A famous sentence in Song Ci: When I woke up from a sad dream, the setting sun shone deeply in the courtyard.
When a sad dream woke up, the setting sun shone deeply in the courtyard.
Wake up after drinking wine, and the setting sun shines obliquely in the deep courtyard.
[Date of promulgation] Towards Shakespeare by Yan Shu
note:
1, Yan Shu of Walking on the Sand
The path is red and thin, fragrant and green, and the high platform is shaded. The spring breeze is not lifted, and it is foggy and chaotic.
The green leaves hide the warbler, the bamboo curtain separates the swallow, and the incense of the stove turns quietly. When a sad dream woke up, the setting sun shone deeply in the courtyard.
2. Precautions:
Red and thin: flowers are scarce. Red refers to flowers.
Jiao Fang: A fragrant suburb.
Yin Yin see: secretly revealed.
MengMeng: Describe the catkins flying, full of eyes.
Hairspring: refers to the silk spit out by insects such as spiders, so it is named because it floats in the air. It is used here to describe the flying of cigarettes.
The incense of the incense burner is still spinning: the cigarettes curled up in the incense burner are spinning and floating upwards.
The emerald leaves hide the warbler, and the bead curtain separates the swallow: it means that the warbler fights deep with the swallow. The warbler here is a metaphor for "Iraqis".
But: positive.
3. Translation:
Most of the flowers on both sides of the path have withered, and the fragrant countryside has been dyed green. At the edge of the high-rise terrace, the green trees have become shady, making the balcony looming. The spring breeze doesn't know how to control the catkin, and it hits the pedestrian's face in a daze.
The oriole hides in the green leaves, and the swallows are kept out by the red fence. The incense burner is filled with smoke and spirals upward like a hairspring. Wake up after drinking wine, the sunset has been slanting in the deep courtyard.
4, Yan Shu saw helplessness in his life, and he seemed to know Yan Gui. The moss on the pool is three or four o'clock, the leaves are yellow, and the days are long and the flocs are light.
Perhaps the most profound and delicate expression of Yan Shu's ci should be: "A sad dream wakes you up, and the setting sun shines deep in the courtyard."
This word describes the scenery in late spring. The first article describes the scenery in the suburbs, the second describes the interior of the courtyard, and finally ends with "the sunset shines in the deep courtyard", revealing a touch of sadness.
The first three sentences describe a typical scene of fragrant suburbs in spring dusk: on both sides of the path, flowers are sparse, and occasionally a few residual red petals can be seen; Looking around, I saw that green has spread all over the mountains; Near the high platform, the trees are lush and cool. "Red is thin", "green is everywhere" and "tree shade" indicate that spring has disappeared and the breath of late spring is very strong. Although three sentences are still in sight, the words "rare", "times" and "see" show the process and dynamics of things. From the order of "path", "fragrant suburb" and "high platform", there is also a sense of deformation. "The spring breeze did not lift the ban on Huayang, which puzzled pedestrians." Huayang wrote a typical late spring scenery. However, when describing this scene, the poet injected his own subjective feelings and wrote that the spring breeze did not know how to restrain Huayang, so that it flew all over the sky and jumped on pedestrians. On the one hand, it implies that I have no intention of staying in spring, so I just need to listen to Huayang dance and send it back to spring; On the other hand, it highlights Yang Shuhua's vigorous vitality. Although the scenery here is written in late spring, there is no decadent mood and it is full of life. "Meng Meng" and "Pu Pu" are very dynamic. The word "pedestrian" reminds me that what I wrote above was what the poet saw in the country.
I read two sentences, "The hidden warbler with green leaves, the pearl curtain separates the swallow", which are divided into outdoor and indoor, one connected to the other and connected to nature. The last sentence says that the green leaves have grown very thick, and the figure of oriole can be hidden, which corresponds to the "shade" in the above picture; Swallows are separated by bamboo curtains and are not allowed to enter the room, which leads to the following description of the indoor scene. With the words "hidden" and "separated", the beautiful scenery of fine trees in early summer and the quiet appearance during the day are vividly written.
