How to understand Jia Jian's artistic conception?
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The theme, artistic technique and artistic conception of Jiaxu.
The poem "Jiaxu" is to project the unique scenery of late autumn with the euphemistic and melancholy lovesickness feelings of the characters, thus rendering the atmosphere of the whole poem and creating a confusing and patchwork artistic conception. This poem creates a hazy, fresh and mysterious artistic conception with images such as water, reed, frost and dew. The morning mist covers everything, and the crystal dew has condensed into frost. A shy girl walked slowly. The water image in the poem represents women and embodies the beauty of women, and the thin mist is like a veil covered by a girl. She appeared at the water's edge, and then on the land of water. I can't find it, and my anxious and helpless mood itches like an ant crawling and hurts like a knife cutting. As we often say, "distance produces beauty", this kind of beauty becomes hazy, fuzzy and unclear because of distance. The identities, faces and spatial positions of the protagonist and the Iraqi people are vague, giving people a vague, looming and hazy feeling. Sword armor, white dew, Iraqi people and autumn water are becoming more and more elusive, forming a hazy and elegant watercolor painting. At the beginning of each chapter of the poem, the brushwork of seeing interest in fu is adopted. Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasps the unique characteristics of autumn, and repeatedly describes and renders the empty and sad atmosphere in late autumn with heavy colors, so as to express the poet's loss and ardent admiration. The first two sentences of each chapter are inspired by autumn scenery, which leads to the text. It not only points out the season and time, but also renders the desolate atmosphere, which sets off the melancholy mood of the characters and reaches the artistic situation of blending scenes. The three images of "Jiaxu", "Water" and "Arbitrary" complement each other and blend into one, and the things for fun and the things described constitute a complete artistic world. At the beginning, the scene of reeds growing by the water in autumn is exactly "expressing meaning with images" and has the role of "passion" Because of the reed, and under the reflection of the sky and water, it is bound to present a state of confusion, showing the realm of "hazy love" in the hero's heart from one side. The rich aesthetic feeling contained in Jiaxu is worthy of our attention and serious discussion, both from the perspective of appreciation and creation.
7 Zan 937 Browse 2017-12-16
On the artistic features of The Book of Songs.
Jia Jian belongs to Qin Feng. When Wang Xiaoshi was in Zhou Dynasty, Fei Zi, the ancestor of Qin State, was sealed in Qin Valley (now Tianshui, Gansu). When Wang Ping moved eastward, Qin Xianggong was escorted by troops and got a large fief in the west of Qishan. Later, Qin gradually moved eastward, all in Yong (now Xingping, Shaanxi). The Qin area includes the area from Guanzhong of Shaanxi to southeastern Gansu. Qin Feng * * * ten articles, mostly folk songs in the Eastern Zhou Dynasty. This poem of cherishing others has always had different interpretations. Some people think that the author misses his lover and the theme of the poem is to write about love; Some people say that the poet satirized that Qin Xianggong could not be a good corporal through his bosom friend, which led to the hermit of the wise men and refused to come out to be an official; Some people say that the author is a hermit, and this poem is the work of Zhi Ming. We are poetic, and the love between men and women is not clearly expressed in the poem. Besides, it is difficult to judge whether "Iraqi" is a man or a woman. It is even more unfounded to say that it is a satire. Therefore, we only regard "Iraqi people" as the person whom the author admires and loves, whether male or female. The phrase "white dew is frost" points out the time and environment from the image and color. The dense reeds growing by the river are light blue, and the crystal dew has condensed into thick frost with a white brush. The slight autumn wind brings people chills, and the boundless autumn water is even more chilly. In this bleak and quiet late autumn morning, the poet sometimes stops, sometimes hesitates, sometimes looks up, and sometimes frowns and meditates. His anxiety appeared before our eyes from time to time. It turned out that he longed for a friend. The phrase "The so-called Iraqi people are on the other side of the water" shows the object that the poet admires and the location of the Iraqi people, and shows