When is a good time to go to Lu Jian's tomb?
Lu Jianling is located at the south foot of Fenghuang Mountain, which is 0/3 km north of Xinxiang City. Sitting on the mountain and watching the tiger fight, Lu Jianling overlooks the original ecological health level, which is magnificent and magnificent. Lingqu * * *, with two high-walled cemeteries, is the tomb of King Lu in the east and Aunt Zhao in the west. 1996 was announced as a national key cultural relics protection unit.
Zhu Yiliang, King of Lu Jian, was the fourth son of Mu Zong in Ming Dynasty and the only half-brother of Emperor Zongshen. Born in two years (1568), he was made King Lu at the age of four, and lived in Weihui House (now Weihui City) in Henan Province in the seventeenth year of Wanli (1589).
Lu Jian's tomb starts from Lv Fan Jiacheng Stone Workshop. On both sides of the square, there are a pair of China watches, and the periphery of China watch is embossed with Yunlong play beads. There are 16 pairs of Weng Zhong and stone beasts in the north, including stone beasts 14 pairs, literati 1 pairs and horse thieves 1 pairs. Tigers and sisters-in-law among stone beasts are fiercely carved with extraordinary strength; Sheep, camels, elephants, etc. Carved peacefully and meekly. They are squatting or lying down, with different shapes and lifelike. They are divided into two lines from south to north, which are arranged on the etiquette line in turn. The whole stone carving is solemn.
To the north of the stone carving ceremonial group is the pool in front of the mausoleum, and a three-hole stone arch bridge is built in the middle of the pool. White stone railings are carved on both sides of the bridge, and fish scales are paved on the south slope, connecting stone carvings with Shinto, which is exquisite and magical.
To the north of the pool is the gate building. The height of the gatehouse is 10 meter, and the width is 2 1 meter. The walls are all made of bluestone, and there are three arches below, with vertical and horizontal doornails. The gatehouse is the top of the mountain with single eaves, paved with green glazed tiles and nine-ridged stone beasts, which is the gate of the cemetery.
The wall of Wang Lu Tomb Area is 6m high, 65438 0.5m thick, 320m long from north to south and 65438 0.47m wide from east to west. It is all made of bluestone with a roof-type wall cap, which is the largest and best-preserved main building in the tomb area. With the topography of high in the south and low in the north, it stands majestic in front of the Phoenix Mountain, which is not only a tall barrier in the cemetery, but also increases the strict atmosphere in the cemetery.
There are three inner walls in the city, which divide the cemetery into four natural courtyards. Yue Wei reduced Lingshifang to the entrance and exit of the buildings in the park, and also used Yunlong Play Beads as the main pattern. On the front of the square, the characters are written in regular script, with two columns of Ming Dynasty couplets: the dragon lies on the Taihang Mountain, the jade butterfly lies on the water, which means that the burial place of King Lu and his concubines is under the Taihang Mountain and beside the Weihe River, which is a treasure trove of geomantic omen. Buried here, his children and grandchildren extended their lives and cigarettes continued to be issued. The workshops are all carved with huge stones, and the carved images of roofs, dripping cats' heads and kissing animals are exquisite, with solid structure and reasonable design. The squatting lion on the drum-hugging stone is vivid and interesting, showing a superb artistic level.
From Jiangling Square in Yuewei to both sides of Enshendao, there is a stele gallery, which displays 336 Tang poems and stone carvings written by Wang Xiaolu Zhu Changfang, the son of Wang Lu. Calligraphy is vigorous and relaxed. It is engraved with seals of various calligraphy styles, ranging from two to five each. There are various seal styles, including Qin Zhuan, Zhen Xuan, Bird, Team 9 and so on. Its seals are square seals, rectangular seals, circular seals, oval seals, hexagonal seals, octagonal seals, gourd-shaped seals and other different shapes. There are white pearls and different colors, which are really rare art treasures.
_ Enmen was originally one of the main buildings in the cemetery. There are thirteen steps in front of the door, and there are two dragon play beads embedded in the middle. The whole building is being repaired and will soon show its majestic posture again.
In the tomb area, the pleasure hall and the left and right affiliated halls were burned down by the Nian army in the late Qing Dynasty, and only the base of the pleasure hall is left. The platform is wide and high, and 32 large stone columns are arranged in four rows on the pedestal of the pleasure hall, which shows the grandeur of the pleasure hall in that year. There are a pair of tall and majestic stone lions in front of the stage, with a gem in the middle. There are nine steps on both sides of the stone, and there are steps on both sides for boarding. Yunlong stone column railings are carved on the front, left and right sides. There are large incense burners in the southeast corner and southwest corner, each with a height of more than 3 meters. There are halls on the left and right.
There were ten stone tablets in this tomb, but now there are eight, all of which are dragon heads, and there are huge stone tablets. The two passages on the east and west sides of the main hall are the highest, which were set up by Emperor Wanli of the Ming Dynasty and the envoys of the East Palace. In front of the hall, there are monuments erected by important officials of the imperial court, such as Zhu Xi, Zhu Xi, Zhu Xi, and other officials of various ministries, academies and localities in Henan Province.
