwork of Preface to Lanting by Wang Xizhi. Jiuhua Tie is called the fifth book in the world. Although Jiuhua Tie is very different from Lanting Preface in pen and composition, its charm is similar to Lanting Preface. Huang Tingjian praised in his poem: "The world tries its best to learn from Lanting, and wants to change every bone without an elixir. Who knows that Yang Fengzi of Luoyang will go to Lan when he writes. " Xie Jun in Qing Dynasty wrote "Jiuhua Post Title": "Jiuhua Post is a secret temple in Xuanhe. After reading this original work, we can know the beauty of being brave and strong, and Jin people still have their moments. The valley is not empty. " ?

At present, there are three kinds of Jiuhua Tie: one is the Qing Dynasty book, which is now in Wuxi Museum and engraved in Sanxi Hall, Fa Tie; One is Pei's collection, which is found in "Knowing Naimo Dacheng" and has been lost today; One is Luo Zhenyu's collection. According to textual research, of the three books, only Luo Zhenyu's book collection is authentic. This post has always been the treasure of the emperor's imperial view, and it entered Xuanhe in Song Huizong and the Imperial Palace in Shaoxing in the Southern Song Dynasty. This book was collected by Zhang Qian in Yuan Dynasty, accompanied by Zhang Qian's postscript, and handed over to Xiang and Zhen Wu in Ming Dynasty. Dr. Jian Shu, during the Qianlong period, stole a copy of the palace for the collection of the Qing government for the crime of destroying the door; The original works later flowed into the people and were purchased by Luo Zhenyu in the late Qing Dynasty. I wonder where they are now. ?

The world's sixth running script-Liu Gongquan's Zhao Meng Post?

Mongolian Zhao Tie, also known as Hanlin Tie, is made of white linen paper with 7 lines and 27 words. The Forbidden City is now in Tibet. His book was inscribed in Sanxi Hall, Fa Tie, and Qianlong called it "ecological danger, strength right army". The body is a little shiny, heavy and relaxed. ?

Its sentence is as follows: "Public power is in the swamp, and I am an academician, and my job is idle. If you are entrusted by your family, who will respond, you will feel lucky and show public rights. " This ink book was written in the first year of Changqing (82 1) and was written by Liu Gongquan at the age of 44. The length and width of the glyph are different, or broken or connected, which constitutes the change of composition; Pen and ink are light and heavy, forming a level change. The style is bold and unrestrained, vigorous and beautiful, dry and moist, with shades. Mongolian imperial edict posts are characterized by twists and turns, openness and ups and downs. ?

There are two kinds of Mongolian imperial edicts, one is the ink collected in the Forbidden City, and the other is found in the continued engraving of Lanting. These two words are different. Hanlin doesn't call it "going out to defend", so it is suspected and false, which should be drawn up by experts in the late Tang Dynasty and early Song Dynasty. ?

The seventh running script in the world-Lu Tie by Zhang Hansi of Ou Yangxun?

Also known as Ying Ji Iron, Ou Yangxun's book. Regular script, no money. Paper book, 25.2 cm long and 33 cm wide. This discount is kept in the Palace Museum in Beijing. ?

On the back of the paper, there is a thin line of gold: "Lead the Prince to send a letter to Hans to affix it. The brushwork is steep, sharp and long-driven, and the wisdom and courage also avoid the front. Jilin tried to send an emissary to ask for a book. Hearing this, he sighed: This book has spread far. In his later years, he was vigorous in writing and had the wind of law enforcement. The lonely peak rises and is cut on all sides, which is not a false name. " The style of this post is basically the same as that of Ou Yangxun's regular script, and both win by risks. The center of gravity of the word is on the left, and thousands of strokes are pressed to the right, so that the structure of each word forms a rebellious trend, and then the right force is used to turn the tide. It can be described as "seeking stability in danger is endless fun." Emperor Qianlong of the Qing Dynasty commented: "It is wonderful and more than enough to take advantage of the situation." ?