In such a quiet room, the cigarettes in the incense burner are curling up, intertwined with the floating hairspring, and gradually merged together, unable to tell which is the cigarette and which is the hairspring. The words "one by one" and "turn" seem to be dynamic, but in fact they tell the silence of the whole room. There is a word "static" on "11", and the realm has come out.
"When I woke up from a sad dream, the afterglow of the sunset shone deeply into the yard." I jumped away, and I wrote that I woke up at dusk. It turned out that the poet had a little wine at noon because he fell asleep. When he woke up, it was already dusk, and the sunset was shining in this deep Zhumen compound. It is pointed out here that "sad dreams" mean that dreams are related to spring worries. After waking up, the setting sun still shines in the deep courtyard, and it is difficult to entertain in early summer.
At dusk in late spring, I woke up after drinking, only to see the sunset in the deep courtyard but not the Iraqis. The feeling of disappointment is faintly revealed through the description of the scenery. Except for the sentence "When I wake up from a sad dream", the whole word is about scenery. Euphemistic and meticulous, the scene contains feelings, reaching the level of not showing traces. This word is tender and delicate, lingering and subtle, and rarely written directly.
Previous people have commented on the beauty of this word. Shen Jifei said in "Poems of Caotang": "The knot is deep and wonderful, which is really unspeakable." Shen Qian further pointed out that the conclusion sentence is "more spontaneous" in Ci Za, revealing the characteristics of landscape writing in Yan Shu's Ci, that is, paying attention to its spirit rather than its shape.
This word describes the beautiful scenery in late spring, so as to express the faint sadness of the passage of time. The first three sentences "red is scattered", "green is everywhere" and "trees are shaded" are all quiet scenes, but they imply a change in rhythm, which shows the dynamic development of things and marks that spring has disappeared and summer is coming quietly. Four or five sentences about Huayang's face imply that there is no plan to stay in spring, and also highlight Huayang's activity. Although it is a typical late spring scenery, it is not decadent, but full of life breath.
A few words, connecting the preceding with the following, naturally depict the indoor and outdoor scenery without trace. The leaves described in the previous sentence are so dense that orioles can hide among the branches and take care of the "shade" in the previous sentence. Swallows are separated by bamboo curtains and are not allowed to enter the room, which naturally leads to the following description of indoor scenery. "The incense of the stove is still spinning." In the quiet room, the incense of the stove rises, intertwined with the floating hairspring and intertwined with each other. There is a word "static" on "11", and the realm has come out. The lingering fragrance of the stove and the floating hairspring easily remind people of the author's leisure and boredom and slight sadness. The last two sentences are about drinking at noon, sleeping soundly when drunk, and waking up with the sunset shining in the deep courtyard. It's really hard to send away!
7. "The path is red and thin, the fragrant suburbs are green, and the tall buildings are cloudy. The spring breeze is not lifted, and it is foggy and chaotic. The green leaves hide the warbler, the bamboo curtain separates the swallow, and the incense of the stove turns quietly. When a sad dream wakes up, the sunset shines deeply in the courtyard. " When you read it, you will feel its perfection. This is a scene depicting late spring and early summer.
The breeze is blowing, and there are patches of red on both sides of the path. The countryside is green, too. The trees beside the high platform are shaded by green leaves, but you can't understand the spring breeze, so you just let the thin Yang Shuhua float like rain. Lush green leaves can hide Yinger, and curtains will separate Yaner from the outside world. The light smoke of the indoor furnace incense lingers, quietly chasing the erratic hairspring. It can be seen that there is silence in the room, and there is no mood in early summer, so the poet can't help but feel faint sadness. I drank a little wine at noon, fell asleep with it, and when I woke up, it was already a faint sunset shining in this deep courtyard. Presumably, the poet's mood at this time is as quiet and indifferent as that around the courtyard.
The charm of words can always bring people into an artistic conception. Every time I finish reading a word, my heart will be very calm and calm. Savor it carefully, read it with pleasure, and feel relieved! The usual worries, impatience and unhappiness are slowly subsiding. Don't care how others treat you. Gains and losses are always balanced. Just try to be yourself and be happy!
