China Naming Network - Almanac query - What do you think is the gap between Japan and China?
What do you think is the gap between Japan and China?
My personal conclusion is that animation technology and talents can catch up in the near future, but it is very difficult. The gap between Japanese and China animation is mainly the practical significance of animation! The huge gap begins with the national policy (which plays a decisive role). In the 1980s and 1990s, China's thoughts were still very conservative. For people at that time, animation was just a shadow play watched by street children. At that time, there were animation talents in Japan, and then Japan took very encouraging measures: animation was regarded as a national production project, which simply means that people engaged in animation would not have unstable income like street performers. At that time, Osamu Tezuka, Miyazaki Hayao and other masters were born. Slowly, the Japanese began to find that animation is not just something for people to enjoy after dinner, it can reflect reality, be ironic and cruel, and take care of beauty, so they decided to create more realistic animation, and now there are many cartoons purely for children to pass the time. This phenomenon is well known to many people. National ramble is basically age-oriented, while daily ramble is divided into 14R 16R 18R and so on. Riman didn't want to know more about his feelings after watching it, but Guo Man passed after watching it, and it didn't make any sense to watch it again.
Generally speaking, what I said is not absolutely correct, but it is also the reality that I see as a person watching anime. Riemann's gains and losses are getting better and better, but I am also very supportive of Guo Man. After all, there are still great changes between now and before, and Guo Man is making constant efforts, which is what we need to see.