NO.8 The eighth running script of the world-Mi Fei's Shu Sutie?

Mi Fei's Shu Su Tie, also known as Imitation of Ancient Poetry Tie, is a silk ink book and a running script. 29.7 cm long and 284.3 cm wide; This book was written in Yuan You's third year in Song Zhezong (1088). When Mi Fei was 38 years old, * * * wrote eight poems with different styles, 7 1 line, with 658 words. ?

"Shu Su" is a kind of exquisite silk fabric made in Sichuan in the Northern Song Dynasty, with black silk fence woven on it, which is beautifully made. A man named Shao Zizhong framed a picture of corn into a roll and gave it to a famous artist to leave Mo Bao. Because silk fabrics are rough and difficult to write, unskilled people dare not want them. Shu Su Tie was collected by lin xi, the commander of Huzhou (Xing Wu, Zhejiang) in the Song Dynasty, which lasted for 20 years until August in Yuan You in the Northern Song Dynasty. At the invitation of Linxi, Mi Fei went to Tiaoxi, a suburb of Taihu Lake. Linxi took out the book Shu Su and asked Mi Fei to write it. Mi Fei was bold and tried his best to write eight poems in one breath. Several poems in the volume were written at that time to commemorate the visit or to see me off. At the end of the volume, the Department "Yuan You, September 23rd, Ji in Xitang". ?

Shu Su Tie is written in the column, but its momentum is not limited at all, unrestrained and uninhibited, with a pen, flying with a pen, with changeable turns and twists and turns. Antique is two songs that are still treasured by lines. The more you get to the back, the more free and easy you get. Mifei's calligraphy is unpredictable. This post is changeable in pen, hidden in the front, clear in thickness and varied in posture, which fully embodies his unique style of "brushing words" Due to Su Su's rough writing style, Dong Qichang wrote a postscript to Su Tie: "This volume is like a lion fighting an elephant, go all out and cooperate for life." . ? In addition, because silk fabrics are not susceptible to ink and there are many dry pens, the ink color is distinct from beginning to end, and it is even more exciting to rush to spring. ?

The Shu Cycas was collected by famous collectors such as Xiang, Dong Qichang and so on in the Ming Dynasty, fell into the hands of Xiang, Wang and Fu Heng in the Qing Dynasty, and later entered the Qing Dynasty, and is now in the Palace Museum in Taiwan. ?

NO.9 The ninth running script in the world-Huang Tingjian's Song Fengge Poetry Post?

Song Feng Ge Tie Shi is a seven-character poem written by Huang Tingjian. It's a 32.8 cm long ink paper book. Horizontal 2 19.2 cm, 29 lines, 153 words. Collected by the National Palace Museum in Taipei. ?

Songfengge is located near Lingquan Temple in Xishan, west of Ezhou City, Hubei Province, with an altitude of 1.6 meters above sea level. In ancient times, Fanshan was the place where Sun Quan gave lectures on martial arts and literature, and held a banquet to worship heaven. In September of the first year of Chongning, Song Huizong (1 102), Huang Tingjian and his friends traveled to Fanshan in the north of the lake, passing through a pavilion in the pine forest and listening to Songtao overnight. Song Feng Ge Shi sang the scenery I saw at that time and expressed my nostalgia for my friends. Song Feng Ge Tie Shi is a work of Huang Tingjian in his later years. Huang Tingjian wrote thousands of excellent running scripts in his life, the most famous of which is Song Feng Ge Tie Shi. Its Shen Feng is swaying, the long wave is big, Teton is ups and downs, and it is full of meaning. It is a masterpiece of running script to add Lanting to Yan's Sacrifice to My Nephew. ?