The last courtyard in the tomb area is Liao's tomb. Taking the third stone archway as the entrance and exit, the square has a special structure, with a single room and two columns. The outside of the column is supported by a huge green slate with ridges on the board, which looks like three rooms. Ridges and other carving techniques are exquisite and extremely vivid. On the drum-hugging stone, unicorns and rhinos look at the moon under the moon, and other parts are decorated with eternal flowers. In the north, there is an incense burner for tall tombstones and stone carvings, a pair of flower arrangements and a pair of wax tables. The incense burner is more than 3 meters high, and the flower arranging candlesticks on both sides are engraved with egrets, lotus flowers, peony and chrysanthemum respectively.
The tomb is dome-shaped, about 6 meters high and 140 meters long, surrounded by white stones. Below is the tomb (underground palace), similar in structure and form to Dingling underground palace, with a total area of180m2. It consists of main room, left and right side rooms, tunnel and enjoyment hall. The whole tomb is arched, all made of blue bricks, spacious and tall, just like an underground palace.
The western tomb area is the tomb of the Second Princess Zhao, which is round in front of the tomb and horseshoe-shaped in the back, with an area slightly smaller than the tomb. The architectural layout is basically the same as that of Wang Lu's tomb, except that there is no stone carving ceremony in front of the door, and there is a tall shadow wall of the Qing Dynasty. The gatehouse is attic-style, and the gate is tall and spectacular. The second stone square is well preserved, with crouching animals at the top of the square column, a flame-like stone wall carved in the center of the square top, the sun and the moon engraved on both sides, and clouds engraved on the outer side of the upper part of the column. Floral patterns are engraved on the front and large and small squares of the column. There are some lines on the slate to celebrate flowers, bamboos, plum blossoms, peonies and so on. The carving is very fine, which shows the superb carving technology of the Ming Dynasty. The tombstone building is completed. In the middle of the monument, the Chinese characters of the tomb of Princess Zhao, Princess Lu Fan, are engraved in regular script, and there are Yunlong flowers on both sides of the characters. The height of this tomb is more than 10 meter, and the tomb area is more than 230 square meters, and its layout is the same as that of Wang Lu's tomb.
In the Ming Dynasty, there were more than 50 governors and hundreds of palaces and tombs all over the country. Lu Jian's tomb is the most intact tomb of the Amin dynasty. The stone carvings preserved in two cemeteries show the high development of stone carving art in Ming Dynasty, which is really a rare artistic treasure.
Lu Jianling is located at the south foot of Fenghuang Mountain, which is 0/3 km north of Xinxiang City. Sitting on the mountain and watching the tiger fight, Lu Jianling overlooks the original ecological health level, which is magnificent and magnificent. Lingqu * * *, with two high-walled cemeteries, is the tomb of King Lu in the east and Aunt Zhao in the west. 1996 was announced as a national key cultural relics protection unit. Zhu Yiliang, King of Lu Jian, was the fourth son of Mu Zong in Ming Dynasty and the only half-brother of Emperor Zongshen. Born in two years (1568), he was made King Lu at the age of four, and lived in Weihui House (now Weihui City) in Henan Province in the seventeenth year of Wanli (1589). Lu Jian's tomb starts from Lv Fan Jiacheng Stone Workshop. On both sides of the square, there are a pair of China watches, and the periphery of China watch is embossed with Yunlong play beads. There are 16 pairs of Weng Zhong and stone beasts in the north, including stone beasts 14 pairs, literati 1 pairs and horse thieves 1 pairs. Tigers and sisters-in-law among stone beasts are fiercely carved with extraordinary strength; Sheep, camels, elephants, etc. Carved peacefully and meekly. They are squatting or lying down, with different shapes and lifelike. They are divided into two lines from south to north, which are arranged on the etiquette line in turn. The whole stone carving is solemn. To the north of the stone carving ceremonial group is the pool in front of the mausoleum, and a three-hole stone arch bridge is built in the middle of the pool.
White stone railings are carved on both sides of the bridge, and fish scales are paved on the south slope, connecting stone carvings with Shinto, which is exquisite and magical. To the north of the pool is the gate building. The height of the gatehouse is 10 meter, and the width is 2 1 meter. The walls are all made of bluestone, and there are three arches below, with vertical and horizontal doornails. The gatehouse is the top of the mountain with single eaves, paved with green glazed tiles and nine-ridged stone beasts, which is the gate of the cemetery. The wall of Wang Lu Tomb Area is 6m high, 65438 0.5m thick, 320m long from north to south and 65438 0.47m wide from east to west. It is all made of bluestone with a roof-type wall cap, which is the largest and best-preserved main building in the tomb area.