8. When you wake up, the sunset shines deep in the courtyard. Willow breeze, faint setting sun, faint flowers and plants, elegant fragrance, birds singing tactfully, insects singing in a low voice ... all this came so suddenly that it suddenly appeared between you and me; However, it is so natural. With the popularity of spring, it comes naturally. But, I still can't fathom your heart like a needle in the sea.
9. Like the beginning of a sentence, the suffix is also very important, which is often the finishing touch of the whole article. Summarizing a sentence should be as powerful as strangling a galloping horse, but it can also make people think deeply and leave a aftertaste, so the poet also makes special efforts in summing up the sentence, either with scenery, complex or doubt.
1. Become attached to the scenery.
"Sad dreams wake up, the setting sun shines in the deep courtyard", "heartbroken courtyard, a curtain of wind" and "Don't lean on the dangerous fence, the setting sun is there, and the willows are heartbroken" are the graceful and graceful temperament that can best express the beauty of words. Poets who are also ambitious end up with lofty and tragic scenes. For example, Li Bai's Qin Louyue: "Sunset in the West Wind, Tomb of the Han Family" is magnificent, ranking first in ancient and modern times. Wu Wenying's nostalgic poem "Klang Ganzhou" concludes: "Call wine, go to the piano platform, and the autumn is calm." Vast and boundless. What predecessors emphasized most was the way of "bonding feelings with scenery", such as Shen Yifu's Yuefu Finger Fan, which is very representative: "You have to let go of that sentence, which contains infinite meaning and bond feelings with scenery."
2. complicated.
"It's hard to be sad to realize that it's a dream." "It is better to hate it than to marry Dongfeng." "I am afraid that the ship will not move and I have many concerns." Love words and sentences, more eager to win with truth, and avoid frivolous and straightforward emotional expression. "Heaven is a Taoist, so what's the harm of falling in love at first sight?" How does such a red call conform to the gentle and honest poetry teaching of Confucianism? Many Old Master Q are certainly deeply stimulated. But now it seems that Zhou Da's poets are so frank and lovely!
Step 3 ask questions.
"Binjiang is very lucky to be able to visit Chen Shan. Who did he go to Xiaoxiang for? " "Read the red medicine by the bridge, who do you know every year?" Ask tender feelings tactfully, especially twists and turns moving. "Who is the money, calling it a red scarf and green sleeves, and calling it a hero?" At the end of the question, breaking into softness makes countless heroes cry.
9. During the Qingming Festival, everything wakes up and spring is getting stronger, which is a good time for people to plant trees, melons and beans. Qingming belongs to late spring. After the Qingming Festival, it was Grain Rain, and after Grain Rain, it was long summer. Although it is late spring, the temperature difference between morning and evening and noon in northern spring is still very large. The grass in the shade is still sleepy, and the flowers and bones on some flower trees are still a little lazy and sleepy. Although the temperature is still unstable, it is a season after all. The eyeful of spring scenery, the eyeful of spring breeze and the warm sunshine force every household's men, women and children to go out of their homes involuntarily and pounce on the budding nature in Chun Qing. Spring is the time to go hiking and enjoy flowers in the wild. At this moment, the green willows are yellow, the flowers are half closed, the grass buds are blooming, the spring breeze is rippling, and the air is filled with flowers and the breath of spring. In this season, whether with a group or alone, you can go out at will. Go to the park, have a picnic, go boating, climb mountains, breathe the breath of spring, listen to the sound of flowers quietly, watch the residual snow melt in the shade, and watch the waves flying in rivers and streams. Laugh happily, play happily, sing to the mountains and call to the wilderness. Not equal to "the path is red and thin, the fragrant suburbs are green, and the trees on the high platform are shaded." The spring breeze did not lift the ban on Huayang, and it rushed to the sidewalk. "Don't wait" for the green leaves to hide the warbler, the bamboo curtain to separate the swallow, and the kitchen incense to turn quietly. "When I woke up from a sad dream, the sunset shone deeply in the yard."
