What are Liu Yong’s top ten masterpieces?
1. "Die Lian Hua·Standing in the Dangerous Building while the Breeze is Slow" is a work by Liu Yong, a poet from the Song Dynasty. The first part of this poem describes the endless sadness caused by climbing high and looking into the distance, using blurred scene descriptions to create a sad and desolate atmosphere; the second part describes the protagonist's determination to drink and sing wildly in order to relieve the sadness of separation, but in the end he feels that it is tasteless after forcing his face to be happy, and finally uses a strong pen Writing about tenderness, he vowed that he was willing to become thin and haggard because of missing his beloved. The whole poem skillfully combines the feeling of being wandering in a foreign land with the lingering feelings of being in love with the person you love. It expresses the protagonist's perseverance and persistent attitude, and successfully portrays the image of a sincere man.
2. "Youth Travel: Ma Chichi on the Ancient Road in Chang'an" is a work by Liu Yong, a poet of the Northern Song Dynasty. This poem describes what I saw and thought on Chang'an Road in late autumn. The upper part starts from the autumn scene, and the sadness is all in the words; the lower part uses "returning to the cloud" as a metaphor to describe the failure of all expectations, and the last three words The sentence ends with lamenting the author's lack of success. The whole poem is full of scenes and situations, and the virtual and the real correspond to each other. It can be said to be a highly summarized and true portrayal of the author's miserable life.
3. "Looking at the Sea Tide: Southeast Formation" is a work by Liu Yong, a poet in the Song Dynasty. It mainly describes the prosperity and beauty of Hangzhou. The first film describes Hangzhou's natural scenery and urban prosperity, while the second film depicts the West Lake, showing the peaceful and peaceful life of Hangzhou people. The whole poem uses dots to connect areas, intersecting light and dark, clear narrative and appropriate description. It is contrary to Liu Yong's usual style. He uses wide open and large close, undulating brushwork to express the prosperity and magnificence of Hangzhou in a rich and colorful way. The slow and long tone of this poem corresponds to the ups and downs of the emotion it expresses. The rhythm is harmonious and the emotion is tactful. It is a masterpiece of Liu Yong's handed down from generation to generation.
4. "Licorice Seed: Autumn Dusk" is a lyric work by Liu Yong, a poet of the Northern Song Dynasty. This word refers to boudoir love. The protagonist of this poem is a woman. The poem first describes the loneliness and desolation she felt watching the rain by the pool in the autumn evening, and then implicitly expresses her longing for her by describing the indoor parrot "reciting pink language". The first film focuses on "chaos" and "cold": when the rain is chaotic, the heart is also chaotic, and when the weather is cold, the heart is also cold. It seems to be a description of the scene, but the emotion is in it. The word "single" stands out in the lower part, leaning against the railing alone, which makes its loneliness self-evident. The wonderful thing is that I have no choice but to stay alone and whisper with the parrot, obtaining a short-term self-deceptive masturbation. Liu Yong is known for being good at narrative, and this short poem is also good.
5. "Ding Feng Bo·Since Spring, Green and Sad" is a work by Liu Yong, a poet in the Song Dynasty. This poem is an episodic style, expressing the inner pain in the tone of missing a woman, and the author's deep pity and sympathy for the singing girls are revealed between the lines. The upper que depicts a missing woman who has just gotten out of bed, focusing on the scenery and describing the external expression of the character; the lower que depicts the psychology of the missing woman, going deep into her ideal taste, and writing about her inner regrets and yearning for a better life. The language of the whole poem is clear and simple, and it directly describes the boudoir life of singing girls. It broke through the elegant style of poetry at that time and became a representative work of "slang words" in Liu Ci.
6. "Crane Soars to the Sky·On the Golden List" is a poem written by Liu Yong, a poet of the Northern Song Dynasty, in his early years. The first part of the poem narrates the poet's frustration, dissatisfaction and arrogance after he failed to succeed, while the second part narrates the poet's dissolute and romantic life. The whole poem expresses the poet's dissatisfaction and emotion about relying on his talents, his uninhibited personality, and his lack of talent. The characteristics of this word are frankness, no hidden things that must be reached, no difficult feelings to show, and simple language.
7. The poem "Qi Shi·Late Autumn" is one of Liu Yong's self-made new tunes. It consists of three pieces and is 212 words long. "Crying Preface" (240 words) is the longest slow word. This poem is arranged in time order, from dusk, late at night to dawn, and gradually introduces the distant and close views of autumn, the poet's past events and old feelings, and the reverie of the guesthouse, making the poems complex and orderly.
8. "Huang Ying'er·Who owns the garden on a clear day and spring" is a poem about things written by Liu Yong, a poet in the Song Dynasty. This word seems to chant something, but it is actually expressing feelings. At the beginning of the first film, a panoramic depiction of the spring scene is made with extremely simple pen and ink, depicting Liu Ying's charming appearance; the second film still depicts Liu Yong's suave and carefree mood, showing Liu Yong's self-confidence and self-confidence. The whole poem is written in a fresh, natural and subtle way, which is unique among Liu Yong's poems.
9. "Snow Plum Fragrance·Scenery Xiaosuo" is a poem written by Liu Yong, a poet in the Northern Song Dynasty.
The first film depicts the loneliness and melancholy of a wanderer in a foreign land with the outline, mist and coldness of the Qingqiu Chu countryside; the second film depicts the beauty and transience of warmth, but it cannot avoid the separation and conflict between the two. tragic ending. The upper and lower parts of the whole poem reflect each other, creating a sad and beautiful artistic conception.
10. "Yin Jia Xing·Red Dust and Purple Road" is a poem written by Liu Yong, a poet of the Northern Song Dynasty. The first part of this poem describes the lyrical protagonist's memory of the Fairy in Fengcheng during his journey, with real scenes and real feelings; the second part describes the other person's lovesickness, and the unreal parts are real things. When the upper and lower pieces are put together, they say the word "lovesickness". The whole poem is narrated and emotional, with the passage of time and the change of scenes, and the emotions expressed are full and vivid.
Extended material:
As the first great poet to comprehensively innovate Song poetry, Liu Yong had a great influence on subsequent poets. Wang Zhuo at the turn of the Southern and Northern Song Dynasties said that "today's young people will most likely learn from Cao Yuanchong if they don't learn from Liu Qiqing"; he also said that Shen Tang, Li Jia, Kong Yi, Kong Ju, Chao Duanli, Wan Qiyong and other six "Everyone is in Jiayu" and "the origin comes from the Liu family". Even famous poets such as Su Shi, Huang Tingjian, Qin Guan, Zhou Bangyan, etc. are all indebted to Liu Yong.
Liu Ci inspired Su Shi in the creation of tone, narration of composition, description of scenery, combination of images and development of themes. Therefore, when Su Shi wrote lyrics, he strived to have the "Liu Qilang flavor" On the other hand, it fully absorbed the expression methods and innovative spirit of Liu Ci, thus creating a new style of Ci. Huang Tingjian's and Qin Guan's popular poems are in the same line as Liu's poems. Qin Guan's elegant poems with long tones and their narrative touches are also derived from Liu's poems; the composition and structure of Zhou Bangyan's slow poems are also derived from Liu's poems. .
Baidu Encyclopedia——Liu Yong