With the topography of high in the south and low in the north, it stands majestic in front of the Phoenix Mountain, which is not only a tall barrier in the cemetery, but also increases the strict atmosphere in the cemetery. There are three inner walls in the city, which divide the cemetery into four natural courtyards. Yue Wei reduced Lingshifang to the entrance and exit of the buildings in the park, and also used Yunlong Play Beads as the main pattern. On the front of the square, the characters are written in regular script, with two columns of Ming Dynasty couplets: the dragon lies on the Taihang Mountain, the jade butterfly lies on the water, which means that the burial place of King Lu and his concubines is under the Taihang Mountain and beside the Weihe River, which is a treasure trove of geomantic omen. Buried here, their children and grandchildren, endless, endless cigarettes.
The workshops are all carved with huge stones, and the carved images of roofs, dripping cats' heads and kissing animals are exquisite, with solid structure and reasonable design. The squatting lion on the drum-hugging stone is vivid and interesting, showing a superb artistic level. From Jiangling Square in Yuewei to both sides of Enshendao, there is a stele gallery, which displays 336 Tang poems and stone carvings written by Wang Xiaolu Zhu Changfang, the son of Wang Lu. Calligraphy is vigorous and relaxed. It is engraved with seals of various calligraphy styles, each ranging from two to five. There are various seal styles, including Qin Zhuan, Zhen Xuan, Bird, Team 9 and so on. Its seals are square seals, rectangular seals, circular seals, oval seals, hexagonal seals, octagonal seals, gourd-shaped seals and other different shapes. There are white pearls and different colors, which are really rare art treasures. _ Enmen was originally one of the main buildings in the cemetery. There are thirteen steps in front of the door, and there are two dragon play beads embedded in the middle. The whole building is being restored, and its magnificent appearance will be re-displayed.
In the tomb area, the pleasure hall and the left and right affiliated halls were burned down by the Nian army in the late Qing Dynasty, and only the base of the pleasure hall is left. The platform is wide and high, and 32 large stone columns are arranged in four rows on the pedestal of the pleasure hall, which shows the grandeur of the pleasure hall in that year. There are a pair of tall and majestic stone lions in front of the stage, with a gem in the middle. There are nine steps on both sides of the stone, and there are steps on both sides for boarding. Yunlong stone column railings are carved on the front, left and right sides. There are large incense burners in the southeast corner and southwest corner, each with a height of more than 3 meters. There are halls on the left and right. There used to be ten stone tablets in the tomb, but now there are eight, all of which are dragon heads and huge stone tablets.
The two passages on the east and west sides of the main hall are the highest, which were set up by Emperor Wanli of the Ming Dynasty and the envoys of the East Palace. In front of the hall, there are monuments erected by important officials of the imperial court, such as Zhu Xi, Zhu Xi, Zhu Xi, and other officials of various ministries, academies and localities in Henan Province. The last courtyard in the tomb area is Liao's tomb. Taking the third stone archway as the entrance and exit, the square has a special structure, with a single room and two columns. The outside of the column is supported by a huge green slate with ridges on the board, which looks like three rooms. The carving techniques such as the roof are exquisite and extremely vivid.
On the drum-hugging stone, unicorns and rhinos look at the moon under the moon, and other parts are decorated with eternal flowers. In the north, there is an incense burner for tall tombstones and stone carvings, a pair of flower arrangements and a pair of wax tables. The incense burner is more than 3 meters high, and the flower arranging candlesticks on both sides are engraved with egrets, lotus flowers, peony and chrysanthemum respectively. The tomb is dome-shaped, about 6 meters high and 140 meters long, surrounded by white stones. Below is the tomb (underground palace), similar in structure and form to Dingling underground palace, with a total area of180m2. It consists of main room, left and right side rooms, tunnel and enjoyment hall.
The whole tomb is arched, all made of blue bricks, spacious and tall, just like an underground palace. The western tomb area is the tomb of the Second Princess Zhao, which is round in front of the tomb and horseshoe-shaped in the back, with an area slightly smaller than the tomb. The architectural layout is basically the same as that of Wang Lu's tomb, except that there is no stone carving ceremony in front of the door, and there is a tall shadow wall of the Qing Dynasty. The gatehouse is attic-style, and the gate is tall and spectacular.
The second stone square is well preserved, with crouching animals on the top of the square column, a flame-like stone wall carved in the center of the square top, the sun and the moon engraved on both sides, and clouds engraved on the outside of the upper part of the column. Floral patterns are engraved on the front and large and small squares of the column. There are some lines on the slate to celebrate flowers, bamboos, plum blossoms, peonies and so on. The carving is very fine, which shows the superb carving technology of the Ming Dynasty. The tombstone building is completed. In the middle of the monument, the Chinese characters of the tomb of Princess Zhao, Princess Lu Fan, are engraved in regular script, and there are Yunlong flowers on both sides of the characters. The height of this tomb is more than 10 meter, and the tomb area is more than 230 square meters, and its layout is the same as that of Wang Lu's tomb. In the Ming Dynasty, there were more than 50 governors and hundreds of palaces and tombs all over the country. Lu Jian's tomb is the most intact tomb of the Amin dynasty. The stone carvings preserved in two cemeteries show the high development of stone carving art in Ming Dynasty, which is really a rare artistic treasure.