10, wine has aroused the pride of the Chinese nation, and the wind of drinking has lasted for several years, and it has already condensed into a vigorous national alcohol. Wine makes heroes brave, and wine makes good friends. Throughout the ages, every time a strong man goes out to war, he is loyal and down-and-out, so when an old friend leaves, he will give a farewell dinner with wine. The phrase "Drunk in the battlefield, you don't laugh, and you have fought several times since ancient times" is heroic; The chanting of "Advise the monarch to drink more, and there is no reason for people to go out of Xiyangguan", and the feeling that "sober people and sages forget the old days, and only heavy drinkers are immortal" all reveal the poetic cry of China literati "Long song with wine"!
China is the kingdom of wine, and it is this kingdom that has created the wild temperament of China literati. Li Bai of Brewmaster is one of the representatives. Many of his poems are full of spirits, which is why he sings "Let me, 300 bowls, drink them all at once!" " There is also "Falling Plums" from "Drunk Saddle Song". When we turn to Tang poetry and Song poetry, there are many quatrains related to wine, such as Du Fu's "When to drink a bottle of wine, pay attention to a piece of fine paper?" Meng Haoran opens a long garden with a face and talks about Sang Ma with a cup in our hands. Su Shi's mountain wine is thin and unpalatable, so I advise you to drink the moon in the glass. Yan Shu woke up from a sad dream, and the setting sun shone deep in the courtyard. " ……
Mr. Lin Yutang said that Chinese wine culture has lasted for two or three thousand years, and scholars are really the backbone. Writer Lao She once said that "articles are for life, and wine is for the soul". The best state of drinking is a drunken state, a drowsy, high-spirited, Tao Tao-style intoxication, but the heart is sober. When talking about the experience of wine tasting, Yu Pingbo said that there are probably two categories to distinguish the taste of wine: one is the strength of wine, and the other is the nature of wine. The former is a measure of drunkenness, and the latter is the taste of drunkenness. From the first point, I hope that since you are interested in wine, you must not drink it all at once, let alone make it dull, especially don't just rely on the label on the bottle to tell the feeling in your mouth. From the second point of view, I hope that even if you only like to drink one kind of wine, you should always taste other wines, and then comment on their advantages and disadvantages and fix your hobbies. This is the word of knowing taste, and it is also the word of knowing wine.
Wine has forged a spirit, which embodies the integrity, lofty sentiments and wild personality of China literati. The contribution of wine to China culture is immeasurable. When we talk about wine culture, we can't just stay on the pleasure that wine gives us body and soul, but through this pleasure, we should pursue a great humanistic spirit formed after understanding the mystery, feeling the strength and understanding the depth and breadth of wine!
1 1, I always feel that the emotions of ancient people are much richer than those of modern people. A parting, a relationship. Every mood in life can create a beautiful sentence that has been passed down through the ages. Even men in ancient times had the same elegant and exquisite mind as women.
? Let's take a look: last night, the west wind withered the green trees, I went up to the tall building alone and looked at the horizon, Liu Yong's My clothes are getting wider and wider, but I don't regret it, and I am haggard for Iraq, Dongpo's "Even if we meet, we shouldn't know, our face is covered with dust and our temples are like frost", Qin Guan's "I hate the horizon, I'm lonely and don't ask", and so on.
? I always read Tang poetry when I am lonely, and I always taste Song poetry when I am lonely. If there is a theme in Tang poetry and Song poetry, I think it should be loneliness.
? Broad-minded as Dongpo, tragic as Yuefei, heroic as Jiaxuan, there is no lack of sadness in their words. Jia Xuan's "Worrying at Night, Hearing the Partridges in the Mountain" can be described as writing this sense of loneliness and sadness to the extreme, and their sadness is nothing more than thinking far, recalling far and aiming high. Talent is hard to know, ambition is hard to show-they can only walk in the wilderness of Shan Ye, self-deprecating and lamenting that life is untimely, and feeling lonely and lamenting that time flies-if life is fleeting, the stars are already in the temples.
? Who can escape this dreamlike loneliness and desolation? Flowers bloom and fall, and the full moon is short, which is a kind of impermanent sadness of human beings. Poets have experienced that kind of sigh and loneliness with their keen and pure hearts. It is the poems of Tang and Song Dynasties that show this loneliness to the fullest. I can't help admiring its beauty. Thousands of years have passed, and the graves of the deceased have long since disappeared, but let us savor those that we can't put down, can't help but say it silently, and read it silently in the silent night. It is the beautiful words that flow freely like a house full of fragrance, and it is the feelings of sentimental poets who were happy or sad, heroes or lonely thousands of years ago.
