The Historical and Cultural Significance of Feng Shui in Yang Gong
Feng Shui in Yang Gong is not only a kind of knowledge, but also a kind of culture, and it is also a way for people to live in harmony with nature. In the practice of Feng Shui, architecture is an important carrier of Feng Shui culture. Many archways, bridges, temples, ancestral halls, houses, tombs, palaces and hills are branded with traces of Feng Shui culture. Yang Gong's geomantic disciples in past dynasties are the inheritors and disseminators of this culture. Famous people like Zeng, Liu Bowen, etc. are all true disciples of Yang in helping the poor. Since then, Kanyu has been widely circulated in southern Jiangxi and passed down from generation to generation. There are also many well-known scholars in the field of contemporary geomantic omen in Yang Gong, such as Zeng Wuliang, the 39th generation disciple, and Liu Guosheng, the 37th generation disciple, who all inherited Yang Gong's geomantic secret method. Yang Gong's geomantic omen not only emphasizes the situation and Long Mai, but also manages qi. Yang Junsong is known as the founder of China Feng Shui, and Yang Gong Feng Shui has become an important part of Gannan Hakka culture. Gannan has also become the hometown and birthplace of China Kanyu. The previous generations of Kamenyu Normal University students who got Yang Gongzhen's biography were very skilled. The ancient tombs that Yang Gong and his disciples can identify have existed for thousands of years. Not only in Gannan, but also in Guangdong, Fujian, Guangxi and other provinces, many famous families have recorded their names in their family letters. History is the best witness, and practice is the only criterion for testing truth. Facts have proved that Yang Gong Feng Shui is the mainstream and banner of China Feng Shui. Yang's poverty alleviation activities quickly spread the geomantic omen culture, and his massive architectural practice left many valuable historical and cultural heritages for later generations.