How to draw pavilions and pavilions in ancient gongbi paintings

Also known as "fine strokes". It belongs to the category of Chinese painting techniques and is symmetrical with "freehand painting". Gongbi painting belongs to a neat and meticulous painting method, such as the courtyard paintings of the Song Dynasty and the figure paintings of Qiu Ying of the Ming Dynasty. Meticulous brush painting requires "skillful, dense and fine" (Han Zhuo of the Northern Song Dynasty, "The Complete Works of Shanshui Chun"). Ink, light crimson, green, gold and green, boundary painting and other art forms can express gongbi painting.

In Chinese painting, it belongs to the meticulous painting method. It is named because it uses neat and dense brushwork to depict objects. It is different from "freehand brushwork".

"Guanzhong Ma Zhen, a famous painter in recent times, is good at fine brushwork." "Guanzhong Ma Zhen" by a layman in the Qing Dynasty. The paintings by Ma Zhenzhi are full of emotion and can bring out the beauty of a boudoir." Huang Binhong's "Ancient Painting Zheng: The Brushwork of Ming Paintings": "Those who express the meticulousness of Ming paintings must be called Qiu Shifu." Mu "Shibei from the Art Sea: Rough and Delicate": "I accidentally flipped through Qi Baishi's picture album, and got a lot of inspiration from some of the paintings in it that combine rough freehand brushwork with fine gongbi.

Gongbi painting is a Chinese painting expression that uses precise and delicate brushwork to depict scenes. Bian Luan, an outstanding representative of flower-and-bird painting in the Tang Dynasty, was able to paint the liveliness of birds and the fragrant colors of flowers. "Picture", the light and color are brilliant, and the details are subtle. If you look carefully, you can be sure that the painting is of peonies at noon. It turns out that the "vertical lines" in the cat's eyes in the picture are also like the five-dynasty painter Huang Quan's painting of flowers and feathers, which is very realistic. The call was about to come out, but the goshawk regarded it as a real thing and attacked it. This can be seen in "Review of Famous Paintings of the Holy Dynasty": "In Guangzheng Zhongchang, Mingquan and his son Junong painted the landscapes of the four seasons, birds and flowers, etc. in the Bagua Hall. Sophisticated. In the winter of that year, we were about to go hunting. Because we were pressing the hawks and dogs, there was an eagle among them. The one who raised his arms was unable to control it, so he let it go and went straight into the palace to catch the feathers he had painted. [2] "Gongbi painting has become popular in the Tang Dynasty. Therefore, the reason why it can achieve outstanding artistic achievements is that on the one hand, the painting techniques are becoming more and more mature, and on the other hand, it also depends on the improvement of painting materials. The improvement of silk materials has a great impact on Gongbi painting. The development of painting played a certain role in promoting the development of painting. According to Mi Fu's "History of Painting": "In ancient paintings, silk was used in early Tang Dynasty. By Wu Sheng, Zhou Dynasty, and Han Wen, later they were all made of hot soup, half-cooked, powdered and beaten like silver. The board, pretending to be a character, is wonderful in writing. ”