Qin Yuan Chun-Snow
snow
1February 936
Mao Zedong
[Words] Northland scenery, thousands of miles of ice, Wan Li snow. Looking inside and outside the Great Wall, I only feel embarrassed; When the river rises and falls, it loses momentum. The mountains are like dancing silver snakes, and the highlands are like advancing wax elephants, all trying to match the sky in height. When the weather is fine, look at the sunny market. What a charming sight!
This land is so beautiful that countless heroes bow to their knees. Cherish Qin Huang Hanwu, slightly lost literary talent; Tang Zong Song Zu, slightly less coquettish. Genghis Khan, the hero of the throne, only knows how to draw a bow and shoot arrows. These characters are gone, a few heroes who can make contributions, look at today's people.
Snow appreciation, pure and pure, is the sustenance of interest and the embodiment of personality.
Since ancient times, poets and poets have mainly focused on snow; In the literary world of poetry, there are many poems about snow. Mao Zedong also has a special interest in snow. Sometimes he praises snow with beautiful words and sentences. However, this article is the first one, which is sung three times in a special chapter. Not only that, it is Mao Zedong's earliest work handed down from ancient times, and it also causes the most chorus and controversy. The most fundamental thing is that this word is the first full display of Mao Zedong's poetic wisdom and the first artistic display of Mao Zedong's rich and lofty spiritual world. With so many firsts in one, the word naturally plays an important role and is widely expected.
"There are first-class minds, first-class knowledge and first-class true poems." (shenqing Deqian, Judging Poetry). The word Mao Zedong is the swan song of ancient and modern snow poems, and its mind is magnificent and broad, which can really be described as "crossing the Liuhe River and sweeping the world" (Preface to the Collection of Xinjiaxuan in Song and Liu Kezhuang).
The first word is a large sum, which describes the snow scene in the north; The next film is a vertical and horizontal review of ancient and modern characters. The ups and downs are seamless, forming a vast world of time and space, casting a perfect and unique artistic whole and showing the spiritual realm of a great proletarian revolutionary.
"Northland scenery, thousands of miles of ice, snow in Wan Li", sung at the beginning, is extraordinary, and always covers more than half of China's winter snow scene. Poets praise snow. Their eyes don't just stay on the snow, but they write the magnificent mountains and rivers of the motherland and comment on the long history of the motherland through learning, which makes them see big and speak deep. The geographical object of the first sentence is completely unified, covering half of China in one fell swoop. Describe the characteristics in two or three sentences and point out the topic. A Thousand Miles, Wan Li and Northland crisscross from the underground to the sky, and their writing style is broad; "Frozen" and "Snow Gone with the Wind" inherited the word "scenery", which set each other off by static and dynamic, and outlined the fierceness and grandeur of winter. There are only twelve words, which constitute a magnificent picture, providing a huge artistic space for the following description, and the lofty sentiments are stirring and wrapping the whole article.
The next seven sentences, starting from the word "Wang", are handed out in three layers, which describe all aspects of the frozen snow picture in detail and further express the heroic and passionate feelings. You see: the north and south "look inside and outside the Great Wall, the rest are boundless", which is a vast snowfield, echoing the "Wan Li Snow Floating" from a distance; Things look around, "the river rises and falls, and the momentum is lost", which is cold and powerful ice, responding to "thousands of miles of ice"; Looking up and down, you can see that "the mountain dances with silver snakes, like wax elephants, and wants to compete with God". Mountains and plateaus are so lively and full of vitality, they seem to be "dancing" to the clouds and "galloping" to the sky, competing with God with the high pressure of snow clouds! These seven sentences are as big as rafters, written all over the east, west, north and south, up and down inside and out, and the brushwork is very important. These seven sentences, dedicated to the Great Wall of Wan Li, touched the historical depth of the eternal civilization of the Chinese nation. "I want to compete with the weather" gives the lifeless landscape a tenacious vitality and a sense of competition. This is a personalized snow scene and a personalized poem. The natural landscape and human landscape are unified, and the image landscape is integrated with the main artistic conception. Only Mao Zedong has this brilliant idea! The poet interweaves the scene in front of him with imagination, selects the Great Wall and the Yellow River symbolizing the Chinese nation to paint vertically and horizontally, and depicts the mountains and plains from many aspects, such as color (silver wax), shape (snake, elephant), movement (dancing, galloping and dancing), highlighting the great image of the mountains and rivers of the motherland and vividly showing the magnificent spectacle of "the scenery of the North". At the same time, through this vivid artistic description, he also expressed his love for the mountains and rivers of the motherland and aroused readers' strong national pride. The undulating mountains of flying snakes and the undulating plateaus of wax not only leap from the paper, but also give the mountains and plateaus high morale, reminding people of the Chinese nation with revolutionary traditions who have lived and worked in this land since ancient times. Only Mao Zedong has this wonderful word for this kind of article that describes empathy and lures people into the scene!