that the poet is eager to see but not see, looking through the autumn water and tirelessly looking for it. "Iraqi people" refers to people who are close to the poet, respected and loved by the poet, and never forget. The word "so-called" shows that "Iraqi people" are often mentioned and kept chanting, but now they are on the other side of the long river. The positive tone of On the Water Side shows that the poet is convinced of his existence and pursues it with confidence, but the river is isolated from the world and it is difficult to meet each other. "Going back and forth here, the road resistance is long; Swim back from it in the middle of the water. " Walking on the riverside path is a long and arduous journey, even if it takes a long time, it is difficult to get there; If you swim across the river directly, although the distance is not far, you can see the endless autumn water in front of you, which is difficult to do, as if you saw the figure of Iraqis shaking in the middle of the water. Although the poet stood by the river, his trance-like mind was already flying, and he couldn't help but see the image of Iraqi ecstasy vividly. The wonder of poetry, as Fang Yurun said: "Playing with its words is out of reach. Taste its meaning, seek it not far away, and think about it. " The second and third chapters of the poem have only changed a few words, and the content is basically the same as the first chapter. But it embodies the musical characteristics of poetry singing, enhances the melodious and harmonious beauty of rhythm, and makes the feelings expressed stronger and stronger. The first chapter's "grey", the second chapter's "sadness" and the last chapter's "picking" show that the color of reed is from light green to sad green and then to white, which makes the bleak atmosphere in late autumn more and more rich, and sets off the poet's cold environment and lonely mood at that time. The transformation of "white dew is frost", "not yet" and "not yet" depicts the scene and process of morning dew gradually turning into autumn water, vividly shows the track of time development, and shows that the poet came to the river at dawn and stayed until the sun rose. Imagine that he wandered alone in the cold and lonely wilderness for a long time, facing endless autumn waters, waiting for people to disappear, thinking about people, how anxious and melancholy he was! When describing the position of the Iraqi people, due to the change of the words "Fang", "Mae" and "et al", it truly describes the activities and psychological images of the Iraqi people waiting for poets and poets to meet them on the other side, which greatly broadens the artistic conception of the poem. In addition, the changes such as "long", "leap", "right", "middle", "heart" and "middle" also describe his difficulty in finding Iraqis and his desire to meet friends from different roads and directions. If we relate several groups of deformed words used in the three chapters to taste, we can better appreciate the meaningful and honest meaning of this poem. At the beginning of each chapter of the poem, the brushwork of seeing interest in fu is adopted. Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasps the uniqueness of autumn colors, and repeatedly depicts and renders the empty and sad atmosphere in late autumn, so as to express the poet's disappointment but ardent yearning for his friends. Just as "Words on Earth" said, "Jia Jian's poem impressed me the most." It has the characteristics of "seeing things by myself, so everything is my color" and "its feeling will be refreshing; Its landscape writing will also attract attention; His words blurted out without any makeup. " This widely read poem has obvious influence on later generations. Let's look at a description in Song Yu's "Nine Debates": "Sad autumn is the same! Bleak, the vegetation falls and decays; If you want to travel far; Get the moon first by being close to the water tower; The sky is crisp; Lonely and lonely, clear water; This is a person in the cold. "Here, through the description of the autumn weather and the fall of vegetation, we create a cold atmosphere and express the poet's sad mood. This may be influenced by the poem Jia Jian, from which we can see the inheritance and development clues of Chu Ci to The Book of Songs. There are high-rise buildings in the northwest of Nineteen Ancient Poems, and the brushwork of expressing emotion with scenery also follows the brushwork of Jianjia poem. Later, from this poem, Cao Pi translated the poem "The autumn wind is bleak and the weather is cool, and the vegetation is like frost". It can be seen that Jia Xu plays a very important role in the history of ancient poetry.