Song Feng Ge Tie Shi spread in Song, Yuan, Ming and Qing Dynasties. In the Song Dynasty, it was collected by the people, returned to Jia Sidao, passed by Ding Ming Bianyuan and Qing Anqi, and then entered the Qing Dynasty. This post was given to Hubei Wang (Xiaofeng) during the light year of the Qing Dynasty. Wang was buried in the 24th year of Daoguang (1844) and served as the minister of war. He was appointed as an honorary recorder after obtaining the provincial examination and taking the examination in Shuntian (Hebei). Taking advantage of his position, he collected Huang Tingjian's Poems of Song Fengge, Cai Xiang Ink in Song Dynasty and other ancient cultural relics and brought them back to Hubei. Ke Maozhi, a juror of Daoguang, prefaced the Collection of Poems in Songfengge, Huanggu: "Wang Xiaofeng's military department got this volume in Luchen, Liu Jun, and it has been a relic of the princess's family for a long time. It is engraved with poems and postscript of more than a dozen famous people, and is often hidden in Li Tianlai's pavilion. Xiangzi's Bianling in Beijing has many private seals. I asked for Xi's treasure. Without the name of Fu Weng (Valley), the paper color and silk color are still fresh and beautiful, but they are full of energy, not turning the phoenix. Wuchang (Ezhou) handed a poem by Fu Weng to Songfeng Pavilion, but it was abandoned from time to time in the pavilion, and the poem was unique in the world. After several dynasties, this Mo Bao returned to the hands of literati in our city, and the fate of mountains and rivers was accidental. I loved playing for a long time, and I gave it its original rhyme. It was the spring and March of the ninth year of Xianfeng (1859). " ?

No. 10-Li Jianzhong's Mutu Tie?

"Mutu Tie", running script ink, paper book. Vertical 3 1.2 cm, horizontal 44.4 cm, 10 line, *** 104. After that, Xiao, Wang Yan, Wang said and so on. Coral outline description, painting and calligraphy overview, Moguan, Shiqu Baodi continued. It is now in the National Palace Museum in Taipei. This post is one of the six posts handed down from generation to generation by Xitai. This post is steady with a pen, rigorous in composition, more romantic and rigorous in structure. Critics think this post is beautiful and mature, full of arrogance, and won the "two kings" brushwork. Li Jianzhong Mo is rarely handed down from generation to generation, among which Mutu Tie in the National Palace Museum in Taipei and the iron in the same year in the National Palace Museum in Beijing are the most famous. According to the records, above? 2 posts and "Guizhai Post", "Tuntian Post", "Zuoyou Post" and "Zhaigu Post"? , the original together, named "Li Xitai six posts", hidden by the Ming dynasty. Demolition in the early Qing dynasty, the last three posts of ink have been lost. "Mutu Tie" is the most typical and well-behaved ink in Li Jianzhong's existing ink, so it is also the best product to show its profound calligraphy skills, so this post is quite treasured by future generations. ?

Li Jianzhong, born in 945, died in 10 13, Jingzhao (now Xi, Shaanxi). Calligrapher of Northern Song Dynasty. The word is right, and the name is Yan Bo. Later, she moved to Luoyang with her mother. Officials of the Ministry of Industry. Elegant, simple and quiet, elegant and graceful, not paying attention to fame and fortune, once served as the suggestion desk of Xijing Si Liu. Known as "Li Xitai". Enjoy the scenery and leave more questions. Claiming to be Yan Bo, he is good at cursive writing, and Li, seal script and writing brush are all wonderful. He was a famous calligrapher then. "History of Song Dynasty" called him "good at writing letters, cursive writing and innovating. Grass, plum, seal, brush and eight points are also wonderful. Many people learn it and try to think of it as the law. " Li Jianzhong is a figure connecting the preceding with the following in the history of calligraphy, because he has gone through the Tang, Five Dynasties and Song Dynasties. Yuan Zhao Mengfu said: "Xitai calligraphy is not far from the Tang Dynasty, and there is still a legacy of the Tang Dynasty."