? Poets have been the same since ancient times. They all care about everything in the world and keep a keen and sensitive heart, so they can see what others can't. The ups and downs of nature, the blossoming of flowers, the lack of the moon and the afterglow of the sunset can give them a deep feeling, making them "sad for autumn, happy for spring." Because of this, they can enjoy lonely time more than ordinary people.
? Loneliness is an eternal proposition, whether it is a great man, a mortal, an ancient man, a modern man, a poet or us ordinary people, but smart people will get poetic feelings and profound insights in loneliness.
? "Singing the right wine, life geometry, such as morning dew, is more bitter to go to Japan." A generation of heroes like Cao Cao would say such sad things when praising wine. There is also Yan Shu's "A sad dream wakes up and the sunset shines in the deep courtyard". Imagine: Maybe you are far away, or maybe you are hurt by spring. After drinking for a while, I woke up and couldn't find my dream. The cold inside contrasts with a touch of setting sun shooting into the deep courtyard. How cold and sad it is!
? Heroes are lonely since ancient times, and so are ancient poems. It was sung by a lonely poet when he was lonely, spread through the ages when he was lonely, and tasted by later generations when he was lonely. Only loneliness knows poetry, only poetry knows loneliness.
? Missing the distance, hurting the spring, reminiscing and lovesickness are all inseparable from the word "loneliness".
? The loneliest thing is the hero's ending, but the beauty is dying, but she is tossing and turning, but things have changed. ...
13, there are many poems associated with wine and sadness. "But since the water is still flowing, although we cut it with a sword, it is even sadder to raise a glass to drown our sorrows." "Five flowers and horses, thousands of gold and jewels, give them to the boy for good wine, and share the eternal sorrow with you." "What are bells and drums, delicacies and treasures? I hope I never wake up when I am drunk. The sober man and saint of the old days are forgotten, and only the drinker will leave his name. " There is a saying in Du Fu's "Farewell to the Palace Que": "Jian Nanchun is still a rogue and touches people to the wine side." "Climbing high" includes: "I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone. Bad luck has a bitter frost on my temples, and heartache and fatigue are a thick layer of dust in my wine. " In Du Mu's "Climbing the Mountain in Nine Days", there is such a sentence: "It is hard to laugh at every opening in the world, and chrysanthemums must be inserted in your head. But there must be a reward for the festival, and there is no need to sigh. " Li Shangyin's "Storm" says: "I call out Xinfeng wine from my heart to melt my thousand worries."
In Song Ci, such sentences can be picked up by hand. Fan Zhongyan is a famous border guard, and he is also worried about wine: "When wine enters sorrow, it turns into acacia tears." Zhang Xi 'an said, "I was drunk in the afternoon, still worried, and listened to wine several times." Yan Shu: "I wake up when I am sad about my dreams, and the setting sun shines deep in the courtyard." Yan: "If you want to be drunk, you can't be sad with songs." In the works of poetess Li Qingzhao, it is even more delicate and lingering. What's in Drunken Flowers? "Dongli put wine after dusk, and there is fragrance in the sleeve. Mo Tao does not forget me, the curtain rolls west wind, and people are thinner than yellow flowers. " There is something in "Slow Sound": "Looking for it, cold and bright, sad ... how can you object to his coming late and catching the wind ... how can you lose a sad word this time?" Wine and sorrow, the twin brothers, never retired in the first generation of poetry in various dynasties.
14, young eyes look back, there is nothing to miss everywhere, and I secretly hate it. How can that be my past? We can wait for the years to overlap and shake off the vicissitudes of life, and then look back at the old days. Flowers bloom everywhere in the dust, and everything is hard to say. These are all emotional changes brought about by years.
When I walked alone, my nostalgia faded. "When I wake up, the sunset shines deep in the courtyard." The world is a big dream, and it begins to look back. The prosperity is gone and the sunset is brilliant. What I can remember and want to remember is the small courtyard of that year, which was as clear as water.
Author (Source): Yan Shu