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The Artistic Features of Jia Jian in the Book of Songs
On the Artistic Features of Jiaxu
Jianjia is one of the best chapters in The Book of Songs. Its main features are embodied in three closely related aspects: the fuzziness of facts, the emptiness of images and the symbolism of the whole. First, the vagueness of facts Generally speaking, the inspiration of lyric poetry comes from the feeling of specific things, so there are always some real personnel scenes in its artistic conception. However, the author seems to have deliberately blurred all the main events. Who is the seeker? What is he after? We don't know; What is the identity of the hunted "Iraqi"? Why is he so hard to catch? We don't know; Even if it is male or female, it is impossible to confirm. In particular, "Iraqis" have no voice, no appearance and no physical appearance. After a while, he was in the upper reaches of the river, the lower reaches of the river, the middle of the water, and the grass by the water. He is erratic and unpredictable, which makes people wonder if he really exists. Undoubtedly, because the pursuer, especially the pursued, is vague, the whole pursuit of characters, events and contents becomes illusory. But it is precisely because of this fact that the artistic conception of poetry is so ethereal and symbolic. Second, the ethereal image. In fact, the scene described in the poem is not a real person, but a kind of mind. This psychological image is not the memory of a real thing I have experienced, but a typical psychological situation which is synthesized, condensed and blurred by many similar events and feelings. The biggest feature of this psychological situation is that it is not sticky or greasy, and it is ethereal and rich. On the Water is the artistic expression of this ethereal psychological situation. Here, the "water center" where Yiren is located has also become a virtual symbolic image because of the ambiguity between the pursuer and the pursued, the seemingly real scenic river road and the pursuit route of the upstream and downstream. We can't delve into when, where and what rivers and mountains they are, otherwise Iraqis are contradictory in the upper and lower reaches of the river, and why even two people don't cross the river becomes a problem. The success of Jia Xu lies in the poet's accurate grasp of people's psychological images, which creates a psychological situation that looks like flowers, making the artistic conception of the poem present as a symbol of integrity. Third, the overall symbol of artistic conception The symbol of poetry is not the use of symbolic figures of speech or techniques in a word or sentence, but the overall symbol of artistic conception. "Being on the water side" is a common situation in life. The dilemma of "going back and forth in the middle, but the road is blocked and long" and the illusion of "going back and forth in the middle of the water" are also common situations in life. People may often be excited by pursuit. The baptism of a complete emotional flow, from blocked troubles to lost melancholy, is more likely to be often affected by how painful it is to go upstream or how happy it is to go downstream; Readers can think of the situation of love and the experience of arousing love from here, and also think of their ideals, careers, future situations and arouse many life experiences from here. The overall symbol of artistic conception makes it truly have an inexhaustible philosophical significance of life. Wang Guowei once compared this poem with Yan Shu's "Butterfly Lovers", "Last night, the west wind adjusted the trees, climbed the stairs alone, and looked at the horizon", which was considered as "the most popular", obviously focusing on the symbolic significance of life in its artistic conception. The vagueness of facts, the emptiness of images and the overall symbol of artistic conception are three aspects of a problem. From the fact to the virtual image, and then to the overall symbol, this is roughly the process of constructing the artistic conception of symbolic poetry.
20 likes 4,071browse 20 18-04-02
On the artistic features of The Book of Songs, taking Sword Armor as an example. (2 points)
The genre of 1 is very extensive, which truly reflects all levels of social life and lays the foundation for the realism tradition of China's poetry. 2. The language is simple and natural, and the authors of The Book of Songs reflect their simple life and wishes in the most natural language. They used a lot of xing technology, and formed a strong local flavor. 4. For example, Guan Ju, through the pairing and singing of pheasants, relies on each other and evokes the association that a lady should be worthy of a gentleman. "Pigeons in Guanguan are in Hezhou" was originally the poet's words starting with the scenery in front of him, but the harmony between waterfowl and singing can also be used to describe the courtship between men and women, or the harmonious love between men and women. It has something to do with the meaning of "my fair lady, a gentleman is a good gentleman". The beauty of this poem lies in the seamless combination of the poet's interest and natural scenery, that is, the artistic realm of blending scenes that people have always appreciated. "Jia Jian" has no idea about the left and right of leeks. It is hard to find a young lady if she goes with the flow. In the last chapter, a lady was given leeks to make her "friend" and "happy". It is precisely by using the technique of xing that poetry reveals the inner feelings of the characters, that is, the repeated chapters have only a small amount of changes in meaning and literal meaning, which is conducive to repeatedly singing to fully express the poet's delicate thoughts and feelings. For example, My Fair Lady and Uneven Shepherd's Shepherd's Shepherd, which appear repeatedly throughout Sword House, not only describe the lush state of reeds and the tortuous road of love, but also show the poet's persistent pursuit of love through repeated melodies. Health change: the environment in the mining area is very cold, and the mood is very lonely. Dew change: frost-time has not passed, and the mood is anxious and melancholy. Location change: it is difficult to see for a long time.
5 likes 540 views 2020-02-09
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