The mountains and rivers in front of us are so vivid and magnificent that they have been vividly laid out here. However, the poet is still unfinished. With his rich and unique imagination, he made a surprise scene with romantic style: "It's sunny, and it's especially enchanting to see plain clothes wrapped in a red dress." These three sentences are anthropomorphic. On the vast picture of ice and snow, imagine that when the snow is fine, the red sun shines on the snowy mountains and rivers of the motherland, just like a girl in red, which is more beautiful and charming. Use the word "must" to express optimism and expectation; The word "look" carries "hope" and shows the intention of watching carefully; "Wearing red, wrapped in plain clothes" set each other off, which is particularly charming and bright, so the last sentence says "particularly enchanting". This is the way that the poet personifies the natural scenery through subjective similarity. Taking this fantasy as the ending of the last film, the written snow scene has a new beauty without decoration and carving. In this way, the poet captured the magnificence and spirit of the mountains and rivers of the motherland. Being able to describe the natural form artistically through objective feelings is what the ancients called "the essence of the topic".
The first one pays great attention to the magnificence of the motherland, so the next one naturally leads countless heroes to bow down to her. "Beautiful mountains and rivers" is very wonderful. On the one hand, it continues the "northern scenery" in the snow written in the last book, on the other hand, it draws countless heroes from the beauty of rivers and mountains. The phrase "attracting countless heroes to compete and bend their backs" is not worth mentioning, and it has a sudden emergence. The following seven sentences, in general, coordinate with the vast space in the last movie, and write a vast time, which runs through thousands of years, to survey the history of Chinese civilization, and quote five feudal emperors such as Qin Shihuang, Han Wudi, Emperor Taizong, Song Taizu and Genghis Khan from Countless Heroes for comments. A word "pity" vividly connects seemingly illogical people and things to form a magnificent historical picture; "Neglect", "neglect" and "only know" are three levels of derogatory meanings, and their shortcomings are objectively and fairly evaluated with euphemistic and implicit style and humorous tone. These figures have played a certain role in the progress of history. They have great achievements and are giants of history. It's a pity that they have more martial arts than literary talent, and they just want to absorb and not innovate, so they are not worthy of such beautiful rivers and mountains. Then, it is natural to introduce the ending of "past, count romantic figures, look at the present", which is full of infinite pride. In Qing Dynasty, Liu Tiren said, "The knot is the most difficult, especially the knot." "there must be a knot of' not worrying about the full moon, having its own night beads'." This is the beauty of the last three sentences of this word. The first three words, first of all, have a sudden turn, just like canoeing, and go straight to the next two sentences. The word "go" is preceded by the word "furniture", such as the iron broom that swept through "countless heroes" in history; The word "Yi" is full of emotion. Two or three sentences, in the verbs "number" and "look", show the confidence of the proletariat in China, which is rich, moving and meaningful. Heroes through the ages have been swept away by the rolling torrent of history. Only today's proletariat is the real driving force to push forward history and the well-deserved master of the great rivers and mountains of the motherland. Only in this way can the motherland prosper and make the Chinese nation stand on its own feet among the nations of the world and make due contributions to mankind. This is the most warning place of the whole poem, and it is also the gathering place of the poet's divine light. With this most concise and general conclusion, the poem's praise for snow is beyond words.