Places of interest in Zhangqiu Town
Jingyanggang, which is famous at home and abroad for Wu Song’s Tiger Fighting, is located in the jurisdiction. The Beijing-Hangzhou Grand Canal passes through the town. During the Ming and Qing Dynasties, merchants gathered and the economy was prosperous, with " It is known as "Suzhou and Hangzhou in the south, Linzhang in the north" and "Little Suzhou in the north of the Yangtze River". The main places of interest include Jingyanggang Tourist Area, Longshan Cultural Ancient City Ruins, Madman Ren’s Tomb, Jingyanggang, Hanging Sword Platform, Qianlong Clothes Drying Platform, Five-Body Thirteen Monuments, etc. The development potential of tourism resources is huge. With the help of canal culture and Jingyanggang tourism development, we fully tapped into the profound cultural heritage of the ancient canal town, based on a high starting point, and built a new small town. The East-West Street was widened by 30 meters, and the shops on both sides were all high-rise buildings in the current popular style, with a strong sense of style. Modern atmosphere; the North-South Street is 25 meters wide, an antique pedestrian commercial and restaurant street, simple and elegant in style. Ren Madman, taboo mountain, small character Xibei, nickname Qingling Taoist, his ancestral home is Fan County. He was a Taoist priest who lived during the Chenghua and Hongzhi years of the Ming Dynasty. Later, his corpse was dissected in the Xianhui Temple on Wuji Mountain on the east bank of the Zhangqiu Canal.
In Zhangqiu Town, Yanggu County, Shandong Province, Madman Ren is a kind of immortal figure well known to women and children, and there are many stories about him similar to the Ji formula. That year, nearby villagers raised funds to build a new Madman Ren Temple as a commemoration. The tomb of Madman Ren is located on the east bank of the canal in Zhangqiu Town. The existing tomb is 2.5 meters in diameter and 1 meter high. There is a stone tablet in front of the tomb, which is 2 meters high, 0.8 meters wide and 0.3 meters thick. On the front, there is an inscription on the front of the tomb of Madman Ren, and on the back there is an inscription of 500 small characters on the back: "Biography of Madman Ren on Ren," which introduces Madman Ren's family background in detail. and performance. This monument was announced as the second batch of municipal protection units by the Liaocheng People's Government in July 2000. Jizha Hanging Sword Platform is located in the Hanging Sword Platform of Zhangqiu Town, Yanggu County. It is now a key cultural relic protection unit in Liaocheng City.
The Hanging Sword Platform is located under the northeast embankment of the South Water Gate in Zhangqiu Town. It is also called the Hanging Sword Temple and the Jizi Temple. There is the tomb of Xu Jun next to it. In the Yuan Dynasty, there was an ancient inscription with the characters "The place where Ji Zha hangs his sword at Xu Jun's tomb". In the 11th year of Zhengde in the Ming Dynasty (1516), Yang Chun, who served as a river management officer in Zhang Qiugong's department, built Jizi Temple and built a stele with poems on it. Later, during the Longqing period of the Ming Dynasty, the Wanli period of the Ming Dynasty, and the Kangxi period of the Qing Dynasty, literati and officials who came to Zhangqiu successively inscribed monuments and continued to build the Jizi Temple. The Five-Tiered Thirteen Steles are the thirteen poetry stelae that have been preserved to this day. Except for one fragment that has only the remaining characters, the other twelve stelae are basically legible. There are 26 poems by 13 authors engraved on the stele. The fonts are both regular script, cursive script and seal script, which are of great calligraphy value. Among them, the poet Sa Tianxi of the Yuan Dynasty, and the poems of the Ming Dynasty writers Li Dongyang, Tu Long, and Fu Guangzhai are the most eye-catching. In particular, Tu Long's poem stele provides precious physical information for the study of his life and poetry creation.
He Zhaoquan's home in Zhangqiu Town, Yanggu County has a Shisankuai stone tablet, which contains 24 poems written by literati from the Yuan, Ming and Qing dynasties in five kinds of characters: Zhen, Cao, Li, Zhuan and Xing.
During the Qing Dynasty, He Zhaoquan's grandfather guarded the Zhenwu Temple. At that time, the "Five-Tired Thirteen Steles" were in the temple. In order to protect the Thirteen Kuais Stone Stele for a long time, He's grandfather built the stone stele as the cornerstone of the house and told future generations that they could not sell the house no matter how poor they were. In the 1980s, cultural relic dealers tried to buy stone tablets from descendants of the He family, but they were rejected.
At that time, the Zhangqiu Town Government, in collaboration with the provincial, city, and county cultural relics departments, demolished the old house and took out the Thirteen Fast Stone Steles for protection after obtaining the consent of the He family.
In the Spring and Autumn Period, Jizha was famous for his trustworthiness throughout the ages. The story of Jizha hanging his sword happened in Zhangqiu Town, Yanggu County today, and is recorded in Sima Qian's "Historical Records" and Liu Xiang's "New Preface". The Ji Zha Hanging Sword Platform was originally one kilometer east of the current Zhangqiu Town Government Residency, and there was the Ji Zha Temple in Taipei. In the 16th year of Qianlong's reign in the Qing Dynasty (AD 1757), the sword-hanging platform and the ancestral temple were both washed away by floods, but the Shisan Tong poems and inscriptions of celebrities from all dynasties standing in the Jizha Temple were completely preserved.
According to "Historical Records: The Family of Wu Taibo", during the Spring and Autumn Period, there was a capable prince Jizha (Yanlingzi) in the Kingdom of Wu. He saw fierce fighting among the princes in the country for the right to inherit the throne. In order to avoid this, he There was a fight between relatives, so he asked the king to be an envoy to other countries, so the King of Wu sent him to Jin as the special envoy of Wu. On the way, Jizha passed by Xu State and was warmly received by the king of Xu State. The two soon became close friends. The king of Xu secretly liked the sword on his waist, but was too embarrassed to ask for it. Ji Zha knew that the sword he wore during his missions was not only for self-defense, but also a symbol of identity and status. However, because the state affairs on his trip were not completed, he could not give the sword, so he had to make this wish. After his visit, he passed by Xu State again and heard that the king of Xu State had died of illness when he returned. Ji Zha did not want to betray his heart. As promised, Jizha went to the tomb of King Xu, paid homage silently, and then inserted the sword in front of King Xu's tomb. The servant said, "The person is dead, to whom will he be given?" Jizha said: "Otherwise, my heart has been promised since the beginning, how can I die to double my heart?"
Cao Zhi's poem "Gift to Ding Yi" praised:
The cool air of early autumn The trees in the courtyard are slightly fallen, the frost is clinging to the jade, and the breeze is flying in the pavilion
The morning clouds do not return to the mountains, the rain becomes the Sichuan River, the millet millet committee, the farmer An An gained
In Guiduo, I forgot Who can win the favor of a fox with white feet and guard the winter? I miss the unclothed guest
I long for Yanlingzi's sword, but I don't cherish him. He is a close friend with a close relationship
There are also many above. Not much. There is an endless stream of visitors every day. Located in Zhenbei Street Primary School.
It was built in the Qing Dynasty. It has a brick and wood structure. It faces south from the north and has three wing rooms. The main hall is three rooms wide and five rooms deep. It is 11 meters long from east to west, 7 meters wide from north to south, and about 10 meters high. It is a mountain top with a wooden frame. There are no brackets on the beams, and the roof is covered with gray tiles. The entire courtyard is 30 meters long from east to west and 20 meters wide from north to south, with a total area of 600 square meters.